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USER GUIDE
18
0 MUTE
All outputs from the channel except inserts are on when the MUTE switch is released and muted when the
switch is down, allowing levels to be pre-set before the before the signal is required. The only exception to
the muting is any DIRECT OUTPUT configured as PRE-fade, which will be sent regardless of the status of the
mute switch.
q INPUT CHANNEL FADER
The 100mm FADER, with a custom-designed law to give even smoother control of the overall signal level in
the channel strip, allows precise balancing of the various source signals being mixed to the Master Section.
You get most control when the input GAIN is set up correctly, giving full travel on the fader. See the `Initial
Set Up’ section on page 23 for help in setting a suitable signal level.
w DIRECT PRE/POST
This button switches the Direct Ouput to be set pre or post the channel fader. In the UP position it is POST
and in the DOWN position it is PRE.
e PFL (PRE-FADE LISTEN)
When the latching PFL switch is pressed, the pre-fade signal is fed to the headphones, control room output
and meters, where it replaces the MIX. The PFL/AFL LED on the Master section illuminates to warn that a
PFL is active. This is a useful way of listening to any required input signal without interrupting the main mix,
for making adjustments or tracing problems. When PFL is pressed anywhere on the console, the Control
Room outputs automatically switch from monitoring the Mix Outputs.
r SIGNAL PRESENT LED
This LED will light when the channel signal exceeds -20dBu.
t PEAK LED
This LED will light when the signal peaks (+18dBu internal). There is a three point signal analysis, and if the
signal peaks at any of these points then the LED will light:
a) PRE-EQ
b) POST-EQ
c) POST-FADE
20


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