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CLP-170/150 111
Exempel på ljudkombinationer
(Dual och Split)
Dual
Split
Dual + Split
MAIN + MAIN
GrandPiano1 + E.Piano1
GrandPiano1 + E.Piano2
Denna kombination används ofta i populär-
musik.
MAIN + MAIN GrandPiano1 + SynthPiano
Denna kombination producerar ett klangrikt
pianoljud med stor rymd.
MAIN + MAIN GrandPiano2 + GrandPiano2
Denna kombination låter som om Du spelar två
toner som ligger en oktav från varandra. Passar
speciellt bra som komp i salsamusik.
MAIN + MAIN E.Piano1 + SlowChoir Lämplig för romantiska ballader.
MAIN + MAIN E.Piano2 + E.Clavichord Passar bra till funk, rhythm & blues och soul.
MAIN + MAIN Harpsichord8' + Strings Passar speciellt bra till barockmusik.
MAIN + MAIN Celesta + SynthStirngs
Här kombineras stråkar och klockljud. En delay-
effekt appliceras automatiskt.
MAIN / LEFT
GrandPiano1 / WoodBass
or Bass&Cymbal
En kombination som rekommenderas för lättare
jazzmusik. Dämparpedalen påverkar det ljud
som är utlagt på högerhandsomfånget.
MAIN / LEFT Celesta / Choir Ett bra komp till lugna stycken med solosång.
MAIN / LEFT Choir / GrandPiano1
Pröva att spela pianoljudet med arpeggion och
Choir ljudet med ackord.
MAIN / LEFT Scat / WoodBass
Starkt skiftande variationer i det anslagskänsliga
Scat ljudet gör denna kombination extra uttrycks-
full.
MAIN / LEFT E.Piano2 / Scat
Spela gärna Scat ljudet som en basstämma för
ett intressant sound.
MAIN + MAIN / LEFT
GrandPiano1 + SynthString /
GrandPiano1
En kombination av piano och stråkar med stort,
fett ljud.
MAIN + MAIN / LEFT
GrandPiano2 + E.Piano1 /
ElectricBass
Ett ljud som är som gjort för fusionjazz. Öka
Reverb- och Chorus-djupet (sid 79) för ännu bättre
groove. Dämparpedalen påverkar det ljud som
är utlagt på högerhandsomfånget.
MAIN + MAIN / LEFT + LEFT
Harpsichord8' + 4' + Strings /
Harpsichord8' + Strings
En pregnant, övertonsrik kombination för framför
allt klassisk musik.
111


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