Manual Soundcraft Vi 4 (page 248 of 337) (English)

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Soundcraft Vi Series™ User Guide 1112 Page 20 - 17

Delay Time

Controls the length of the delay time relative to Tempo. At the middle of its range, delay repeats are

synchronous with the Tempo button; lower values create faster repeats, while higher values increase the

time between repeats.

Feedback

Controls the number of delay repeats by feeding the delay output signal back into the delay input. This

creates a series of delay repeats, each slightly attenuated until they become inaudible. Higher settings

create more repeats; lower settings reduce the number of repeats. When this knob is turned fully

clockwise, it engages Repeat Hold – delay repeats play back in an innite loop, but no further input signal

is introduced into the delay effect. Repeat Hold is available only on Studio, Mono and Pong Delay.

Lo Cut Filter

Frequencies below this level are attenuated.

Hi Cut Filter

Frequencies above this level are attenuated.

Ducker Threshold

The Studio, Mono and Pong delays offer a “ducking” feature, which causes the delay repeats to

be attenuated by a variable amount (between 0 and 18dB) when an input signal is present. As the

performance pauses, the delay signal level returns to its normal setting.This allows the delay to remain as

an effect, but not clash with the original signal. For example whilst a vocalist is singing, the level of delay

is kept down, but in the pauses the level of the repeats is brought up to provide a smooth tail to the vocal

phrases. The Ducker Threshold sets the level at which the input signal has to be at for ducking to cut in –

the higher the threshold, the louder the signal has to be for ducking to occur.

Ducker Level

Ducker Level sets the amount of attenuation once the signal has exceeded the threshold. 0dB is no

ducking, 18dB is the maximum amount of ducking to the delayed signal.

Smear

Available only for Tape and Reverse Delays, this parameter controls the amount of “smear,” or signal

degradation and frequency loss. The higher the setting, the more each delay repeat loses intelligibility

compared to the original signal.

Level 1 & 2

Adjusts the output level of Tap 1 and Tap 2.

Pan 1 & 2

Adjusts the pan position in the stereo eld of Tap 1 and Tap 2.

Mod Depth

This controls the intensity of modulation, or “depth” in the Modulated Delay. Lower settings produce a

more subtle chorus effect, while higher values give a more lush chorusing of the delay repeats.

MISC EFFECTS

The MISC category provides primarily modulated and pitch-varying effects.

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Soundcraft Vi 4 Manual

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