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Behringer Xenyx QX1002USB Manual

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22 23XENYX QX1202USB/QX1002USB Quick Start Guide
XENYX QX1202USB/QX1002USB Getting started Presets List
(EN) Step 3: Getting
started
(ES) Paso 3: Puesta en
marcha
(FR) Etape 3 : Mise en
oeuvre
(DE) Schritt 3: Erste
Schritte
(PT) Passo 3: Primeiros
Passos
(EN) To correctly set the gains of the channels,
rstset the LEVEL controls of the input channels
to their center positions (0 dB). Then use the GAIN
controls to increase the input amplication until
signal peaks show 0 dB on the level meter.
When recording to digital recorders, therecorder’s
peak meter should not go into overload.
Whileanalog recorders can be overloaded to
some extent, creating only a certain amount of
distortion (which is common and often desirable),
digitalrecorders distort quickly when overloaded.
Inaddition, digital distortion is not only undesirable,
but also renders your recording completely useless.
The peak meters of your XENYX display the level
virtually independent of frequency. A recording level
of 0 dB is recommended for all signal types.
(ES) Para ajustar el nivel debe posicionar el regulador
LEVEL de los canales de entrada en la posición
central (0 dB) y aumentar mediante el regulador
GAIN la amplicación de entrada a 0 dB.
En la grabación con grabadores digitales,
losmedidores punta del grabador no deben
superar los 0 dB. Esto se debe a que, al contrario
que en la grabación analógica, ya las más
pequeñas sobrealimentaciones (que también
surgen de forma muy repentina) conducen a
desagradables distorsiones digitales. Losmedidores
punta de su XENYX muestran el nivel más o
menos independientemente de la frecuencia.
Serecomienda un nivel de grabación de 0 dB para
todos los tipos de señal.
(FR) Reglage : Pour régler le niveau des
signaux, placez la commande de niveau LEVEL
de chaque canal en position neutre 0 dB et
ajustez l’amplication d’entrée sur 0 dB via le
potentiomètreGAIN.
Pour l’enregistrement en numérique, l’acheurde
crêtes de votre enregistreur ne doit pas excéder
0 dB. En eet, contrairement aux magnétos
analogiques, les enregistreurs numériques génèrent
des distorsions très désagréables dès le moindre
dépassement, même minime, du maximum
numérique. Les indicateurs de crêtes de votre
XENYX achent le niveau de façon quasiment
indé-pendante de la fréquence. Nous vous
conseillons un niveau d’enregistrement de 0 dB quel
que soit lesignal.
(DE) Aussteuerung: Zum Einpegeln sollten Sie den
LEVEL-Regler der Eingangskanäle in Mittelstellung
(0 dB) bringen und mit dem GAIN-Regler die
Eingangsverstärkung auf 0 dB anheben.
Bei der Aufnahme mit Digitalrekordern
sollten die Peak-Meter des Rekorders 0 dB
nicht übersteigen. Das hat den Grund, dass im
Gegensatz zur Analogaufnahme bereits kleinste
Übersteuerungen (die auch sehr plötzlich auftreten)
zu unangenehmen, digitalen Verzerrungen führen.
DiePeak-Meter Ihres XENYX zeigen den Pegel
nahezu frequenzunabhängig an. Empfehlenswert ist
ein Aufnahmepegel von 0 dB für alle Signalarten.
(PT) Modulação: Para a regulação do nível deverá
colocar o regulador LEVEL dos canais de entrada
na posição central (0 dB) e com o regulador GAIN
aumentar a amplicação de entrada para 0 dB.
Aquando da gravação com gravadores digitais,
os medidores de peak do gravador não
devem ultrapassar os 0 dB. O motivo é que,
contrariamente à gravação analógica, as mais
ínmas sobremodulações (que também surgem
muito repentinamente) podem originar distorções
digitais desagradáveis. Os medidores do peak
do seu XENYX indicam o nível de forma mais ou
menos independente da frequência. Recomenda-se
um nível de gravação de 0 dB para todos os tipos
desinais.
Reverb
00 Small Chamber
01 Mid Chamber
02 Big Chamber
03 Theater
04 Small Room 1
05 Small Room 2
06 Mid Room 1
07 Mid Room 2
08 Large Room
09 Small Hall
10 Concert Hall
11 Mid Hall
12 Big Hall
13 Ambient Hall
14 Church
15 Short Plate
16 Mid Plate
17 Long Plate
18 Gold Plate
19 Vint250Verb 1
20 Vint250Verb 2
21 Mid Spring
22 Long Spring
23 Gated Reverb Short
24 Gated Reverb Mid
25 Gated Reverb Long
26 Gated Alive
27 Reverse Short
28 Reverse Mid
29 Reverse Long
Early Reections / Delay
30 Short Ambience
31 Mid Ambience
32 Live Ambience
33 Big Ambience
34 Stadium
35 Early Reections 1
36 Early Reections 2
37 Early Reections 3
38 Early Reections 4
39 Slap Delay
Early Reections / Delay
40 Short Delay 1
41 Short Delay 2
42 Mid Delay 1
43 Mid Delay 2
44 Mid Delay 3
45 Long Delay 1
46 Long Delay 2
47 Long Delay 3
48 Stereo Delay
49 Ping-Pong Delay
50 Short Echo
51 Mid Echo 1
52 Mid Echo 2
53 Long Echo 1
54 Long Echo 2
Modulation
55 Soft Chorus
56 Warm Chorus
57 Phat Chorus
58 Classic Flanger
59 Warm Flanger
60 Stereo Flanger
61 Classic Phaser
62 Warm Phaser
63 Heavy Phaser
64 Stereo Phaser
65 Slow Tremolo
66 Fast Tremolo
67 Panner 1
68 Panner 2
69 Detune 1
70 Detune 2
71 Minor Third Up
72 Major Third Up
73 Fifth Up
74 Fourth Down
75 Octave Down
76 Minor Chord
77 Major Chord
78 Jazzy
Multi
79 Delay + Chorus 1
80 Delay + Chorus 2
81 Delay + Chorus 3
82 Delay + Flanger 1
83 Delay + Flanger 2
84 Delay + Pitch 1
85 Delay + Pitch 2
86 Delay + Reverb 1
87 Delay + Reverb 2
88 Delay + Reverb 3
89 Chorus + Reverb 1
90 Chorus + Reverb 2
91 Flanger + Reverb 1
92 Flanger + Reverb 2
93 Detune + Reverb
Special FX
94 LFO Filter 1
95 LFO Filter 2
96 Talkbox 1
97 Talkbox 2
98 Overdrive
99 Distortion
… 12 …


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