Manual Zoom 2100 (page 18 of 24) (English)

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Parameter 1

Select the desired effect type for the DIST effect module

from the following seven types. Parameters 2 and 3 change

according to the selected effect type. Effect types 1–6

provide two variations (A/B) to produce different effects.

Type: 1A/1b CLEAN (clean)

Type: 2A/2b OVER DRIVE (over drive)

Type: 3A/3b DISTORTION (distortion)

Type: 4A/4b FUZZ/GRUNGE (fuzz/grunge)

Type: 5A/5b LEAD (lead)

Type: 6A/6b METAL (metal)

Type: 7 ACOUSTIC (acoustic)

■ Type: 1A/1b CLEAN (clean)

This effect type produces a clean sound.

1A (FAT CLEAN): Produces a firm sound with

emphasized mid and low ranges.

1b (BRIGHT CLEAN): Produces a bright sound with

an emphasized high range.

● Parameter 3: Tone

This parameter adjusts the tonal quality of the high range.

■ Type: 2A/2b OVERDRIVE (overdrive)

This is an overdrive effect.

2A (VINTAGE OD): Produces a sound with a vintage

amplifier flavor.

2b (OVERDRIVE): Produces a thick, solid sound with

plenty of sustain.

● Parameter 2: Gain

This parameter sets the amount of distortion.

● Parameter 3: Tone

This parameter adjusts the tonal quality in the high range.

■ Type: 3A/3b DISTORTION (distortion)

This is a distortion effect.

3A (VINTAGE DIST): Produces a dry distortion

sound.

3b (DISTORTION): Produces a wet distortion sound.

■ Type: 4A/4b FUZZ/GRUNGE (fuzz/grunge)

This fuzz effect produces a wild distortion.

4A (FUZZ):

Produces a 60’s retrospective fuzz tone.

4b (GRUNGE)

Produces a stimulating, contemporary fuzz sound.

● Parameter 2: Gain

● Parameter 3: Tone

■ Type: 5A/5b LEAD (lead)

This effect is suitable for a lead guitar.

5A (LEAD):

Sound with an edge in the mid range suitable for

lead guitar.

5b (VINTAGE LEAD):

Produces a solid, powerful sound with a vintage

amplifier flavor.

● Parameter 2: Gain

● Parameter 3: Tone

■ Type: 6A/6b METAL (metal)

This effect type is most suitable for a heavy metal sound.

DIST (distortion)

■ Type: 6/c6 SLOW ATTACK (slow attack)

This effect slows the attack of each tone to simulate a violin

technique. If you select “c6,” parameter 2 can be controlled

via RTM.

● Parameter 2: Rate (←RTM)

This parameter specifies the attack speed.

■ Parameters shared by effect types 1–6 and

c1–c6

● Parameter 3: POSITION (position)

This parameter specifies the order of the connection of the

COMP/WAH effect module and the DIST effect module.

1: The COMP/WAH effect module is followed by the

DIST effect module.

2: The DIST effect module is followed by the

COMP/WAH effect module.

● Parameter 4: Patch Level (P)

This patch parameter adjusts the overall volume of the

patch.

COMP/WAH

DIST

COMP/WAH DIST

Parameter 1

1A / 1b : 2A / 2b : 3A / 3b : 4A / 4b : 5A / 5b : 6A / 6b : 7 :

CLEAN OVER DRIVE DISTORTION

FUZZ / GRUNGE

LEAD METAL

ACOUSTIC

Parameter 2

Gain Top

1 – 30 1 – 10

Parameter 3

Tone Tone Body

0 – 10 0 – 10 1 – 10

Parameter 4

Level

1 – 16

This module includes distortion-type effects, such as distortion and over drive.

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Zoom 2100 Manual

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