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MODULATION EFFECTS
Sine Chorus
Smoothly rounded chorus eect that uses a sine
wave for modulation
Triangle Chorus
Distinctive chorus eect that uses a triangle
wave for modulation
Sine Flanger
Smoothly rounded anging eect that uses a sine
wave for modulation
Triangle Flanger
Distinctive anging eect that uses a triangle
wave for modulation
Vibratone
Classic late-’60s/early-’70s Fender eect with a
rotating speaker bae
Vintage Tremolo
Classic Fender “stuttering” photoresistor tremolo, as heard in
Fender amps such as the Twin Reverb
Sine Tremolo
Smoothly pulsating tube bias tremolo, as heard in amps such as
the Fender Princeton Reverb
Ring Modulator
Creatively non-harmonic dissonance from the early era
of electronic music
Step Filter
Rhythmically choppy modulation eect that dices notes into
distinctly alternating “steps”
Phaser
Long-indispensable jetliner “whoosh heard on
countless recordings
Phaser 90 Phase shifter eect inspired by the classic ’70s MXR Phase 90
Pitch Shifter
Simple pitch shifter that adds another note above or below
the dry signal pitch
Diatonic Pitch
Pitch shifter that produces a chosen musical interval
to create harmonized notes in key
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Note that the TAP utility button works with Mustang GT modulation eects, and ashes when
a preset using one or more modulation eects is in use.
All non-FMIC product names and trademarks appearing in this manual are the property of their respective owners and are used solely to identify the
products whose tones and sounds were studied during sound model development for this product. The use of these products and trademarks does
not imply any aliation, connection, sponsorship, or approval between FMIC and with or by any third party.
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