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Yamaha MO8 Manual

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Voice mode
Performance
mode
Song modeUtility modeFile modeMaster mode
Pattern mode
Mixing Voice
mode
Reference
Voice Edit mode Normal Voice Edit Common Edit
155
Owner’s Manual
[SF2] LIMIT
NoteLimit
Determines the lowest and highest notes in the Arpeggio’s note range. Notes played in this range trigger the
Arpeggio.
Settings: C -2 – G8
n For example, setting a Note Limit of “C5 – C4” lets you trigger the Arpeggio by playing notes in the two ranges of C -2 to
C4 and C5 to G8; notes played between C4 and C5 have no effect on the Arpeggio.
n You can also set the range directly from the keyboard, by holding down the [INFORMATION] button and pressing the
desired low and high keys.
n Please keep in mind that no sound is produced when the KeyMode is set to “sort” or “thru” and notes are played outside
the Note Limit setting here.
VelocityLimit Determines the lowest and highest velocity in the Arpeggio’s velocity range. This lets you control when the
Arpeggio sounds by your playing strength.
Settings: 1 – 127
n You can also create separate low and high trigger ranges for the Arpeggio playback, with a velocity “hole” in the middle,
by specifying the maximum value first. For example, setting a Velocity Limit of 93 – 34 lets you play the Arpeggio from
two separate velocity ranges: soft (1 – 34) and hard (93 – 127). Notes played at middle velocities between 35 and 92 do
not play the Arpeggio.
[SF3] PLAY FX
These Play Effect parameters let you control the playback of the Arpeggio in useful and interesting ways.
By changing the timing and velocity of the notes, you can change the rhythmic “feel” of the Arpeggio.
UnitMultiply (Unit Multiply) Adjusts the Arpeggio playback time. For example, if you set a value of 200%, the playback time will be
doubled and the tempo halved. On the other hand, if you set a value of 50%, the playback time will be halved
and the tempo doubled. Normal playback time is 100%.
Settings: 50%, 66%, 75%, 100%, 133%, 150%, 200%
Swing Delays notes on even-numbered beats (backbeats) to produce a swing feel.
Settings: -120 – +120
QuntValue (Quantize Value) Determines to what beats the note data in the Arpeggio sequence data will be aligned, or determines to what
beats in the Arpeggio sequence data the swing is applied.
Settings:
QuntStrength
(Quantize Strength)
The Strength value sets the “strength” by which note events are pulled toward the nearest quantize beats.
A setting of 100% produces exact timing set via the QuntValue parameter above. A setting of 0% results in no
quantization.
Settings: 0% – 100%
VelocityRate Determines how much the Velocity of the Arpeggio playback is offset from the original value. For example, a
setting of 100% means the original values are used. Settings below 100% will reduce the velocity of the
Arpeggio notes, whereas settings above 100% will increase the velocities.
Settings: 0% – 200%
n The Velocity cannot be decreased or increased beyond its normal range of 1 to 127; any values outside that range will
automatically be limited to the minimum or maximum. If it exceeds 127, it will be limited to 127.
GateTimeRate Determines how much the Gate Time (length) of the Arpeggio notes is offset from the original value. This
determines how the original Gate Times are increased or decreased during Arpeggio playback. A setting of
100% means the original values are used. Settings below 100% will shorten the gate times of the Arpeggio
notes, whereas settings above 100% will lengthen them.
Settings: 0% – 200%
n The Gate Time cannot be decreased beyond its normal minimum of 1; any values outside that range will automatically
be limited to the minimum.
[F4] CTL SET (Controller Set)
[SF1] SET1/2 – [SF3] SET5/6
Since up to six Controller Sets can be assigned to each Voice, three pages (Sets 1/2, Sets 3/4 and Sets 5/6) are
provided. For more information on Controller Sets, see page 70.
ElementSw Determines whether or not the selected controller affects each individual Element.
Settings: Elements 1 to 4 enabled (“1” to “4”) or disabled (“-”)
n This parameter is disabled when the Dest (Destination) described below is set to a parameter unrelated to the Voice
Elements.
Source Determines which panel controller is to be assigned and used for the selected Set. This controller then is used
to control the parameter set in Destination below.
Settings: PB (Pitch Bend Wheel), MW (Modulation Wheel), AT (After Touch), FC1 (Foot Controller 1), FS (Footswitch), RB (Ribbon
Controller), BC (Breath Controller), AS1 (ASSIGN 1; Knob 3), AS2 (ASSIGN 2; Knob 4), FC2 (Foot Controller2)
n
Keep in mind that unlike the other controllers, the ASSIGN A and B Knobs can each be assigned to one common function
for the entire system of this synthesizer, and not to different functions for each individual Voice. Also refer to the Utility
mode (page 208).
Dest (Destination) Determines the parameter that is controlled by the Source controller (above).
Settings: Details are given in the Controls List of the separate Data List.
Depth Determines the degree to which the Source controller affects the Destination parameter. For negative values,
the controller operation is reversed; maximum controller settings produce minimum parameter changes.
Settings: -64 – 0 – +63
32nd note
16th note triplet
16th note
1/4 note8th note triplet
8th note
1/4 note triplet
… 155 …


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