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MOXF6/MOXF8 Owner’s Manual
Control and Functions
Rear Panel
1 P Standby/On switch (page 17)
Press to turn the power On (O) or Standby (N).
2 DC IN connector (page 17)
Connect the supplied power adaptor to this connector.
3 USB terminals
There are two different types of USB terminals, and the rear
panel of the instrument features both.
The USB [TO HOST] terminal is used to connect this
instrument to the computer via the USB cable and allows you
to transfer MIDI data and audio data between the devices.
Unlike MIDI, USB can handle multiple ports via a single
cable. For information about the Port handled by the MOXF6/
MOXF8, see page 54.
The USB [TO DEVICE] terminal is used to connect this
instrument to a USB flash memory device via the USB cable.
This lets you save data created on this instrument to an
external USB flash memory device and load data from a
USB flash memory device to the instrument. Save/Load
operations can be performed in the File mode (page 60).
NOTE Only USB flash memory device can be recognized by this
instrument. Any other USB storage devices (such as hard disk
drive, CD-ROM drive and USB hub) cannot be used.
NOTE Though the instrument supports the USB 1.1 standard, you can
connect and use a USB 2.0 storage device with the instrument.
However, note that the transfer speed is that of USB 1.1.
4 MIDI [IN] / [OUT] / [THRU] terminals
MIDI [IN] is for receiving control or performance data from
another MIDI device, such as an external sequencer, letting
you control this instrument from the connected separate
MIDI device.
MIDI [OUT] is for transmitting all control, performance and
playback data from this instrument to another MIDI device,
such as an external sequencer.
MIDI [THRU] is simply for redirecting any received MIDI data
(via MIDI [IN]) to connected devices, allowing convenient
chaining of additional MIDI instruments.
5 FOOT SWITCH [ASSIGNABLE]/[SUSTAIN]
jacks
For connection of an optional FC3/FC4/FC5 Footswitch to the
[SUSTAIN] jack and a FC4/FC5 Footswitch to the
[ASSIGNABLE] jack. When connected to the [SUSTAIN]
jack, the Footswitch controls sustain. When connected to
[ASSIGNABLE], it can control one of various different
assignable functions.
6 [FOOT CONTROLLER] jack
For connection of an optional foot controller (FC7, etc.). This
jack lets you continuously control one of various different
assignable functions—such as volume, tone, pitch, or other
aspects of the sound.
7 OUTPUT [L/MONO] and [R] jacks
Line level audio signals are output via these phone jacks. For
monophonic output, use only the [L/MONO] jack.
8 [PHONES] (Headphone) jack
This standard stereo phones jack is for connection to a set of
stereo headphones. This jack outputs audio signals identical
to those from the OUTPUT [L/MONO] and [R] jacks
9 A/D INPUT [L] and [R] jacks
External audio signals can be input via these phone jacks
(mono phone plug).
Various devices such as microphone, guitar, bass, CD player,
synthesizer can be connected to these jacks and their audio
input signal can be sounded as the Audio Part of the Voice,
Performance, Song, or Pattern. In addition, you can use the
special Vocoder feature (
page 39
) by connecting a
microphone
to one of these jacks and inputting your Voice to
the microphone.
Use mono phone plugs. For stereo signals (such as from
audio equipment), use both jacks. For mono signals (such
as from a microphone or guitar), use only one of these jacks
according to the “Mono/Stereo” parameter setting.
NOTE When using these jacks, make sure to confirm the “Mono/Stereo”
parameter setting which can be set in the following displays for
each mode:
For the Voice mode: the VCE A/D display in the Utility mode
For the Performance mode: the A/D IN display in Common Edit
For the Song/Pattern mode: the A/D IN display in Mixing
Common Edit
3456789
12
16


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  • i notice on the grand piano and electric piano samples keys 17,18 and 19 have an extra ring to them and am not sure why Submitted on 8-4-2017 at 16:15

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