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Reproducción de estilos
32 DGX-630/YPG-635 Manual de instrucciones
Existen dos maneras de interpretar acordes de acompañamiento:
Acordes fáciles
Acordes estándar
El instrumento reconoce automáticamente los distintos tipos de acordes. La función se llama Multi Fingering
(digitado múltiple).
Pulse el botón [ACMP ON/OFF] para activar el acompañamiento automático (página 28). El teclado a la
izquierda del punto de división (predeterminado: 54/F#2) se convierte en el “rango de acompañamiento”.
Toque los acordes de acompañamiento en esta área del teclado.
Acordes fáciles ● ● ● ● ● ● ● ● ● ● ● ● ● ●
Este método le permite tocar acordes fácilmente en
el rango de acompañamiento del teclado mediante
uno, dos o tres dedos únicamente.
Acordes estándar ● ● ● ● ● ● ● ● ● ● ● ●
Este método le permite crear un acompañamiento
tocando acordes con los digitados normales en el
rango de acompañamiento del teclado.
Interpretación de acordes de acompañamiento
C
D
b
E
b
F
#
G
#
B
b
D
b
E
b
F
#
DEFGABCDEF
Punto de división (predeterminado: 54/F#2)
Notas fundamentales y teclas correspondientes
Rango de
acompañamiento
Para tocar un acorde mayor
Presione la nota fundamental del
acorde.
C
Cm
C7
Cm7
Para tocar un acorde menor
Presione la nota fundamental junto con
la tecla negra más cercana a la izquierda
de la misma.
Para tocar un acorde de séptima
Presione la nota fundamental junto
con la tecla blanca más cercana a la
izquierda de la misma.
Para tocar un acorde de séptima
menor
Presione la nota fundamental junto con
las teclas blanca y negra más cercanas
a la izquierda de la misma (tres teclas
en total).
( )
( )
( )
( )
( )
( )
( )
( )
( )
( )
( )
( )
( )
( )
( )
( )
( )
( )
CmM7
CM7
C6
Csus4
Caug
CM7aug
C7aug
C7sus4
Csus2
C7
Cm
Cdim
Cdim7
C7
CmM7
(
9
)
CM7
(
9
)
Cm7
(
9
)
C7
(
b9
)
C7
(
b13
)
Cm7
(
11
)
CM7
(
#11
)
C
(
b5
)
C
(
9
)
(
9
)
C6
(
9
)
Cm
(
9
)
C7
(
#11
)
C7
(
#9
)
C7
(
13
)
C7
Cm6
Cm7
C
(
b5
)
CM7
(
b5
)
Cm7
(
b5
)
CmM7
(
b5
)
Cómo interpretar acordes estándar [por ejemplo para
acordes de do]
* Las notas que se encuentran entre paréntesis ( ) son
opcionales; los acordes se reconocen sin ellas.
32


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