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68 CVP-701 Reference Manual
Microphone – Connecting a Microphone and Singing Along with Your Performance –
7
NOISE GATE (selected by [C]/[D] buttons)
This effect mutes the input signal when the input from the microphone falls below a specified level. This
effectively cuts off extraneous noise, allowing the desired signal (vocal, etc.) to pass.
COMPRESSOR (selected by [C]/[D] buttons)
This effect holds down the output when the input signal from the microphone exceeds a specified level.
This is especially useful for smoothing out vocals that have widely varying dynamics. It effectively
“compresses” the signal, making soft parts louder and loud parts softer. For a maximum compression
effect, set RATIO to a high setting and adjust the OUT parameter for optimum volume.
TALK Page
The settings here are for your speech or announcements (NOT your singing performance), and are active when
the TALK (page 66) is set to ON. All indications and parameters (with the exception of TALK MIXING
below) are the same as in the VOCAL page. However, the settings are independent from those in the VOCAL
page.
TALK MIXING (selected by [E] button)
[1] SW (Switch) Turns the Noise Gate on or off.
[2] TH. (Threshold) Adjusts the input level at which the gate begins to open.
[3] SW (Switch) Turns the Compressor on or off.
[4] TH. (Threshold) Adjusts the input level above which the Compressor is applied.
[5] RATIO Adjusts the compression ratio. Higher ratios result in a more compressed
sound, with a reduced dynamic range.
[6] OUT Adjusts the final output level.
[1] VOLUME Determines the output volume of the microphone sound.
[2] PAN Determines the stereo pan position of the microphone sound.
[3] REVERB
DEPTH
Determines the depth of the reverb effects applied to the microphone
sound.
[4] CHORUS
DEPTH
Determines the depth of the chorus effects applied to the microphone
sound.
[5]/
[6]
REDUCTION
LEVEL
Determines the amount of reduction to be applied to the overall sound
(excepting the microphone input) — allowing you to effectively adjust
the balance between your voice and the overall instrument sound.
68


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