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Patch-Liste des H4
Die Effekt-Patches in dieser "Patch-Liste" stehen im 4-Spur-Modus und im Betrieb als Audio-Interface (bei der
Samplingrate 44,1 kHz) zur Verfügung.
Kategorie Nr. Patchname Beschreibung
PREAMP
Modul
EFX
Modul
Guitar
00 Fender Clean
Cleaner Grundsound, für die Aufnahme optimiert
FD CLEAN OFF/Aus
01 Natural Cho
Vielseitiger cleaner Chorus-Sound, für Arpeggios
ebenso wie für melodisches Spiel geeignet
OFF/Aus ENSEMBLE
02 FunkyCutting
Sound für Funk-Riffs im Stil der 1970-er
FD CLEAN AUTO WAH
03 Clean Lead
Für Solos geeigneter Sound mit einem cleanen Delay
mit Tempo 120 BPM
HW CLEAN DELAY
04 Vox Clean
Merseybeat-Sound im Stil der Beatles auf Basis
eines Vox AC30TBX
VX CLEAN LIMITER
05 Light AcoSim
Simulation einer Akustikgitarre, ideal für Akkorde
ACO SIM HALL
06 Clean Comp
Natürlicher Kompressor-Sound, der sich von her-
kömmlichen Bodeneffekt-Kompressoren abhebt
FD CLEAN RACK COMP
07 CuttingPhase
Phaser für eine Vielzahl von Anwendungen für aktu-
elle Stilarten
OFF/Aus PHASER
08 Smooth Trem
Tremolo-Sound, der Sinle-Notes und schwierige
Arpeggios gleichermaßen dezent unterstützt
FD CLEAN TREMOLO
09 Deep Vibe
Vibrato-Sound, der Sound-Effekten und dem Band-
Sound mehr Fülle verleiht
OFF/Aus VIBE
10 Octave Down
Verzerrter einstimmiger Sound, der dem Klang eine
um eine Oktave tiefere Version hinzufügt
TS+FD_CMB PITCH
11 MS CRUNCH
Crunch-Sound eines Marshall Bluesbreakers, der das
Picking heraushebt
UK BLUES RACK COMP
12 Full Crunch
Simulation des vielseitigen Mesa Boogie Mk III für
Backing- oder Lead-Sounds
BG CRUNCH RACK COMP
13 Air Crunch
Leichter und luftiger Crunch-Sound
UK BLUES AIR
14 Blues Tone
Grundsound für Lead-Parts im Blues und Rock 'n Roll
TS+FD_CMB ROOM
15 Crossover
Overdrive-Sound mit genau dem richtigen Chorus
für Fusion and Crossover
BG CRUNCH ENSEMBLE
16 Peavey Lead
High-Gain-Sound des Peavey 5150 für Power-
Chords, schnelle Riffs und anspruchsvolle Soli
PV DRIVE OFF/Aus
17 Diezel Riff
Sound für Heavy-Riffs mit einem Diezel Herbert
DZ DRIVE OFF/Aus
18 Rectify Lead
Simulierter High-Gain-Sound des Mesa Boogie Rectiers
RECT VNT RACK COMP
19 Melody Line
Delay-Sound, gleichermaßen für Melodielinien und
improvisierte Soli geeignet
PV DRIVE DELAY
20 Classic MS
Sound, der dem Marshall 1959 SuperLead 100 nach-
empfunden wurde
MS #1959 ROOM
21 Fuzz Box
Prägnanter Fuzz-Klang einer Kombination aus Fuzz
Face + Marshall
FZ+MS_STK SPRING
22 Air Lead
Drive-Sound eines Mesa Boogie Mk III, der Luftig-
keit mit einem schneidenden Grundsound verbindet
BG CRUNCH AIR
23 Jet Flanger
Berühmter Jet-Sound, der Akkorde ausdrucksstärker
macht
SD+MS_STK FLANGER
24 Wah Lead
Heavy-Wah-Sound, Kombination aus Distortion und
Auto-Wah; besonders für Lead-Passagen geeignet
SD+MS_STK AUTO WAH
Bass
25 Hartke
Druckvoller Sound auf Basis des Hartke HA3500
HARTKE OFF/Aus
H4_ERF_DE.fm Seite 96 Donnerstag, 9. November 2006 9:28 09
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