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Feature Reference
Edit Mode
and positive values increase the balance value (toward “wet”) at the corresponding
breakpoint. No matter what offset value is chosen, the actual balance setting will never
exceed its minimum or maximum absolute value. When different offset values are applied
to adjacent breakpoints, the balance varies smoothly between the breakpoints.
2: Dynamic Filter
The button (“Ctrl”) can be used to go directly to the dynamic filter
controller page ( Page 75), also available from the ELEMENT CON-
TROLLER directory. You can then return to the modifier dynamic filter page
by pressing (“Para”) again.
An inverse “K”(˚) next to a value means that key scaling can be applied to
that parameter. Position the cursor at the appropriate parameter and then press
the button (“KSC”) to go directly to the key scaling page for that param-
eter. You can return to the dynamic filter parameter page by pressing the
] button.
Element Modifier
Filter Mode
LPF, BPF, HPF, BEF.
Selects the filter mode.
Low-pass filter. Frequencies below the cutoff frequency are passed
while those above are cut off. The cutoff slope is -12 dB/octave.
Band-pass filter. In this case the “cutoff frequency” is actually the
center frequency of a narrow band of frequencies which will be passed.
The cutoff slope is -6 dB/octave.
High-pass filter. Frequencies above the cutoff frequency are passed
while those below are cut off. The cutoff slope is -12 dB/octave.
Band-eliminaton filter. The cutoff frequency is the center frequency of a
narrow band of frequencies which will be cut off. The cutoff slope is -6
dB/octave.
LPF
BPF
HPF
BEF
In
(from Harmonic
Enhancer)
Out
(to Frequency
Equalizer)
Dynamic
Filter
Wet/Dry
Balance
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