Manual Yamaha mg 102 c compact mengpaneel met 10 kanalen (page 11 of 21) (English)

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Front & Rear Panels

MG82CX/MG102C Owner’s Manual

Reference

8 COMP Control

Adjusts the amount of compression applied to the channel.

As the knob is turned to the right the compression ratio

increases while the output gain is automatically adjusted

accordingly. The result is smoother, more even dynamics

because louder signals are attenuated while the overall level

is boosted.

Avoid setting the compression too high, as the the

higher average output level that results may lead to

feedback.

9 PEAK Indicator

The peak level of the post-EQ signal is detected, and the

PEAK indicator lights red when the level reaches 3 dB below

clipping. For XLR-equipped stereo input channels (3/4 and

5/6), both the post-EQ and post-mic-amp peak levels are

detected, and the indicator lights red if either of these levels

reaches 3 dB below clipping.

0 Equalizer (HIGH, MID, and LOW)

This three-band equalizer adjusts the channel’s high, mid,

and low frequency bands. CH 7/8 (CHs 7/8, 9/10) have two

bands: high and low. Setting the knob to the t position pro-

duces a ﬂat response in the corresponding band. Turning the

knob to the right boosts the corresponding frequency band,

while turning to the left attenuates the band. The following

table shows the EQ type, frequency, and maximum cut/boost

for each of the three bands.

A EFFECT (AUX) Control

Adjusts the level of the signal sent from the channel to the

EFFECT (AUX) bus. Note that the signal level sent to the

bus is also affected by the Level control

C. On stereo chan-

nels (CHs 3/4 to 7/8 (CHs 3/4 to 9/10)) the signals from the L

(odd) and R (even) channels are mixed and then sent to the

EFFECT (AUX) bus.

B PAN Control (CHs 1, 2)

PAN/BAL Control (CHs 3/4, 5/6)

BAL Control (CH 7/8 (CHs 7/8, 9/10)

The PAN control determines the stereo positioning of the

channel signal on the Stereo L and R buses.

The BAL control knob sets the balance between left and right

channels. Signals input to the L input (odd channel) go to the

Stereo L bus; signals input to the R input (even channel) go to

the Stereo R bus.

On channels where this knob provides both PAN and

BAL control (channels 3/4 and 5/6), the knob oper-

ates as a PAN control when input is received via the

MIC jack or L (MONO) input only, and as a BAL

control when input is received via both L and R

inputs.

C Level Control

Adjusts the level of the channel signal. Use these knobs to

adjust the balance between the various channels.

Set the controls for unused channels all the way down

to minimize noise.

Master Control Section

1 2TR IN Jacks

These RCA pin jacks can be used to input a stereo sound

source. Use these jacks when you want to connect a CD

player directly to the mixer.

Select where you want to send the signal using the

2TR IN switch, and adjust the signal level using the

2TR IN control in the Master Control section.

2 REC OUT (L, R) Jacks

These RCA pin jacks can be connected to an external

recorder such as an MD recorder in order to record the same

signal that is being output via the STEREO OUT jacks.

The mixer’s STEREO Master control has no affect on

the signal output via these jacks. Be sure to make

appropriate level adjustments at the recording device.

Band Type Frequency

Maximum

Cut/Boost

HIGH Shelving 10 kHz

±15 dBMID Peaking 2.5 kHz

LOW Shelving 100 Hz

NOTE

MG82CX

NOTE

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Yamaha mg 102 c compact mengpaneel met 10 kanalen Manual

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