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Small Plate
Resonantly metallic reverb with more density and atness
than room and hall reverbs
Large Plate
The reverb type heard on countless recordings, based on
the classic (and pool table-sized) EMT 140
’63 Spring Classic early-’60s standalone Fender reverb eect
’65 Spring Fender reverb eect built into classic mid-’60s Fender amps
Arena
Simulates the long-trailing reverberation typical of
large stadiums and arenas
Ambient
Subtle reverb eect typical of notably smaller spaces (even
smaller than Small Room reverb above)
Shimmer
Sonically radiant combination of reverb and
two-octave pitch shift
GA-15 Reverb
Based on the ’60s-era Gibson GA-15 amp reverb, unique in
its ability to go “full wet” (no dry signal)
REVERB EFFECTS (CONTINUED)
All non-FMIC product names and trademarks appearing in this manual are the property of their respective owners and are used solely to identify the products
whose tones and sounds were studied during sound model development for this product. The use of these products and trademarks does not imply any alia-
tion, connection, sponsorship, or approval between FMIC and with or by any third party.
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