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CVP-509/505/503/501 Manuel de référence 35
Styles – Reproduction du rythme et de l'accompagnement –
3
4 RTR (Règle de redéclenchement)
Ces paramètres déterminent l'arrêt ou non des notes et la manière dont leur hauteur change en réponse aux
modifications de l'accord.
[6 ▲▼]NOTE LIMIT
LOW (Limite de
note inférieure)
Ce paramètre définit la plage de notes (de la plus haute à la plus basse) des
voix enregistrées dans les canaux de style. En réglant correctement la plage,
vous pouvez obtenir des voix extrêmement réalistes – en d'autres termes,
aucune note dépassant la plage naturelle n'est reproduite, comme par exemple
les notes très basses ou les graves d'un piccolo). [7 ▲▼]NOTE LIMIT
HIGH (Limite de
note supérieure)
STOP (Arrêt) Les notes cessent d'être audibles.
PITCH SHIFT
(Glissement de hauteur)
La hauteur de ton de la note varie, à moins d'une nouvelle attaque, pour s'adapter
au type correspondant au nouvel accord.
PITCH SHIFT TO
ROOT (Glissement
de hauteur vers note
fondamentale)
La hauteur de ton de la note varie, à moins d'une nouvelle attaque, pour s'adapter à
la note fondamentale du nouvel accord.
RETRIGGER
(Redéclenchement)
La note est redéclenchée par une nouvelle attaque dont la hauteur correspond à
l'accord suivant.
RETRIGGER TO ROOT
(Redéclenchement à la
note fondamentale)
La note est redéclenchée par une nouvelle attaque au niveau de la note
fondamentale de l'accord suivant. L'octave de la nouvelle note reste toutefois
inchangée.
CM
E3-G3-C4
FM
F3-A3-C4
C#M
E#3-G#3-C#4
Exemple : lorsque la note la plus basse est C3 et la plus haute D4.
Changements de note
fondamentale
Notes jouées
Limite
supérieure
Limite
inférieure
35


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