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POWER
ON
OFF
PHANTOM
1
2
5
1
2
4. CONTROL ELEMENTS
4.1 The MONO MIC/LINE Channels
4.2 INPUT LEVEL Setting
This Control is provided with 2 different indication rings: One is
for the Microphone and the other for the Line levels. When you
use a microphone you shall read the OUTSIDE ring (0~60 dB),
When you use a Line level instrument you shall read the INSIDE
ring (+15~-45 dB). For optimum operation you shall set this control
in a way that the peak LED will blink occasionally in order to avoid
distortion on the input channel.
4
These are Channel 1 through Channel 8. You can connect balanced, low im-
pedance microphones to the XLR socket. On the 1/4" phone jack you can
connect either a microphone or a line level instrument. You shall never connect
an unbalanced microphone to the XLR socket if you do not want to damage
both the Microphone and the Mixer.
48 Volt phantom power
It is available only to the XLR Mic sockets. Never plug in a microphone when
phantom power is already on. Before turning phantom power on, make sure
that all faders are all the way down. In this way you will protect your Stage
Monitors and Main Loudspeakers.
5
4.4 LOW-CUT FILTER
By pressing this button you will activate a 75 Hz low frequency filter with a slope of 18 dB per octave. You can use
this function to reduce hum and stage rumble when using microphones.
BAL/UNBAL
INSERT
LINE IN 1
MIC 1
1
-45dB
75Hz
LOW CUT
60dB
18dB/Oct
+15dB
0dB
LINE
MIC
TRIM
12
3
3
4.3 MONO Channel INSERT
3
Insert points are provided for the Mono Mic Channels. When you
insert a TRS jack in the insert socket, the signal will be taken out
after the Input Gain Control (Trim), sent to an external processor
such as a compressor-limiter, and returned into the channel strip
immediately before the EQ section. Of course, the jacks used must
be stereo (Tip Send/Ring Return).
9


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