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9) Conecte SUSTAIN ( pág.18,48)
Aqui pode- se conectar um pedal atenuante opcional ( FC4 ou FC5) para
utilizá-lo como pedal de amortecimento de um piano acústico ou para produzir
um efeito de SUSTAIN.
13) Conector OUT PUT L/MONO e R ( pág.13)
Por estes terminais são enviados os sinais de áudio de nível de linha. Para
Saída monofônica, utilize somente o conector L/mono.
14) Entrada para Fones ( pág. 13)
Aqui pode-se conectar um fone de ouvido.
15) Conectores A/D INPUT ( pág.14)
Por esses conectores pode-se receber sinais de áudio externos. Utilize-os para
gravar amostras de frases conectando um microfone ou outro equipamento de
áudio. Para gravar um sinal de nível de linha monofônica, utilize line 1. Para
gravar um sinal de nível de linha estéreo deve-se utilizar os dois conectores.
Entretanto quando se grava os sinais estéreos se combinam internamente com
um sinal mono.
16) Comando GAIN ( pág.73, 144)
Este comando é utilizado para regular a quantidade de entrada dos sinais de
áudio que são recebidos nos conectores A/D INPUT. Talvez seja necessário
ajustá-lo segundo o tipo de dispositivo conectado ( microfone, saída de outro
instrumento, etc..) no caso de utilizar uma parte de entrada A/D.
Antes de Iniciar
Esta sessão explica a forma de conectar a alimentação de c.a, os dois
dispositivos de áudio e MIDI e os sistema de informática. Só se deve ligar o
sintetizador depois de realizar as conexões necessárias. Recomendamos ler
esta sessão antes de utilizar o sintetizador.
Alimentação
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