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122 Chapitre 13Effets internes
03D—Mode d’emploi
Delay/Echo
Modulation
Pitch Change (Modication de hauteur)
# Nom Type Description
27
DELAY L-C-R1 DELAY LCR
Effet Delay normal G-C-D. La séquence de répétition
est la suivante: gauche, centre, droite.
28
DELAY L-C-R2 DELAY LCR
Autre version du Delay L-C-R, avec Feedback (plu-
sieurs répétitions).
29
PingPongEcho ECHO
Effet Ping-Pong légèrement avant-gardiste: il va
plus loin que la version classique.
30
Stereo Echo ECHO Effet d’écho stéréo normal.
31
8 note Delay ECHO Delay croisé avec un timing de croches.
# Nom Type Description
32
Chorus 1 CHORUS Effet Chorus normal.
33
Chorus 2 CHORUS Autre version de leffet Chorus ci-dessus.
34
BrightChorus CHORUS Version plus osée de leffet Chorus.
35
FLANGE 1 FLANGE Effet Flanger traditionnel.
36
FLANGE 2 FLANGE Autre version de leffet Flanger.
37
Delange FLANGE
Encore une autre version de leffet Flanger où le
retard est nettement audible.
38
Symphonic SYMPHONIC Effet Symphonic bien connu.
39
Phaser PHASER Effet Phaser traditionnel.
40
16stagePhase PHASER
Autre version de leffet Phaser qui se sert des 16 éta-
pes du décalage de phase.
41
Auto Pan AUTO PAN Effet Auto Pan traditionnel.
42
Tremolo TREMOLO Effet Tremolo traditionnel.
# Nom Type Description
43
Mono Pitch HQ. PITCH
Delay plus long avec un léger décalage de hauteur.
Pour chant ou instruments solo.
44
Harmo 8va DUAL PITCH Transpose le signal traité dune octave.
45
Dub Vocal DUAL PITCH
Effet de doublage produit par un retard un peu
plus long.
46
Pitch Chorus DUAL PITCH
Désaccorde légèrement le son traité pour l’élargir. La
hauteur nest toutefois pas modulée (à la différence
dun Chorus).
47
Funny Pitch DUAL PITCH
Rétroaction du signal transposé qui abaisse toujours
davantage la hauteur.
128


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