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FMOD (Filter Modulation): Adds a cyclical change to the filter
cutoff frequency by applying LFO frequency modulations, to
create wah-wah type effects. Larger values widen the range of
cutoff frequency change.
WAVE: Selects the LFO frequency signal used for modulation.
You can select from the following types:
SPEED: Sets the speed of the LFO frequency modulation. Larger
values increase the speed.
PHASE INIT: Determines if the phase of the LFO frequency
modulation wave is reset or not when a note is played. There
are three types: Free, Retr (Retrigger) and Elem (Element).
Free: The wave starts at the phase position where a note is played.
TIME
KEY ON
+
0
TIME
+
0
Retr (Retrigger): The wave starts at +/-0 phase position.
Phase when
keyboard is
played
KEY ON
Elem (Element): The wave starts from the default phase position (Free or Retr) for
each element of the voices.
TIME
SLOW
FAST
TIME
TIME
Saw (Sawtooth)
Tri (Triangle)
S&HTr (Sample &
Hold = random)
*S&HTr = Adds random changes to the pitch.
(NOTE: Triangle waves will be applied for the AMOD and FMOD.
Triangle wave is applied even if you select S&HTr for PMOD, when
controlling the PMOD with the Modulation Wheel.)
ELEM (Element)
*Default settings of each element depending on the selected voice.
TIME
TIME
Settings:
AMOD (Amplitude Modulation): -31 ~ +31
PMOD (Pitch Modulation): -63 ~ +63
FMOD (Filter Modulation): -15 ~ +15
WAVE: Saw, Tri , S&HTr, Elem
SPEED: -63 ~ +63
PHASE INIT: Free, Retr, Elem
Layer Edit 3 (independently applied to each Layer)
The functions in this row provide parameters which are essential
in creating a voice, such as FEG (Filter Envelope Generator) or
PEG (Pitch Envelope Generator). The parameters can be set for
each Layer in a Performance.
FEG (Filter Envelope Generator)
This sets the FEG (Filter Envelope Generator). The FEG lets you
shape how the tone, or timbre, of the voice changes over time,
from when a key is hit, then released, and how the sound
decays. There are four parameters: ATK TIME (Attack Time), DCY
TIME (Decay Time), SUS LEVEL (Sustain Level) and REL TIME
(Release Time).
Generally, filters change the timbre by passing signals
within a specific frequency bandwidth and cutting others. The CS1x
features an LPF (Low Pass Filter) which passes the signals below the
specified frequency point (cutoff frequency) and cuts the signals
above it (see page 34). The FEG simulates the change of the filter
envelope curve over time.
Depending on the voice selected, changing certain
parameters may not produce a noticeable effect.
NOTE
NOTE
PERFORMANCE MULTI
DEMO
STORE UTILITY
BANK
ATK
TIME
PROGRAM
SYSTEM MIDI ASSIGN
DCY
TIME
VOLUME
PEGFEG SUS
LEVEL
PAN
REL
TIME
REV
SEND
INIT
LEVEL
CHO
SEND
ATK
TIME
EFFECT VARI
SEND
ATK
LEVEL
CUTOFF
FILTER
DCY
TIME
REZ
REL
TIME POLY/
MONO
REL
LEVEL
LAYER
32


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