Ausschließliche Wiedergabe eines bestimmten Parts oder einer bestimmten Voice
•Ein-/Ausschalten einzelner Elemente im Voice-Edit-Modus.........................................................................................................................Seite 55
•Feststellen, ob die einzelnen Elemente im Voice-Edit-Modus verwendet werden
Einstellen der Lautstärkebalance der Parts eines bearbeiteten Songs mit den Fadern
[SONG] oder [PATTERN] → Auswahl Song/Pattern → [MIXING] → Auswahl Part → [F1] VOL/PAN → VOLUME ...........................................Seite 97
Erstellen von Daten
•Erstellen einer Voice
Erstellen von Normal-Voices im Voice-Edit-Modus........................................................................................................................................Seite 53
Erstellen von Drum-Voices im Voice-Edit-Modus...........................................................................................................................................Seite 57
Erstellen einer speziellen Mixing-Voice für einen Song oder ein Pattern....................................................................................................Seite 78
•Erstellen von Performances.............................................................................................................................................................................Seite 63
•Erstellen eines Songs
Aufnehmen des Tastaturspiels auf einer Song-Spur (Echtzeitaufnahme)...................................................................................................Seite 88
Überspielen (Ersetzen) des vorhandenen Materials in einer Song-Spur – Punch-in-Aufnahme
Aufnehmen von Songs unter Verwendung einer Performance ....................................................................................................................Seite 89
Verwenden der Einzelschrittaufnahme (Step Recording)................................. [SONG] → [REC] → [F1] SETUP → Type = step .............Seite 80
Bearbeiten von MIDI-Events für jede Spur eines bereits aufgezeichneten Songs ............ [SONG] → [EDIT] → Auswahl Spur .............Seite 90
Einfügen von Tempowechselinformationen in der Songmitte................................................. [SONG] → [EDIT] → [F4] TR SEL .............Seite 88
Einfügen von Voice-Umschaltungen
[SONG] → [EDIT] → Auswahl Spur → Einfügen eines Bank-Select-MSB/LSB-Befehls und Programmwechsels .........................................Seite 182
Bearbeiten der Song-Mixing-Einstellungen wie der Lautstärke jedes Parts.............................................. [SONG] → [MIXING] .............Seite 93
Zuweisen einer Preset-Phrase zu jeder Spur eines Patterns (Patch-Funktion)..........................................................................................Seite 78
Aufnehmen des Tastaturspiels auf einer Pattern-Spur zur Erstellung einer Phrase..................................................................................Seite 82
Aufzeichnen eines neu gefundenen Arpeggio-Rhythmuspatterns auf einer Pattern-Spur .......................................................................Seite 80
Verwenden der Einzelschrittaufnahme (Step Recording)............................ [PATTERN] → [REC] → [F1] SETUP → Type = step .............Seite 83
Bearbeiten von MIDI-Events für jede Spur eines bereits aufgezeichneten Patterns...... [PATTERN] → [EDIT] → Auswahl Spur .............Seite 90
Bearbeiten der Pattern-Mixing-Einstellungen wie der Lautstärke jedes Parts ...................................... [PATTERN] → [MIXING] .............Seite 93
Programmieren einer Section-Sequenz zur Erstellung einer Pattern-Chain...................................... [PATTERN] → [F6] CHAIN .............Seite 85
Umwandeln einer Pattern-Chain in Songdaten.............. [PATTERN] → Auswahl Pattern → [F6] CHAIN → [EDIT] → [F3] SONG .............Seite 86
•Erstellen eines Masters..................................................................................................................................................................................Seite 122
•Erstellen von Arpeggios...................................................................................................................................................................................Seite 97
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