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5
EQ STAGE Adjust these controls to change the signal tone
6
AUX SENDS Adjust these controls to change the level of the signal to an FX unit or an artist’s monitors (head
phones/in-ear/stage monitors). Aux 1&2 are pre-fade, while Aux 3&4 are post-fade
7
PAN CONTROL Use this control to position the signal within the stereo field
8
MUTE SWITCH When this is pressed you will hear no signal from the channel
9
PFL (PRE-FADE LISTEN) When pressed the signal will appear on the monitor outputs - use this to monitor the post eq
signal from the channel
0
INPUT CHANNEL FADER This is used to control the level fed to the Mix Bus
q
DIRECT OUTPUT This output can be used to send the channel signal to a recording device, such as a multi-track
(¼” Jack) recorder
w
DIRECT PRE This switch controls the source for the direct output. When the switch is down the D/O is pre-fade,
and when the switch is up the D/O is post-fade
e
MIX OUTPUTS (XLR) Connect these to your analogue recording device, or to your amplification system
r
MIX INSERTS This is a pre-fade break in the signal path which can be used to feed a dynamics or mastering
(¼” Jack) device. The signal is sent from the tip of the jack plug and the return path comes back in on the
ring of the jack plug
t
S/PDIF OUTPUT This is a digital version of the Mix Output and can be used to send any source or the entire mix to
a digital recorder or computer sequencer via the appropriate hardware
y
MONITOR O/Ps These are used to feed your monitoring system. This can be directly to powered monitors, or
(¼” Jack) indirectly via an amplifier to standard monitors
u
MASTER FADER This fader controls the overall level of the mix bus
i
AUX MASTERS These controls can be used to adjust the overall level of a specific auxiliary send to an effects unit
o
MAIN METERS These show the level of the mix outputs. When the PFL/AFL LED is lit, the meters show the level of
the signal sourced
p
MONITOR CONTROL This controls the level of the signal sent to your monitoring system
a
PHONES CONTROL This controls the level of the signal sent to the headphones jack socket
s
MONO SUM CONTROL This controls the level of the signal sent to the mono sum output
d
AUX OUTPUTS These four outputs can be used to send the channel signal to an FX unit or an artist’s monitors
(¼” Jack) (headphones/in-ear/stage monitors). Aux 1&2 are pre-fade, Aux 3&4 are post-fade
f
STEREO RETURN INPUTS These four inputs can be used to connect the return signal from an FX unit, or a stereo feed from
(RCA Phono) consumer devices such as CD-Players, Minidisc etc. The level of these inputs are controlled by the
RET1,2,3 & 4 controls and are sub-mixed via the returns master control before being sent to the
Mix Outputs
g
STEREO INPUTS These four inputs can be used to connect line level stereo inputs from keyboards, sound modules,
(¼” Jack) samplers, computer based audio cards etc. These inputs pass through a normal channel strip,
with EQ, Auxes and a Balance control
h
PLAYBACK INPUT Here you can connect the playback from your recording device
(RCA Phono)
j
PLAYBACK CONTROLS Use this to control the level of the playback signal. There is also a PFL/AFL switch and a PLAYBACK
REPLACES MIX switch
k
RETURNS MASTER This controls the overall level of the stereo return inputs. There is also a MUTE switch so that you
can quickly compare your mix, with and without FX
l
PHANTOM POWER Press this to switch the phantom power (48V) on for condenser microphones
WARNING: Do Not apply Phantom Power before connecting a microphone
;
MIXER POWER LED This LED will light when the unit is switched on
z
HEADPHONES (¼” Jack) Plug your headphones into this socket
x
SIGNAL PRESENT LED This is used to indicate the presence of a signal on a specific channel
c
PEAK LED This is used to indicate signal clipping on a specific channel
v
MONO SUM OUTPUT This output provides a Mono sum of the main L & R mix outputs
b
100Hz FILTER When pressed, this switch significantly reduces the level of frequencies below 100Hz
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