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Esempi di Combinazioni Voci
(Dual e Split)
Dual
Split
Dual + Split
MAIN + MAIN
GrandPiano1 + E.Piano1
GrandPiano1 + E.Piano2
Combinazione molto usata nella musica pop.
MAIN + MAIN GrandPiano1 + SynthPiano Produce un suono spazioso di piano.
MAIN + MAIN GrandPiano2 + GrandPiano2
E’ come se suonaste due note di un’ottava di dif-
ferenza. Adatta per accompagnamenti di musica
salsa.
MAIN + MAIN E.Piano1 + SlowChoir Adatta per ballate romantiche.
MAIN + MAIN E.Piano2 + E.Clavichord Adatta per musica funk, rhythm & blues e soul.
MAIN + MAIN Harpsichord8' + Strings Combinazione adatta per musica barocca.
MAIN + MAIN Celesta + SynthStirngs
Questa combinazione unisce archi ed un suono
di campana. Viene applicato automaticamente
un effetto di delay.
MAIN / LEFT
GrandPiano1 / WoodBass
or Bass&Cymbal
Adatta per musica jazz. Il pedale damper ha
effetto sulla voce assegnata alla parte della
mano destra.
MAIN / LEFT Celesta / Choir Adatta a brani molto soft e celestiali.
MAIN / LEFT Choir / GrandPiano1
Suonate queste voci con arpeggi di piano. Suo-
nando la voce Choir con accordi si ottiene un
effetto più evidente.
MAIN / LEFT Scat / WoodBass
Questa combinazione dispone di un chorus jazz
molto fresco. La voce Scat é sensibile al tocco e
aggiunge svariate espressioni.
MAIN / LEFT E.Piano2 / Scat
Suonando la voce Scat per una parte di basso si
possono ottenere sonorità molto particolari.
MAIN + MAIN / LEFT
GrandPiano1 + SynthString /
GrandPiano1
Questa combinazione crea il suono corposo di
un piano miscelato agli archi.
MAIN + MAIN / LEFT
GrandPiano2 + E.Piano1 /
ElectricBass
Suono adatto alla musica fusion. Un riverbero ed
un chorus più profondi (pag. 79) aumenteranno il
groove. Il pedale damper ha effetto solo sulla
parte assegnata alla mano destra.
MAIN + MAIN / LEFT + LEFT
Harpsichord8' + 4' + Strings /
Harpsichord8' + Strings
Questa combinazione crea un suono molto bril-
lante.
APPENDIX.105-117 Page 111 Tuesday, May 28, 2002 5:13 PM
111


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