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56 Parameters
6.4.7 Tremolo
The Tremolo effect introduces a low frequency modulation of the amplitude of the sound. When
the effect is used in stereo mode, the sound also bounces with a 180 degree phase shift from left to
right. The Shape parameter is used to adjust the shape of the waveform which creates the tremolo
effect. In its leftmost position, the wave is triangular while in its rightmost position it is a square
wave. The Depth parameter is used to set the amount of modulation in the amplitude of the signal.
In its leftmost position, the amplitude is not modulated and turning the knob clockwise gradually
increases the amplitude of the modulation. Finally, the Rate knob is used to control the frequency
of the modulation. Turning this knob clockwise increases the frequency and therefore results in a
faster modulation rate. Note that this knob is active only when the Sync function is switched off.
6.5 Edit Mode
Figure 23: Editing parameters for string number 6 (E2).
This mode allows one to view and adjust all the parameters used by the synthesis engine. While
for most applications, simply using the presets will be sufficient, one might want in certain cases
to access the different instrument parameters and control them precisely. This mode is activated by
clicking on one of the string numbers appearing in the top of the guitar shape. Strings are numbered
from 6 to 1 with 6 being the lowest string (E2) and 1 being the highest one (E4). Clicking on the
different string numbers reveals parameters for this specific string which implies that all strings can
be tuned independently.
It is important to know that parameters from the different parameter sections can be copied
from string to string or all of them at once by clicking on the down-pointing arrow located next
to the section name label and choosing one of the proposed destination. Remember also that a
specific parameter can be adjusted for all the strings simultaneously by ctrl-clicking (Windows) or
Command-clicking (Mac OS) on the corresponding knob and moving it.
56


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