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80 DGX-620/520, YPG-625/525 Bruksanvisning
Style-funktioner (automatiskt ackompanjemang)
Standardackord som kan tolkas● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ●
Alla ackord i listan har C som grundton.
* De här ackorden visas inte i Dictionary-funktionen.
Ackordnamn/[Förkortning] Förekommande toner Ackord (C) Display
Dur [M] 1 - 3 - 5 C
Nona [(9)] 1 - 2 - 3 - 5 C
9
Sexackord [6] 1 - (3) - 5 - 6 C6
Sex add9 [6(9)] 1 - 2 - 3 - (5) - 6 C6
9
*
Stor septim [M7]
1 - 3 - (5) - 7 eller
1 - (3) - 5 - 7
CM7
Stor septim add 9 [M7(9)] 1 - 2 - 3 - (5) - 7 CM7
9
*
Stor septim med överstigande 11 [M7(#11)]
1 - (2) - 3 - #4 - 5 - 7 eller
1 - 2 - 3 - #4 - (5) - 7
CM7
#11
*
Förminskad kvint [(b5)] 1 - 3 - b5C
b5
*
Stor septim med förminskad kvint [M7b5] 1 - 3 - b5 - 7 CM7
b5
*
Förhållen kvart [sus4] 1 - 4 - 5 Csus4
Överstigande [aug] 1 - 3 - #5Caug
Stor septim med överstigande kvint [M7aug] 1 - (3) - #5 - 7 CM7aug *
Moll [m] 1 - b3 - 5 Cm
Moll add nona [m(9)] 1 - 2 - b3 - 5 Cm9
Moll sex [m6] 1 - b3 - 5 - 6 Cm6
Mollseptim [m7] 1 - b3 - (5) - b7Cm7
Mollnona [m7(9)] 1 - 2 - b3 - (5) - b7Cm7
9
Mollseptim med elva [m7(11)] 1 - (2) - b3 - 4 - 5 - (b7) Cm7
11
*
Moll med stor septim [mM7] 1 - b3 - (5) - 7 CmM7
Mollnona med stor septim [mM7(9)] 1 - 2 - b3 - (5) - 7 CmM7
9
*
Mollseptim med förminskad kvint [m7b5] 1 - b3 - b5 - b7Cm7
b5
Moll med stor septim förminskad kvint [mM7b5] 1 - b3 - b5 - 7 CmM7
b5
*
Förminskat [dim] 1 - b3 - b5Cdim
Förminskat septim [dim7] 1 - b3 - b5 - 6 Cdim7
Septim [7]
1 - 3 - (5) - b7 eller
1 - (3) - 5 - b7
C7
Septim med förminskad nona [7(b9)] 1 - b2 - 3 - (5) - b7C7
b9
Septim med förminskad tretton [7(b13)] 1 - 3 - 5 - b6 - b7C7
b13
Septimnona [7(9)] 1 - 2 - 3 - (5) - b7C7
9
Septim med överstigande elva [7(#11)]
1 - (2) - 3 - #4 - 5 - b7 eller
1 - 2 - 3 - #4 - (5) - b7
C7
#11
Septim med tretton [7(13)] 1 - 3 - (5) - 6 - b7C7
13
Septim med överstigande nona [7(#9)] 1 - #2 - 3 - (5) - b7C7
#9
Septim med förminskad kvint [7b5] 1 - 3 - b5 - b7C7
b5
*
Överstigande septim [7aug] 1 - 3 - #5 - b7C7aug
Septim med förhållen kvart [7sus4] 1 - 4 - (5) - b7C7sus4
Förhållen halv [sus2] 1 - 2 - 5 Csus2 *
C
C
(
9
)
C6
(
9
)
C6
CM7
CM7
(
9
)
CM7
(
#11
)
C
(
b5
)
CM7
(
b5
)
Csus4
Caug
CM7aug
Cm
(
9
)
Cm
Cm6
Cm7
Cm7
(
9
)
Cm7
(
11
)
CmM7
CmM7
(
9
)
Cm7
(
b5
)
CmM7
(
b5
)
Cdim
Cdim7
C7
C7
(
b9
)
C7
(
b13
)
(
9
)
C7
(
#11
)
C7
(
13
)
C7
(
#9
)
C7
C7b5
C7aug
C7sus4
Csus2
Toner inom parentes kan utelämnas.
Spelas en oktav återges ett ackompanjemang som enbart baseras på
grundtonen.
Spelas en ren kvint (1 + 5) återger ackompanjemanget enbart grundton
och kvint vilket kan användas i såväl dur som moll.
Fingersättningarna för ackord anges alla i ”grundtonsläge”, men andra
inverteringar kan användas, med följande undantag: m7, m7
b
5, 6, m6,
sus4, #5, dim7, 7
b
5, 6(9), sus2.
OBS!
Invertering av 7sus4- och m7(11)-ackord tolkas inte om tonen inom
parentes utesluts.
Det automatiska ackompanjemanget ändras ibland inte när likartade
ackord spelas i följd (t.ex. en del mollackord som följs av ett
mollseptimackord).
Om enbart två toner spelas produceras ett ackord baserat på
föregående spelat ackord men med basen kontrollerad av den nedersta
av de två tonerna.
OBS!
80


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