Manual Yamaha P-250 (page 8 of 105) (Italian)

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Sommario

8 P-250

Operazioni BaseOperazioni di EditAppendice

Editing di una Voce e memorizzazione come Performance . . . . . . . . . . . . . . . . . . . . . . . . . 27

Design del P-250. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 28

Voice. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 28

Performance. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 30

Parametri delle performance . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 30

File di Performance . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 32

Song . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 33

File di song. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 33

La memoria del P-250 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .33

Memoria per immagazzinamento dati o Storage memory . . . . . . . . . . . . . . . . . . . . . . . 33

Memoria corrente . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 33

Operazioni base . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 34

Selezione di una Voce . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .34

Suonare nel Modo Dual. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 35

Modo Dual che utilizza voci di gruppi di voce differenti . . . . . . . . . . . . . . . . . . . . . . . . . 35

Modo Dual che utilizza voci che appartengono allo stesso gruppo . . . . . . . . . . . . . . . . 35

Suonare nel Modo Split . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 36

Struttura Effetti . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 37

Effetti System. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 37

Gli effetti Insertion . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .37

Usare gli Effetti . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 37

Reverb . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 37

Chorus . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 37

Uso di Master Equalizer . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .38

Uso delle rotelle Pitch Bend e Modulation . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 38

Rotella Pitch bend . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 38

Rotella Modulation . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 38

Uso dei pedali . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 39

Applicazione dell’effetto sustain. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 39

Applicazione dell’effetto sostenuto . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 39

Applicazione dell’effetto soft . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 39

Applicazione dell’expression. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 39

Uso di Panel Lock . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 39

Trasmissione MIDI: On/Off . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 40

Trasmissione segnali MIDI di panico . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 40

Operazioni con le Performance . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 41

Selezione di una Performance. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 41

Gestione dei file di Performance [PERFORM.FILE] . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 42

Operazioni base per il File di Performance . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 42

Memorizzare una Performance [Performance]. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 43

Rinominare una Performance [Perf.Name] . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 43

Salvare un File di Performance nella memoria Storage [SaveToMemory] . . . . . . . . . . . . . . 44

Caricare un File di Performance nella memoria Storage [LoadFromMemory]. . . . . . . . . . . 44

Eliminare un File di Performance [DeleteFile] . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 45

Rinominare un File di Performance [RenameFile]. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 45

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Yamaha P-250 User Manual - English - 102 pages

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Yamaha P-250 User Manual - French - 102 pages

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Yamaha P-250 User Manual - Spanish - 16 pages

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Yamaha P-250 Manual

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