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Yamaha DSP-AX1 Manual

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Deutsch
CINEMA-DSP-Sound-Feld-Programm
In Abhängigkeit von dem Format des Eingangssignals wählt der DSP-AX1 automatisch den geeigneten Decoder und das geeignete DSP-
Sound-Feld-Muster.
Tabelle der Programmbezeichnungen für jedes Eingangsformat
* Der Matrix-Decoder ist eingeschaltet.
■ Programmgruppen 7~9
Dies sind Sound-Feld-Programme für Audio/Videoquellen.
■ Programmgruppen 10~12
Ideal für die Reproduktion eines Filmprogramms, das mit Dolby Surround, Dolby Digital oder DTS codiert ist. Wenn das neueste mit
Dolby Digital Surround EX oder DTS ES codierte Filmprogramm eingegeben wird, können Sie eine vollständige 6.1-Kanal-
Reproduktion unter Verwendung des internen Matrix-Decoders genießen.
PRO LOGIC funktioniert, wenn es sich bei dem Eingangssignal um ein Analog- oder PCM-Signal oder ein in zwei Kanälen codiertes
Dolby Digital Signal handelt.
DOLBY DIGITAL funktioniert, wenn das Eingangssignal mit Dolby Digital mit mehr als zwei Kanälen codiert ist.
DTS DIGITAL SUR funktioniert, wenn das Eingangssignal mit DTS codiert ist.
Hinweis:
• Wenn eine monaurale Tonquelle mit den Sound-Feld-Programmen 7 - 12 wiedergegeben wird, liegt an den Hauptlautsprechern kein Tonsignal an.
Programmgruppe
7
8
9
10
11
12
CONCERT
VIDEO 1
CONCERT
VIDEO 2
TV
THEATER
MOVIE
THEATER 1
MOVIE
THEATER 2
PRO LOGIC
DOLBY
DIGITAL
DTS
DIGITAL SUR
Pop/Rock
DJ
Classical/Opera
Pavilion
Mono Movie
Variety/Sports
70 mm Spectacle
70 mm Sci-Fi
70 mm Adventure
70 mm General
Normal
Enhanced
Eingang
Stereo
(2-Kanal)
Dolby Digital
(5.1-Kanal)
DTS Spectacle
DTS Sci-Fi
DTS Adventure
DTS General
Normal
Enhanced
DTS
(5.1-Kanal)
Dolby Digital
(6.1-Kanal)*
DTS ES
(6.1-Kanal)*
Spectacle ES
Sci-Fi ES
Adventure ES
General ES
ES
Enhanced ES
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Spectacle 6.1
Sci-Fi 6.1
Adventure 6.1
General 6.1
Matrix 6.1
Enhanced 6.1
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DGTL Spectacle
DGTL Sci-Fi
DGTL Adventure
DGTL General
Normal
Enhanced
… 241 …


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