Manual AAS Ultra Analog Session (page 34 of 53) (English)

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4.7 The Output Effect Stage 34

adjusted with the knobs located at the bottom of the module. The Mix knob is used

to set the relative amount of “dry” and “wet” signal which is related to the prox-

imity of the sound source. The Decay is used to control the reverberation time of

the room. In a real room, the reverberation time is not constant across the whole

frequency range because the walls of the hall are generally more absorbent at high

frequencies which results in a shorter reverberation time for these frequencies. This

effect is controlled with the Color knob which sets the reverberation time of high

frequencies relatively to the value of the Decay knob.

4.7.4 Topology

The three effects of the output section can be used in four different conﬁgurations

as shown in Figure 9 and where the Chorus, Delay and Reverb modules are la-

beled A, B, and C respectively.

Figure 9: The four topologies in which the effects can be applied after the Amp

module of the two module rows; A = Chorus module, B = Delay module and C

= Reverb module.

In the ﬁrst two conﬁgurations, the left and right channels of both source lines

are mixed before being sent to the output stage. In the ﬁrst conﬁguration, the Cho-

rus module is ﬁrst applied, then the Delay and ﬁnally the Reverb module. In the

second conﬁguration, the signal is ﬁrst processed by the Delay, then by the Chorus

and the Reverb module. In the third and fourth conﬁgurations, a different effect is

applied after the Amp module at the end of the two module rows, mixing occurs

and the resulting signal is fed to the Reverb module. The third and fourth layouts

refer to different conﬁgurations of the original Ultra Analog engine in which the

Chorus and Delay modules are applied to the signal path in reversed order.

Note that each of the effects can be muted by selecting the Bypass preset in its

respective algorithm selection drop down menu.

4.7.5 The Output Module

This module is used to monitor levels of the left and right channels. The overall

level is adjusted with the Level knob. The best dynamic range is obtained when the

level meters are around 0 dB for loud sounds.

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AAS Ultra Analog Session Manual

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