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10 Soundcraft MFXi MPMi Mode D'Emploie 0410
AUX3
MST
AUX2
MST
AUX1
MST
SUB OUT
MUTE
8
MUTE MUTE
0 10
AUX1 AUX1
LF
3 3
6
6
9 9
12
12
15 15
0
-
+
3 3
6
6
9 9
12
12
15 15
0
-
+
750
150
3.5k
3 3
6
6
9 9
12
12
15 15
0
-
+
MONITOR OUT
MIC MIC MIC MIC MIC MIC MIC MIC MIC MIC MIC MIC
HF HF HF HF HF HF HF HF HF HF HFHF
LF LF LF LF LF LF LF LF LF LFLF
MF MF MF MF MF MF MF MF MF MF MFMF
1 2 3 4 5 6 7 8 9 10 11 12
3 3
6
6
9 9
12
12
15 15
0
-
+
3 3
6
6
9 9
12
12
15 15
0
-
+
3 3
6
6
9 9
12
12
15 15
0
-
+
3 3
6
6
9 9
12
12
15 15
0
-
+
3 3
6
6
9 9
12
12
15 15
0
-
+
3 3
6
6
9 9
12
12
15 15
0
-
+
3 3
6
6
9 9
12
12
15 15
0
-
+
3 3
6
6
9 9
12
12
15 15
0
-
+
3 3
6
6
9 9
12
12
15 15
0
-
+
3 3
6
6
9 9
12
12
15 15
0
-
+
3 3
6
6
9 9
12
12
15 15
0
-
+
3 3
6
6
9 9
12
12
15 15
0
-
+
3 3
6
6
9 9
12
12
15 15
0
-
+
3 3
6
6
9 9
12
12
15 15
0
-
+
3 3
6
6
9 9
12
12
15 15
0
-
+
3 3
6
6
9 9
12
12
15 15
0
-
+
3 3
6
6
9 9
12
12
15 15
0
-
+
3 3
6
6
9 9
12
12
15 15
0
-
+
3 3
6
6
9 9
12
12
15 15
0
-
+
3 3
6
6
9 9
12
12
15 15
0
-
+
3 3
6
6
9 9
12
12
15 15
0
-
+
3 3
6
6
9 9
12
12
15 15
0
-
+
3 3
6
6
9 9
12
12
15 15
0
-
+
3 3
6
6
9 9
12
12
15 15
0
-
+
3 3
6
6
9 9
12
12
15 15
0
-
+
3 3
6
6
9 9
12
12
15 15
0
-
+
3 3
6
6
9 9
12
12
15 15
0
-
+
3 3
6
6
9 9
12
12
15 15
0
-
+
3 3
6
6
9 9
12
12
15 15
0
-
+
3 3
6
6
9 9
12
12
15 15
0
-
+
3 3
6
6
9 9
12
12
15 15
0
-
+
3 3
6
6
9 9
12
12
15 15
0
-
+
3 3
6
6
9 9
12
12
15 15
0
-
+
3 3
6
6
9 9
12
12
15 15
0
-
+
3 3
6
6
9 9
12
12
15 15
0
-
+
3 3
6
6
9 9
12
12
15 15
0
-
+
3 3
6
6
9 9
12
12
15 15
0
-
+
3 3
6
6
9 9
12
12
15 15
0
-
+
3 3
6
6
9 9
12
12
15 15
0
-
+
750
150
3.5k
750
150
3.5k
750
150
3.5k
750
150
3.5k
750
150
3.5k
750
150
3.5k
750
150
3.5k
750
150
3.5k
750
150
3.5k
750
150
3.5k
750
150
3.5k
GAINGAIN GAIN GAIN GAIN GAIN GAIN GAIN GAIN GAIN GAIN GAINGAIN
PFL PFL PFLPFL PFL PFL PFL PFL PFL PFL PFL PFL PFL PFLPFL
MIX
SUB
MIX
SUB
MIX
SUB
MIX
SUB
MIX
SUB
MIX
SUB
MIX
SUB
MIX
SUB
MIX
SUB
MIX
SUB
MIX
SUB
MIX
SUB
MIX
SUB
MIX
SUB
MIX
SUB
PK PK PKPK PK PK PK PK PK PK PK PK PKPK
SP SP SPSP SP SP SP SP SP SP SP SP SPSP
5 5 5 5 5 5 5 5 5 5 5 5
0 0 0 0 0 0 0 0 0 0 0 0
-5 -5 -5 -5 -5 -5 -5 -5 -5 -5 -5 -5
-10 -10 -10 -10 -10 -10 -10 -10 -10 -10 -10 -10
-20 -20 -20 -20 -20 -20 -20 -20 -20 -20 -20 -20
-30 -30 -30 -30 -30 -30 -30 -30 -30 -30 -30 -30
MUTE
MUTE
MUTE
MUTE MUTE MUTE MUTE MUTE MUTE MUTE MUTEMUTE MUTE MUTE MUTE MUTE MUTE
MUTE
12
STE1
STE2
2 3 4 5 6 7 9 10 11
1
STEREO 1
STEREO 2
LL
RR
L L
R R
[MONO] [MONO]
GAIN GAIN
HF HF
MF MF
LF LF
AUX1
OUT
AUX2
OUT
5
0
-5
-10
-20
-30
5
0
-5
-10
-20
-30
AUX3
OUT
MONO
OUT
AUX3
OUT
MONO
OUT
GAIN
-10 20dB -10 20dB
STE1 STE2 SUB-L
SUB-R MIX
10 10 10 10 10 10 10 10 10 10 10 10 10 10
0 100 100 100 100 100 100 100 100 100 100 10 0 10 0 100 100 100 100 100 100 100 100 100 100 100 10
0 100 100 100 100 100 100 100 100 100 100 100 10 0 10 0 100 100 100 100 100 100 100 100 100 100 100 100 10
