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PF-1000
* Sólo se reconoce este sonido (inversión). Los acordes que no aparecen marcados con un asterisco pueden reproducirse en cualquier inversión.
Nombre del acorde [Abreviatura] Sonido normal
Representación para la
nota fundamental C
Mayor [M] 1 - 3 - 5 C
Novena [9] 1 - 2 - 3 - 5 C9
Sexta [6] 1 - (3) - 5 - 6 C6
Sexta y novena [6
9
] 1 - 2 - 3 - (5) - 6 o 3 - 6 - 2* C6
9
Mayor de séptima [M7] 1 - 3 - (5) - 7 CM7
Mayor de séptima y novena [M7
9
] 1 - 2 - 3 - (5)j - 7 CM7
9
Mayor de séptima y onceava sostenida
añadida [M7
11
]
1 - (2) - 3 - 4 - 5 - 7 o 1 - 2 - 3 - 4 -
(5) - 7
CM7
11
Quinta bemol [ 5] 1 - 3 - 5 C 5
Mayor de séptima y quinta bemol [M7
5
] 1 - 3 - 5 - 7 CM7
5
Cuarta suspendida [sus4] 1 - 4 - 5 Csus4
Aumentada [aug] 1 - 3 - 5 Caug
Mayor de séptima aumentada [M7aug] 1 - (3) - 5 - 7 CM7aug
Menor [m] 1 - 3 - 5 Cm
Menor de novena [m9] 1 - 2 - 3 - 5 Cm9
Menor de sexta [m6] 1 - 3 - 5 - 6 Cm6
Menor de séptima [m7] 1 - 3 - (5) - 7 Cm7
Menor de séptima y novena [m7
9
] 1 - 2 - 3 - (5) - 7 o 3 - 7 - 2 Cm7
9
Menor de séptima y undécima [m7
11
] 1 - (2) - 3 - 4 - 5 - ( 7) Cm7
11
Menor mayor de séptima [mM7] 1 - 3 - (5) - 7 CmM7
Menor mayor de séptima y novena [mM7
9
] 1 - 2 - 3 - (5) - 7 CmM7
9
Menor de séptima y quinta bemol [m7
5
] 1 - 3 - 5 - 7 Cm7 5
Menor mayor de séptima y quinta bemol
[mM7
5
]
1 - 3 - 5 - 7 CmM7
5
Disminuida [dim] 1 - 3 - 5 Cdim
Séptima disminuida [dim7] 1 - 3 - 5 - 6 Cdim7
Séptima [7] 1 - 3 - (5) - 7 o 1 - (3) - 5 - 7 C7
Séptima y quinta bemol [7
9
] 1 - 2 - 3 - (5) - 7 C7
9
Séptima y decimotercera bemol
añadida [7
13
]
1 - 3 - 5 - 6 - 7 C7
13
Séptima y novena [7
9
] 1 - 2 - 3 - (5) - 7 o 3 - 7 - 2* C7
9
Séptima y onceava sostenida
añadida [7
11
]
1 - (2) - 3 - 4 - 5 - 7 o 1 - 2 - 3 - 4 -
(5) - 7
C7
11
Séptima y decimotercera añadida [7
13
] 1 - 3 - (5) - 6 - 7 o 3 - 6 - 7 C7
13
Séptima y novena sostenida [7
9
] 1 - 2 - 3 - (5) - 7 C7
9
Séptima y quinta bemol [7
5
] 1 - 3 - 5 - 7 C7
5
Séptima aumentada [7aug] 1 - 3 - 5 - 7 C7aug
Séptima y cuarta suspendida [7sus4] 1 - 4 - 5 - 7 C7sus4
Segunda suspendida [sus2] 1 - 2 - 5 Csus2
Tipos de acordes reconocidos en el modo Fingered (ejemplo para acordes de C)
C
Cm
C7
( )
CM7
( )
C9
C6
9
( )
Caug
Cm6
Cm7
( )
Cm7
5
CmM7
5
Cm7
9
( )
Cm9
CmM7
( )
CmM7
9
( )
Cdim
Cdim7
C7
9
( )
C7
13
( )
C7
9
( )
C7
13
Csus4
C7
5
C6
( )
( )
CM7
9
CM7
11
( )
CM7
5
C
5
( )
C7
11
C7
9
( )
C7aug
Cm7
11
( )
( )
CM7aug
( )
C7sus4 Csus2
Las notas entre parénte-
sis pueden omitirse.
En los modos FINGERED,
FINGERED ON BASS, y
AI FINGERED, si toca tres
teclas cualesquiera que
estén contiguas (inclui-
das teclas negras), el
sonido del acorde se can-
celará y sólo sonarán los
instrumentos de ritmo
(función de cancelación
de acordes). Con esto
puede reproducir única-
mente el ritmo.
Si se tocan dos teclas de
la misma nota fundamen-
tal en las octavas conti-
guas, se producirá un
acompañamiento basado
sólo en la nota fundamen-
tal.
Una quinta perfecta
(1 + 5) produce un
acompañamiento basado
en la nota fundamental y
en la quinta.
Algunas veces, el acom-
pañamiento automático
no cambia cuando se
tocan acordes relaciona-
dos en secuencia (por
ejemplo, algunos acordes
menores seguidos del
menor de séptima).
También puede hacer que
el PF-1000 le enseñe a
tocar acordes digitados.
En la pantalla CHORD
FINGERING
(página 128), especique
el acorde que desee
aprender y aparecerán en
pantalla las notas que
debe tocar.
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63


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