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Front & Rear Panels
MG32/14FX, MG24/14FX
11
5 AUX Controls (AUX1 to AUX6)
These knobs adjust the channel’s signal levels into AUX buses
1 to 6. Each knob controls the signal into the corresponding
AUX bus.
For AUX1 to AUX4, you use the PRE switch (6) to select
whether the pre-fader or post-fader signal is fed to the bus. For
AUX5 and AUX6, only the post-fader signal can be fed.
These knobs should generally be set close to the position.
On stereo channels, the L (odd) and R (even) input signals are
mixed before moving into the AUX bus.
To enable use of AUX5 and AUX6, you must turn on
the AUX5/AUX6 switch (
8).
6 PRE Switch
Selects whether the pre-fader or the post-fader signal is fed to
the corresponding pair of AUX buses. The upper PRE switch
controls the signal to AUX1 and AUX2; the lower switch con-
trols the signal to AUX3 and AUX4. If the switch is on ( ),
the mixer feeds the pre-fader signal to the corresponding buses.
If off ( ), the mixer feeds the post-fader signal.
There is no PRE switch for AUX5 and AUX6. For
these buses only the post-fader signal is available.
7 EFFECT Controls
These knobs adjust the channel’s signal levels into EFFECT
buses 1 and 2. Since the signal to the EFFECT buses is
post-fader, the level is always determined by the combination
of the EFFECT control and the channel fader.
On stereo channels, the L (odd) and R (even) input signals are
mixed before moving into the EFFECT bus.
These knobs operate as EFFECT controls only if
the AUX5/AUX6 switch is in off position ( ). If the
switch is on, these knobs adjust the output to the
AUX5 and AUX6 buses. (See
8 below.)
8 AUX5, AUX6 Switch
Selects whether the channel signal is sent to AUX buses 5 and
6 or EFFECT buses l and 2. If the switch is on ( ), the signal
goes to AUX5 and 6 buses; if off ( ), the signal goes to the
EFFECT buses. Note that the signal to these buses is always
post-fader.
9 PAN Control (Monaural Channels)
BAL Control (Stereo Channels)
The PAN control adjusts the signal’s pan positioning into the
Group 1-2 bus pair, into the Group 3-4 bus pair, and into the
Stereo bus’s L and R lines.
The BAL control knob sets the balance between left and right
channels. Signals into the L input (odd channel) feed to the
Group 1 and Group 3 buses and to the L line of the Stereo bus.
Signals into the R input (even channel) feed to the Group 2 and
Group 4 buses and to the R line of the Stereo bus.
If you are inputting to a stereo channel through the
L (MONO) jack only, the BAL knob operates as a
PAN knob.
0 ON Switch
Sets the channel on or off. To turn the channel on, press the
switch in ( ) so that it lights up orange. Be sure to turn on all
the channels that you wish to use. If you set the channel off
( ), you cut off all of its signal feed into the ST, GROUP,
AUX, and EFFECT buses.
The ON switch does not affect the operation of
the PFL switch (A). You can monitor the chan-
nel’s pre-fader signal through the PHONES jack
even when the ON switch is set off.
•To reduce noise, turn all unused channels off
().
A PFL (Pre-Fader Listen) Switch
Use this switch to feed the channel’s pre-channel-fader signal
into the PFL bus, so that you can monitor the signal from the
PHONES jack. To turn PFL feed on, press the switch in ( )
so that it lights up.
If you switch on output to both the PFL and AFL
buses, the mixer outputs only the PFL signal.
If you set PFL on for multiple channels, the mixer
feeds the mixed signal from the channels into the
PFL bus.
B PEAK indicator
Lights up when the channel’s post-equalizer signal level comes
within 3 dB of the clipping level.
C SIGNAL indicator
Lights up when a signal is being input into the channel.
D GROUP Switches
Use these switches to feed the channel’s signal to the GROUP
1-2 and/or GROUP 3-4 buses. Setting the switch on ( )
causes the signal to feed into the corresponding GROUP buses.
These switches allow you to independently assign
the signal to groups regardless of the setting of the
ST switch (E).
E ST Switch
Set this switch on ( ) to feed the channel’s signal to the ST
bus.
F Channel Fader
Adjusts the output level of the channel’s signal. Use these fad-
ers to adjust the volume balance among the various channels.
To reduce noise, set the fader sliders for unused
channels all the way down.
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