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8 Se necessario, premete il pulsante [AUTO FILL IN] per
aggiungere un fill-in.
I pattern di fill-in suonano automaticamente ad ogni cambio
di sezione Main.
9 Premete il pulsante [ENDING].
Commuta sulla sezione ending. Quando la conclusione è
completata, lo style si interrompe automaticamente.
Struttura dell’accompagnamento
AUTO FILLIN
BREAK
INTRO
MAIN
ENDING / rit.
ABCD
INTRO (page xx)
MAIN VARIATION
Premete il pulsante [ENDING].
INTRO A INTRO B INTRO C
ENDING (page xx)
ENDING A ENDING B ENDING C
INTRO D
ENDING D
Potete ottenere una
conclusione che
rallenta gradualmente
(ritardando) premendo
di nuovo il pulsante
[ENDING] durante il
playback della
conclusione stessa.
MAIN
VARIATION
A
MAIN
VARIATION
C
MAIN
VARIATION
B
MAIN
VARIATION
D
via BREAK
via BREAK
via BREAK
via BREAK
(quattro pattern max)
(quattro pattern max)
INTRO (pagina 67)
ENDING (pagina 67)
Non è necessario che lIntro debba essere allinizio! Se lo desiderate, potete eseguire una sezione Intro allinterno della vostra perfor-
mance premendo semplicemente il pulsante [INTRO] nel punto desiderato.
Controllate il vostro tempismo con le sezioni Break. Se premete un pulsante [BREAK] troppo vicino alla ne della misura (cioè dopo la
nota nale da un ottavo) la sezione Break inizierà ad essere eseguita dalla misura successiva. Questo vale anche per Auto Fill-in.
Se volete, usate più di unintro, e usate una delle altre sezioni per far partire lo style.
Se volete tornare allo stile direttamente dopo un Ending, premete semplicemente il pulsante [INTRO] mentre la sezione Ending viene
eseguita.
Se premete il pulsante [BREAK] durante la conclusione, esso ha effetto immediato, per continuare poi con la sezione main.
31


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