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48
Nome Accordo [Abbreviazione]
Diteggiatura normale
Accordo (C)
Display
Maggiore [M] 1 - 3 - 5 C C
Nona [(9)] 1 - 2 - 3 - 5 C(9) C(9)
Sesta [6] 1 - (3) - 5 - 6 C6 C6
Sesta nona [6(9)] 1 - 2 - 3 - (5) - 6 C6(9) C6(9)
Maggiore settima [M7] 1 - 3 - (5) - 7 or
1 - (3) - 5 - 7
CM7 CM7
Maggiore settima, nona [M7(9)] 1 - 2 - 3 - (5) - 7 CM7(9) CM7(9)
Maggiore settima, undicesima diesis [M7(
#
11)] 1 - (2) - 3 -
#
4 - 5 - 7 or
1 - 2 - 3 -
#
4 - (5) - 7
CM7(
#
11) CM7(
#
11)
Quinta bemolle [(
b
5)] 1 - 3 -
b
5C(
b
5) C
b
5
Maggiore settima quinta bemolle [M7
b
5] 1 - 3 -
b
5 - 7 CM7
b
5 CM7
b
5
Quarta sus [sus4] 1 - 4 - 5 Csus4 Csus4
Aumentato [aug] 1 - 3 -
#
5 Caug Caug
Maggiore settima aumentato [M7aug] 1 - (3) -
#
5 - 7 CM7aug CM7aug
Minore [m] 1 -
b
3 - 5 Cm Cm
Minore nona [m(9)] 1 - 2 -
b
3 - 5 Cm(9) Cm(9)
Minore sesta [m6] 1 -
b
3 - 5 - 6 Cm6 Cm6
Minore settima [m7] 1 -
b
3 - (5) -
b
7 Cm7 Cm7
Minore settima nona [m7(9)] 1 - 2 -
b
3 - (5) -
b
7 Cm7(9) Cm7(9)
Minore settima, undicesima [m7(11)] 1 - (2) -
b
3 - 4 - 5 - (
b
7) Cm7(11) Cm7(11)
Minore maggiore settima [mM7] 1 -
b
3 - (5) - 7 CmM7 CmM7
Minore maggiore settima, nona [mM7(9)] 1 - 2 -
b
3 - (5) - 7 CmM7(9) CmM7(9)
Minore settima quinta bemolle [m7
b
5] 1 -
b
3 -
b
5 -
b
7 Cm7
b
5 Cm7
b
5
Minore maggiore settima quinta bemolle
[mM7
b
5]
1 -
b3 - b5 - 7 CmM7b5 CmM7b5
Diminuito [dim] 1 - b3 - b5 Cdim Cdim
Settima diminuita [dim7] 1 - b3 - b5 - 6 Cdim7 Cdim7
Settima [7] 1 - 3 - (5) - b7 or
1 - (3) - 5 - b7
C7 C7
Settima nona bemolle [7(b9)] 1 - b2 - 3 - (5) - b7 C7(b9) C7(b9)
Settima tredicesima bemolle [7(b13)] 1 - 3 - 5 - b6 - b7 C7(b13) C7(b13)
Settima nona [7(9)] 1 - 2 - 3 - (5) - b7 C7(9) C7(9)
Settima undicesima diesis [7(#11)] 1 - (2) - 3 - #4 - 5 - b7 or
1 - 2 - 3 - #4 - (5) - b7
C7(#11) C7(#11)
Settima tredicesima [7(13)] 1 - 3 - (5) - 6 - b7 C7(13) C7(13)
Settima nona diesis [7(#9)] 1 - #2 - 3 - (5) - b7 C7(#9) C7(#9)
Settima quinta bemolle [7b5] 1 - 3 - b5 - b7C7b5C7b5
Settima aumentata [7aug] 1 - 3 - #5 - b7 C7aug C7aug
Settima quarta sus [7sus4] 1 - 4 - (5) - b7 C7sus4 C7sus4
Uno + due + cinque [1+2+5] 1 - 2 - 5 C1+2+5 C
Le note tra parentesi possono
essere omesse.
Suonando due tasti di fondamen-
tale in ottave adiacenti si produce
un accompagnamento basato
solo sulla fondamentale.
Una quinta giusta (1+5) produce
un accompagnamento basato
solo sulla fondamentale e sulla
quinta, utilizzabile con accordi
maggiori e minori.
Le diteggiature degli accordi
elencate sono tutte in posizione
di “fondamentale” ma é possibile
usare altre inversioni, con le se-
guenti eccezioni:
m7, m7b5, 6, m6, sus4, aug,
dim7, 7b5, 6(9), 1+2+5.
Le inversioni degli accordi 7sus4
e m7(11) non vengono ricono-
sciute se si omettono le note tra
parentesi.
• Talvolta l’accompagnamento
automatico non cambia quando
vengono suonati in sequenza
accordi relativi (es. alcuni accordi
minori seguiti da minore settima).
Le diteggiature a due note produ
-
cono un accordo basato su
quello precedentemente
suonato.
dgx500_300/38-54 Page 48 Thursday, August 1, 2002 3:22 PM
48


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