0 10 0 100 100 100 100 100 100 100 100 100 100 100 10 0 10 0 100 10 0 100 100 100 100 100 100 100 100 100 100 100 10
L L L L L L L L L L LL L L L L L L L L L L LR R R R R R R R R R RR R R R R R R R R R R R
AUX1AUX1AUX1AUX1AUX1AUX1AUX1AUX1AUX1AUX1AUX1 AUX1AUX1AUX1AUX1AUX1AUX1AUX1AUX1AUX1AUX1 AUX1 AUX1
AUX2AUX2AUX2AUX2AUX2AUX2AUX2AUX2AUX2AUX2AUX2AUX2 AUX2 AUX2
AUX3AUX3AUX3AUX3AUX3AUX3AUX3AUX3AUX3AUX3AUX3AUX3 AUX3 AUX3
PAN PAN PAN PAN PAN PAN PAN PAN PAN PAN PAN PAN BAL BAL
0 0 0 0 0 0 0 0 0 0 00 0 0 0 0 0 0 0 0 0 0 0
AFL
AFL
AFL
0 10
POST
PRE
48V
L
L
R
R
REC
OUT
2TRK
IN
LEVEL
0 10
0 10
0 10
0 10
0 10
TO
MNTR
TO MIX
MIX-L
MIX-R
16
10
6
3
0
-3
-6
-12
-16
-22
MIX / SOLO
PHANTOM POWER
2TRK
SUB TO
MIX
MNTR
LEVEL
LEVEL
STE
MNO
MIX
SUB
5
10
0
-5
-10
-20
-30
5
10
0
-5
-10
-20
-30
HEADPHONES
SOLO PWR
MPM
21 3 4 5 6 7 8 9 10 11 12
LINELINELINELINELINE LINELINE LINE LINE LINE LINE LINE LINE
INSERTINSERTINSERTINSERTINSERTINSERT INSERT INSERT INSERT INSERT INSERT INSERT INSERT
1
2
3
6
8
24
18
19
26
23
15
25 16
28
14
7
32
5
9
10
12
13
17
27
4
11
20
21
30
22
29
31
GUIDE DE PRÉSENTATION EN 60 SECONDES - MPMi
1 ENTRÉE MICRO (XLR) Connectez votre micro à cette entrée. Si vous utilisez un micro à condensateur,
assurez-vous d’activer l’alimentation fantôme en appuyant sur la touche située
dans la partie supérieure de la section de sortie.
ATTENTION : N’activez pas l’alimentation fantôme avant d’avoir connecté le micro.
2 ENTRÉE LIGNE Connectez vos sources à niveau ligne (exemple : synthétiseur, boîte à rythmes,
(Jack 6,35 mm) boîtier de Direct, etc.) à cette entrée.
3 POINT D’INSERTION Reliez vos processeurs de signal (exemple : compresseur, Gate, etc.) à ce con
(Jack 6,35 mm) necteur.
4 RÉGLAGE DE GAIN Utilisez ce réglage pour accentuer ou atténuer le niveau du signal en entrée.
5 HPF Le ltre passe-haut atténue uniquement le niveau des basses fréquences. Utilisez-le
en sonorisation pour atténuer les bruits de scène ou de pop des micros.
6 ÉGALISEUR Utilisez ces réglages pour modier le timbre du signal (la réponse sonore).
7 DÉPARTS AUX 1 et 2 Utilisez ces réglages pour modier le niveau du signal acheminé au casque, système
In-Ear ou retour de scène des musiciens. Les départs Aux 2 peuvent être congurés
globalement en mode pré ou post-Fader. Aux 1 is pre-fade, Aux 3 is post-fade.
8 RÉGLAGE DE PANORAMIQUE Utilisez ce réglage pour placer le signal dans le champ stéréo.
9 TOUCHE MUTE Appuyez sur cette touche pour couper le signal de la voie (signaux post-Mute).
10 TOUCHE PFL Appuyez sur cette touche pour acheminer le signal aux sorties casque et MONITOR.
Elle permet donc de contrôler le signal post-égalisation de la voie.
Pour vous permettre d’utiliser votre console aussi rapidement que possible, ce manuel comprend un guide de
présentation en 60 secondes. Il contient des informations générales sur toutes les composantes de la console.
12


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