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6
THE CS1x AT A
GLANCE
ATTACK
PHONES L/MONO
OUTPUT
R DC IN POWER FOOT
VOLUME FOOT
CONTROLLER FOOT
SWITCH TO HOSTINPUT HOST SELECT IN OUT
MIDI
THRU
AMP EG
RELEASE ASSIGN 1/DATAVOLUME
CUTOFF
FILTER
RESONANCE ASSIGN 2
2
MW/FC
1
SCENE
ARPEGGIO HOLD SHIFT
OCTAVE
PART/LAYER/
+
PRESET USER
VWX
PROGRAM
+
PERFORMANCE STORE
MULTI
PRESET USER ARPEGGIATOR
UTILITY 7
YZ'
8
&
*
9
MNO
4
PQR
5
STU
6
DEF
1
GHI
2
JKL
NO/
QUICK PC YES
3
ABC
0
SPACE
ENTER
PERFORMANCE MULTI
DEMO
STORE UTILITY
TYPE
BANK
P BEND
RANGE
NOTE
SFT
ATK
TIME
ATK
TIME
MASTER
TUNE
TEMPO
ARPEGGIATOR PERFORM
LEVEL EFECT
PROGRAM
SYSTEM MIDI ASSIGN
PMOD
DETUNE
DCY
TIME
DCY
TIME
KBD
TRANS
SUB
DIVIDE
VOLUME
FMOD
REV
TYPE
CUTOFF
FC PORTA
VEL ASSIGN2
LFO
PEG
CHO
TYPE
VARI
EF
VARI
TYPE
SWITCH
VARI
PARAM
TIME
VARI
DATA
MW
FMOD
LIMIT
LOW
TUNE
AEG
FEG
NOTE
SUS
LEVEL
SUS
LEVEL
VEL
CURVE
PAN
CUTOFF
LIMIT
HIGH
REL
TIME
REL
TIME
VEL
FIX
REV
SEND
LIMIT
LOW
AMOD
INIT
LEVEL
TRANS
CH
CHO
SEND
LIMIT
HIGH
PMOD
ATK
TIME
EFFECT
RCV
CH
VARI
SEND
OFFSET
FMOD
ATK
LEVEL
DEVICE
NO
CUTOFF
FILTER
DEPTH
WAVE
DCY
TIME
LOCAL
REZ
PARAM
SPEED
REL
TIME
BULK
DUMP
PERFORM
NAME
POLY/
MONO
ASSIGN1
PARAM
DATA
PHASE
INIT
REL
LEVEL
CTRL
NO
COMMON
LAYER
UTILITY
PITCH MODULATION
Front
Panel
!VOLUME
Turn this knob to set the proper
listening level whether using
headphones or amplified speakers.
"SOUND CONTROL
KNOBS
The six Sound Control Knobs give
you direct access to key parameters
of the currently selected
Performance/voice. Turning any
Sound Control Knob to the left or
right will offset the parameter values
accordingly (left for negative values,
right for positive values) and
produce an immediate result; a letter
"E" will appear next to the
Performance number in the LCD to
indicate the original voice has been
edited. Each knob has a center
detent which represents the original
value of the parameter.
ATTACK (Knob 1) - This knob
controls the initial attack time of the
voice. Turn it left for a faster attack
time; turn it right for a slower attack
time. (See page 30)
RELEASE (Knob 2) - This knob
controls the release time of the voice.
Turn it left for a shorter release time;
turn it right for a longer release time.
(See page 32.)
ASSIGN 1/DATA (Knob 3) - This
knob has two functions. As an
ASSIGN 1 knob, you can assign one
of 28 parameters—including
Performance Volume, Arpeggiator
Tempo or Type, Portamento Time,
and others—to control by turning it
(see page 26). As a DATA entry knob,
you can use it to quickly change the
edit value of the currently selected
edit parameter.
CUTOFF (Knob 4) - This knob
determines the cutoff frequency of
the filter, or the frequency point
above which other frequencies are
filtered out. Turn it left for a deeper,
more rounded tone; turn it right for
a thinner, brighter tone. (See page
25.)
RESONANCE (Knob 5) - This knob
determines the amount of filter
resonance or emphasis of the cutoff
frequency. Turn it left to produce a
relatively flat response; turn it right
to add overtones and make the
sound more resonant. (See page 34.)
ASSIGN 2 (Knob 6) - This knob can
be used to control any one of 28
parameters which you can assign to
it—including Volume, Note Shift,
Pan, Chorus Send, and others. (See
page 29.)
#SCENE 1 & 2
Each Performance has two Scene
memories which remember specific
positions of the six Sound Control
Knobs. (See page 16.)
Simply press SCENE 1 or SCENE 2
to instantly recall the specified
settings. An LED beside each SCENE
button will light to indicate which
Scene is currently active. You can
store your own Scenes in advance
using Store mode. (See page 44.)
By holding one SCENE button and
then pressing the other SCENE
button, both LED's will light,
indicating that you can use the
Modulation Wheel or a connected
Foot Controller for realtime
continuous parameter changes
between one Scene and the other.
(See page 45.)
$ARPEGGIATOR
Press this button to activate the on-
board Arpeggiator, which lets you
create automatic arpeggios simply
by playing a chord. An indicator will
appear in the lower right area of the
LCD when the Arpeggiator is on.
(See page 22.)
There are various Arpeggiator Types
and Arpeggiator Timing
Subdivisions. These, plus the
Arpeggiator Tempo, can be specified
with the Common Edit 1 menu
parameters. (See page 23.)
Pressing this button while holding
SHIFT will "hold" the arpeggiated
chord, or make it continue playing
even when you release the keys.
Pressing this button again stops the
Arpeggiator. (See page 23.)
An Arpeggiator Split function lets you
split the keyboard at C3; the chords
you play to the left of the split point
will create arpeggiated chords, and
the notes and chords you play to the
right of the split point will play as
normal. (See page 23.)
7


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