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MOTIF Reference
Albero delle funzioni
Reference
Modo Sampling
Modo Sampling
Struttura base (pagina 58)
Albero delle funzioni
Questa sezione è dedicata al modo Sampling (campionamento). Per vedere come esso si rapporta all’intera struttura
del MOTIF e agli altri suoi modi e funzioni, vedete il prospetto semplificato a pagina 30 “Struttura base”.
Il prospetto seguente mostra in dettaglio tutti i menù di display e i gruppi di parametri dei modi Sampling — dandovi
una rapida e facile panoramica delle funzioni del MOTIF relative al campionamento.
Le parentesi intorno ad una parola o ad una frase (ad esempio [F1]) indicano nomi di un pulsante specifico o opera-
zioni sul pannello.
[INFORMATION] SAMPLE
[SAMPLE] SAMPLE REC SETUP
[F1] DESTINATION
[F2] SOURCE
[F6] SAMPLE RECORD
[F6] SAMPLE RECORDING
RECORDING (Slice+Seq)
[AFTER COMPLETING RECORDING]
[F1] TRIM
[INFO] TRIM INFORMATION
[SF1] AUDITION
[SF3] START=LOOP
[SF4] GET TEMPO
[SF5] EXTRACT
[F5] ZOOM OUT
[F6] ZOOM IN
[F2] SLICE
RECORDING (Sample, Sample+Note)
[F6] SAMPLE REC SETUP
[EDIT] SAMPLE EDIT
[F1] KEYBANK SELECT
[F2] TRIM
[INFO] TRIM INFO
[SF1] AUDITION
[SF3] START=LOOP
[SF4] GET TEMPO
[SF5] EXTRACT
[F5] ZOOM OUT
[F6] ZOOM IN
[F3] PARAMETER
[F4] RANGE
[JOB] SAMPLE JOB
[F1] KEYBANK JOB LIST
COPY
DELETE
EXTRACT
MOVE
NORMALIZE
TIME-STRETCH
CONVERT PITCH
FADE IN/OUT
CONVERT FREQUENCY
STEREO TO MONO
LOOP-REMIX
SLICE
[F2] WAVEFORM JOB LIST
COPY
DELETE
TRANSPOSE
NAME
[F3] OTHER JOB LIST
CLEAN UP MEMORY
OPTIMIZE MEMORY
DELETE ALL
CONVERT TO DRUM VOICE (User Drum Voice Number, Name)
[SAMPLE]
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . P. 276
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . P. 235
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . P. 235
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . P. 236
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. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . P. 240
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . P. 241
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. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . P. 241
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . P. 241
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. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . P. 241
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. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . P. 242
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. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . P. 246
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . P. 247
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . P. 247
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. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . P. 247
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . P. 247
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. . . . . . . . . . . . . . P. 248
233


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