QED Filter (Quick Edit Filter)
These parameters control filters which govern the tonal
quality of the Voice. If you are using LPF (Low Pass
Filter) and HPF (High Pass Filter) combined together, the
parameters in the QED Filter screen only affects LPF.
■Cutoff
Raise or lower the Cutoff frequency for each Voice of
a Layer Part.
❏Settings: -64 ~ 0 ~ +63
■Reso (Resonance)
Set the amount of Resonance (harmonic emphasis)
applied to the signal at the Cutoff frequency.
❏Settings: -64 ~ 0 ~ +63
QED EG (Quick Edit Envelope Generator)
The EG (Envelope Generator) controls the transition in
output level over time for each Voice in a Layer Part.
There are four parameters governing the transition in
output level from the moment a note is pressed on the
keyboard to the moment it is released or the point at
which the output level has faded to zero. These Layer
Part settings make use the each of the Part Edit settings.
■Attack
Set the transition time from the moment a key on
the keyboard is pressed to the point at which the
output level of the Layer Part reaches its peak.
❏Settings: -64 ~ 0 ~ +63
■Decay
Set the transition time from the point at which the
output level of the Layer Part reaches its peak to the
point at which it levels off.
❏Settings: -64 ~ 0 ~ +63
■Sustain
Set the output level of the Layer Part maintained
while the key on the keyboard is being held down.
❏Settings: -64 ~ 0 ~ +63
■Release
Set the transition time from the point at which the
key on the keyboard is released to the point at which
the output level of the Layer Part reaches zero.
❏Settings: -64 ~ 0 ~ +63
Common Arpeggio
The following four screens govern the behavior of the
Arpeggiator. The parameters are the same as those
used in Voice Edit Mode. Details are given on Page 67.
To use the Arpeggiator in Performance Mode, the Arpeggio
and Layer Switches (Page 117) must be set to “on.”
The Note Limit parameters in Performance Mode are
different to those in Voice Mode, and notes outside the set
range will not sound. The Arpeggiator Switch parameter
(Page 117) for each Part should be set to “on,” except for
the Part which you wish to use to play the melody. Then,
if necessary, use the Note Limit parameter (Page 117) to
restrict the keyboard range for that Part.
ARP Type (Arpeggio Type)
ARP Limit (Arpeggio Note Limit)
ARP Mode (Arpeggio Mode)
ARP PlayEF (Arpeggio Play Effect)
Common Controller
You can assign MIDI Control Change Numbers to the
controls and front panel knobs. For example, Knob
[1]/[2] can be set to control the amount of effect
applied to a sound and the Foot Controller can be set to
control modulation. You can set different Control Set
assignments for each Performance.
The following two Control Set screens are available.
CTL Assign1 (Controller Assign 1)
CTL Assign2 (Controller Assign 2)
