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Croup
1
No.
I
Name
Effects
I
Fx
Link
Comments
This program simulates a plate rcverb sound, with low frequency
boost, and reverb peaks at SOOI-Iz and 8kHz. Basic reverb tirne is 3.
8s. w180ms. of predclay.
[l]
C
Rev6
This program simulates an exceptionally large plate, with asymmet-
rical reflections and extreme frequency peaks. Basic reverb time is
7.5, wIl40rns. of predelay.
Like the Small IIall, this program initially suggests a large sound
with fairly strong reflections, but then closes down. Basic reverb
time is 2.4s, w/70ms of predclay.
[l]
C
Rev6
Big Plate
Plate
/
27
1
Small Plate
[l]
C
Revl
Plate
1
B
1
Wide Plate
[l]
C
Rev6
This responsive, bright plate simulation moves in the stereo image
with asymmetrical reflections. Basic reverb time is 4.5s. wHOms.
of predelay, and almost no damping.
This bright plate also moves, but using the spread parameter, which
begins
in
the center and spread out. Basic reverb time is 2.6s,
wI55ms. of predclay.
Plate
I
29
1
Clear Plate
I
I
[l]
C
Rev6
Real Plate
Percussion
[l]
C
Rev6
This plate's tonal richness comes from open IIi Cut parameter bal-
anced
by
opposite scuings
in
the
EQ.
Basic reverb time is 3.2~~
w/70ms. of predelay.
This reverb fattens the source material initially, and then subsides
evenly, without pronounccd reflections. Reverb time is 2.0~~ w/O.
lms. of prcdelay
&
medium damping.
Vocal Plate
Warm Plate
[l]
C
Rev6
This program is a bright and open rcverb sound
with
resonant peaks
at 4 and 16kI-Iz. Customi7x: the tonc with
EQ.
Basic reverb time is
2.6s. w170ms. of predclay.
This warm tonality is created with
EQ
and resonant peaks at 350Hz
and 3kIIz, while damping is low for an even decay. Basic reverb
time is 3.8s. w178ms. of prcdelay.
[l]
C
Ktv6
[l]
C
Revl
Plate
1
34
/
Hi
Remain Plate
This high pass reverb effect is created by multiplying frequencies
over 2kIIz which finally spread to the sides. Basic revert, time is
2.
4s, w190ms. of prcdelay.
I
;;l;;
1
1;
1
Dark Shadow
1
;I
Plate-EQ
This low pass effect scales frequencies above 800Hz by 50%, with
added help from
EQ.
Basic reverb time is 4.7s, wIll0ms.
of
prede-
lay, and surprisingly little damping.
Here the revcrb is scnt through a three band
EQ,
making adjust-
ments to the tonal colour of the effect extremely easy to alter. Basic
reverb tunc is 3.4s, wI6Oms. of prcdelay.
This program cnhanccs the source material with attack emphasis,
and then decays quickly with high damping. Basic rcvcrb time is
0.
9s, wflms. or prctlelay.
[l]
C
Rev5
[l]
1)
EQ
[2]
11
Revl
[l]
C
Revl
[I
l
0
Revl
[2]
B
WR2
-
Serial
7
I'araIMix
This program patchcs an early reflection algorithm through a very
short reverb wilh medium attack emphasis. Reverb time is 0.5s.
w/O.lms. of prcdclay, and light damping.
plate
1
37
(
Natural Ambience
I
[l]
B
Revl
[2]
0
WR2
Ambience
This program sends the early reflec~ion through a longer brighter
revcrb, with asymmetrical reflections. Basic reverb time is 1.6s.
w/30ms. of predelay.
~mbicnce
l
39
1
Broad Ambience
I
I1
38
[I]
Il
Revl
[2]
13
ElH2
Shallow Ambience
Ambience
40
Tight Ambience
1
I
PardMix
I1
11
Similar to program 38, but brighter. Sounds great with
Latin
Percussion, adding presence and body. Basic reverb tirne is 0.65,
w/O.lms. of predelay
&
light damping.
Ambience 41
I
l
Ibis
program does just what it says
-
for a full 30min! Try altering
the damping, attack, and Hi Multiply/Xover. Basic reverb time
is
30minutes,
w/O.
lms, of prcdclay.
[l]
C
Rev5
Infinity
[l]
B
Revl
[2]
B
E/R2
Ambience 42
Power Ambience
I
l
PardMix
I1 Another early reflection algorithm parallel patched through reverb,
this program reinforces bass, adding body to acoustic snares.
Reverb time is 0.9s. w/O. lms. of predelay.
This uniquc tonc first multiplies highs over 4kHz. and then sup-
presses IOkIIz with
IIQ
for
a
filter envelope effect. BaSic
revert,
timc
is
0.5~~ wll5ms. of predelay.
[l]
C
Revl
Now the first early reflection algorithm
if
I-Ii Cut and then parallel
palched into a vcry bright, long reverb. Basic reverb tirne is 3.6s.
w160ms. of predclay.
Ambience
JJ
Cool Ambience
I
l
Two vcry long, dark reverbs are mixed in parallel. Excellent for
rescuing sampled strings that lack a filter. Basic reverb time is
4.0s.
w/5(hns. of prcdelay.
11
[l]
D
Revl
[2]
B
Rev4
~mbience
1
45
1
Warm Ambience
I
I1
Ambience
1
46
I
Prison Door
[l]
B
Rev4
[2]
11
Rev2
P
--
Here are two dark reverbs mixed in parallel with staggered reflec-
tions dramatically offset predclays. Reverb times are 4.213.4s. pre-
delays are 35/300ms.
This program is ideal for filling out solo lead instruments. Decay
1
he can
be
shortened by scaling the Hi Multiply. Basic reverb Lime
1
is 0.4~~ w/O.lms of predelay.
Ambience1
47
1
Tonal Enhance
I
I
[l]
C
Rev3
Ill
It
EQ
[2]
B
Revl
Ambience Serial
Here the reverb is scnt through a three band
EQ,
making adjust-
ments to the tonal colour of the effect extremely easy to alter. Basic
reverb tirne is 1.7s. w/lOrns.
ol
prcdelay.
48
Echo
I
49
1
Big Dome
l
I1
This programs has patches he reverb through an echo set to 222ms.
mixed
on
parallel. Hasic reverb time is 3.0~~ wi50ms. of predelay.
Ambience-EQ
[l]
B
Echo1
121
B
Rev2
I1
68


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