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Zusätzliche Informationen
Digital-Sound-Feld-Processing (DSP) 67
Verstehen von Sound-Feldern........................................................................... 67
Wiederkreieren eines Sound-Feldes ................................................................. 67
E/R (Early Reflection = Frühzeitige Reflexion) ............................................... 67
4ch REV. (Vier-Kanal-Nachhall) ..................................................................... 67
Darstellung der virtuellen Klangquellen und der Echomuster.......................... 67
HiFi DSP-Sound-Feld-Programm 68
Programmgruppe 1: Konzerthalle 1 (Concert Hall 1)....................................... 68
Programmgruppe 2: Konzerthalle 2 (Concert Hall 2)....................................... 68
Programmgruppe 3: Kirche (Church) ............................................................... 68
Programmgruppe 4: Jazzklub (Jazz Club) ........................................................ 68
Programmgruppe 5: Rockkonzert (Rock Concert) ........................................... 68
Programmgruppe 6: Unterhaltung (Entertainment) .......................................... 68
CINEMA-DSP 69
Das Sound-Design von CINEMA-DSP-Sound-Feld-Programmen .................. 69
Sound-Feld-Bilder der CINEMA-DSP-Programme ......................................... 69
Filmtheater-Programme .................................................................................... 70
CINEMA-DSP-Sound-Feld-Programm 71
Programmgruppe 7: Konzertvideo 1 (Concert Video 1)................................... 72
Programmgruppe 8: Konzertvideo 2 (Concert Video 2)................................... 72
Programmgruppe 9: TV-Theater (TV Theater) ................................................ 72
Programmgruppe 10: Filmtheater 1 (Movie Theater 1) .................................... 72
Programmgruppe 11: Filmtheater 2 (Movie Theater 2) .................................... 72
Programmgruppe 12: Dolby/DTS Surround ..................................................... 72
Editieren der Parameter der Sound-Feld-Programme 73
Änderung der Parametereinstellungen .............................................................. 73
Rückstellen eines Parameters auf den werksseitig voreingestellten Wert ........ 73
Beschreibungen der digitalen Sound-Feld-Parameter 74
EFCT TRIM (Effect Trim = Effektbegrenzung) .............................................. 74
INIT. DLY (Initial Delay = Anfängliche Verzögerung)................................... 74
P. INIT. DLY (Presence Initial Delay = Anfängliche Presence-
Verzögerung) .................................................................................................... 74
RC. INIT. DLY (Rear Center Initial Delay = Anfängliche Verzögerung ........ 74
des hinteren Center-Sound-Feldes) ................................................................... 74
S. INIT. DLY (Surround Initial Delay = Anfängliche Surround-
Verzögerung) .................................................................................................... 74
S. DLY (Surround Delay = Surround-Verzögerung)........................................ 75
ROOM SIZE (Raumgröße) ............................................................................... 75
RC. ROOM SIZE (Rear Center Room Size = Hintere Center- ........................ 76
Raumgröße)....................................................................................................... 76
S. ROOM SIZE (Surround Room Size = Surround-Raumgröße)..................... 76
LIVENESS (Lebendigkeit) ............................................................................... 76
S. LIVENESS (Surround Liveness = Surround-Lebendigkeit) ........................ 76
RC. LIVENESS (Rear Center Liveness = Hintere Center-Lebendigkeit) ........ 76
REV. TIME (Reverberation Time = Widerhallzeit) ......................................... 77
REV. DELAY (Reverberation Delay = Widerhallverzögerung) ...................... 77
REV. LEVEL (Reverberation Level = Widerhallpegel)................................... 77
236


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