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Filtro
O números de harmônicos pode ser aumentado ou diminuído.
(Ilustração - página 16)
(K ) Harmônicos
(L ) Mais harmônicos criam um tom mais brilhante
(M ) Menos harmônicos criam tom menos brilhante
(N ) Tom básico
Os sons de instrumentos musicais são formados de tons básicos que podemos distinguir claramente em
nossos ouvidos além de harmônicos adicionais, ou sons harmônicos que existem em cada oitava acima do
tom básico, mas que não podemos distinguir ouvindo. O filtro fornece controle sobre estes harmônicos.
Manipulando a freqüência de corte do filtro (que determina onde apagar ou cortar os sons harmônicos) e
ajustes de ressonância, é possível desta maneira determinar o tom. Com o CS2x, é possível utilizar os
parâmetros FEG (Gerador Envelope de Filtro) para controlar diretamente as características de tom críticas
durante o compasso, bem como controlar o corte, ressonância e outros parâmetros para formar o tom.
AMPLIFICADOR
Um nível de volume de tom pode ser controlado durante o compasso.
(Ilustração - página 16)
(O ) Nível de volume mais baixo
(P ) Nível de volume mais alto
Um amplificador controla o volume do tom. O CS2x tem um AEG (Gerador Envelope de Amplitude) que
permite controlar várias características de volume durante o compasso.
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