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DFX1
(INT)
DFX2
BAL
(EXT)
RIGHT
LEFT
3
0
4
0
PRE
POST
HI-MID
3kHz
500Hz
80Hz
LOW
MID-LOW
2
0
+15+15-15-15
0
+15-15
0
+15+15
0
-15-15
+15-15
12kHz
EQ
0
HI
-+15
8
-+15
8
-+15
8
-+15
8
POST
+15+15
0
-15-15
+15+15-15-15
80Hz
LOW
8kHz
0
100Hz
FREQ
+15
800
-15
MID
0
EQ
HI
12kHz
DFX1
(INT)
DFX2
PAN
(EXT)
RIGHT
LEFT
3
0
4
0
PRE
POST
2
0
-+15
8
-+15
8
-+15
8
-+15
8
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8 9/10
SG/PEAK
MUTE
10
dB
-5
-10
-20
-25
-30
-40
-60
0
5
SG/PEAK
MUTE
10
dB
-5
-10
-20
-25
-30
-40
-60
0
5
SUB 1-2
SUB 3-4
MAIN L-R
SOLO
15
4.6.5 LOW
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4.6.4 MID-LOW
10
This control gives you up to 15dB boost or cut at 500Hz.
This is the Bass control. Boost male voice or kickdrum and
bass guitar. Your system will sound much bigger than what
it is. The gain range goes from -15dB to +15dB and the center
frequency is 80 Hz.
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4.7 AUX SENDS Level Control
These four controls are used to adjust the level of the signal sent
to AUX buses, and their adjustable range goes from - to +15dB.
AUX1 and AUX2 can be switched to PRE/POST-FADER via the
PRE/POST button, so, generally, they can be used for monitor
application and effects & sound processors input.
AUX3 and AUX4 are configured as POST-Faders.
In this typical compact unit, excluding sending out directly to the
external effect or processor equipment, AUX SEND 4 can also be
assigned to the internal onboard effect module.
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4.9 SG/PEAK LED
Inside your L-16 the audio signal is monitored in several different
stages and then sent to the SG/PEAK LED. When the LED shows
green, it indicates that there present signal on corresponding
channel; When the LED turns into red, it warns you that you are
reaching signal saturation and possible distortion, then you should
reduce the input level for avoiding distortion.
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4.9 MUTE Switch
SUB 1-2
SUB 3-4
MAIN L-R
SOLO
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4.8 PAN/BAL Control
The PANORAMA control for MONO channels, and the BALANCE
control for STEREO channels. Rotate the control to determine the
amount of channel signal sent to left/right of MAIN MIX when Main
L-R push-button is pressed. Keep the control in center position
and your signal will be positioned in the middle of stage. Turn the
control fully counterclockwise, the signal will be present only on
the left of MAIN MIX and vice-versa.
Besides, the PAN or BAL control has the same affection to SUB
1-2 and SUB 3-4 if the SUB 1-2 or SUB 3-4 push-button is pressed.
Each channel is equipped with the MUTE switch. Pressing this
switch is equal to turning the fader down, which can mute the cor-
responding channel output except for channel INSERT send and
SOLO (in PFL mode). And the MUTE LED will illuminate.
11


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