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48
Navn på akkord / [forkortelse] Toner
Akkord (C)
Display
Dur 1 - 3 - 5 C C
Add 9 [(9)] 1 - 2 - 3 - 5 C(9) C(9)
Sekser [(6)] 1 - (3) - 5 - 6 C6 C6
Ni’er [6(9)] 1 - 2 - 3 - (5) - 6 C6(9) C6(9)
Maj 7’er [maj7] 1 - 3 - (5) - 7 eller
1 - (3) - 5 - 7
CM7 CM7
Maj 9’er [maj9)] 1 - 2 - 3 - (5) - 7 CM7(9) CM7(9)
Maj 7 #11’er [maj7(#11)] 1 - (2) - 3 - #4 - 5 - 7 eller
1 - 2 - 3 - #4 - (5) - 7
CM7(#11) CM7(#11)
Formindsket kvint [(b5)] 1 - 3 - b5C(b5) Cb5
Maj 7 b5 [maj7b5] 1 - 3 - b5 - 7 CM7b5 CM7b5
Suspenderet 4 [sus4] 1 - 4 - 5 Csus4 Csus4
Forstørret 5’er [#5] 1 - 3 - #5 Caug Caug
Maj 7 forstørret 5 [maj7#5] 1 - (3) - #5 - 7 CM7aug CM7aug
Mol [m] 1 - b3 - 5 Cm Cm
Mol add9 [m(9)] 1 - 2 - b3 - 5 Cm(9) Cm(9)
Mol 6 [m6] 1 - b3 - 5 - 6 Cm6 Cm6
Mol 7 [m7] 1 - b3 - (5) - b7 Cm7 Cm7
Mol 7 9 [m7(9)] 1 - 2 - b3 - (5) - b7 Cm7(9) Cm7(9)
Mol 7 add 11 [m7(11)] 1 - (2) - b3 - 4 - 5 - (b7) Cm7(11) Cm7(11)
Mol maj7 [m maj7] 1 - b3 - (5) - 7 CmM7 CmM7
Mol maj 7 9 [m maj7(9)] 1 - 2 - b3 - (5) - 7 CmM7(9) CmM7(9)
Mol 7 b5 [m7b5] 1 - b3 - b5 - b7 Cm7b5 Cm7b5
Mol maj7 b5 [m maj7b5] 1 - b3 - b5 - 7 CmM7b5 CmM7b5
Halvformindsket [dim] 1 - b3 - b5 Cdim Cdim
Helformindsket [o, dim7] 1 - b3 - b5 - 6 Cdim7 Cdim7
Syver [7] 1 - 3 - (5) - b7 eller
1 - (3) - 5 - b7
C7 C7
Syv b9 [7b9] 1 - b2 - 3 - (5) - b7 C7(b9) C7(b9)
Syv b13 [7b13] 1 - 3 - 5 - b6 - b7 C7(b13) C7(b13)
Syv ni [7(9)] 1 - 2 - 3 - (5) - b7 C7(9) C7(9)
Syv #11 [7#11] 1 - (2) - 3 - #4 - 5 - b7 eller
1 - 2 - 3 - #4 - (5) - b7
C7(#11) C7(#11)
Syv add13 [7 (add13)] 1 - 3 - (5) - 6 - b7 C7(13) C7(13)
Syv #9 [7(#9)] 1 - #2 - 3 - (5) - b7 C7(#9) C7(#9)
Syv b5 [7b5] 1 - 3 - b5 - b7C7b5C7b5
Syv #5 [7#5] 1 - 3 - #5 - b7 C7aug C7aug
Syv sus4 [7sus4] 1 - 4 - (5) - b7 C7sus4 C7sus4
Suspenderet 2 [sus2] 1 - 2 - 5 C1+2+5 C
Tonerne i parentes kan ude-
lades.
Spilles den samme grundtone i
flere oktaver, retter akkompagne
mentet sig efter grundtonen.
Spilles en tom kvint (1 - 5, ingen
3’er) retter akkompagnementet
sig efter det, det kan således
passe til både dur og mol.
Rækkefølgen af akkordernes
toner i kolonne 2 er i grundposi-
tion, men der kan også bruges
andre omvendinger, på nær i
følgende tilfælde:
m7, m7
b
5, 6, m6, sus4,
helformindsket (dim7), 7
b
5,
6(9), sus2.
Omvendinger af 7sus4 og
m7(11) vil ikke blive genkendt,
hvis tonerne i parentes udelades.
Autoakkompagnementet vil i
enkelte tilfælde ikke skifte, når
bestemte akkorder kommer efter
hinanden (fx nogle mol-akkorder
efterfulgt af mol7-akkorder).
Spilles kun to toner, vil akkom-
pagnementet rette sig efter den
tidligere spillede akkord.
48


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