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ES
Continúa
VISUALIZACIÓN
DE LAS TECLAS
1
INPUT
VIDEO 1
VIDEO 2
VIDEO 3
AUX
DVD
TV
CD
MD/DAT
TUNER
TAPE
PHONO
5.1 INPUT
MENU
R
r
t
T
OK
AMP (Amplificador)
FUNCIÓN
Para encenderlo o apagarlo
Para seleccionar la fuente de
entrada: VIDEO 1
Para seleccionar la fuente de
entrada: VIDEO 2
Para seleccionar la fuente de
entrada: VIDEO 3
Para seleccionar la fuente de
entrada: AUX
Para seleccionar la fuente de
entrada: DVD
Para seleccionar la fuente de
entrada: TV
Para seleccionar la fuente de
entrada: CD
Para seleccionar la fuente de
entrada: MD
Para seleccionar la fuente de
entrada: TUNER
Para seleccionar la fuente de
entrada: TAPE
Para seleccionar la fuente de
entrada: PHONO
Para cambiar el sonido
multicanal de 5.1 canales y
superior
Para abrir la pantalla del
menú (MENU) o volver al
menú anterior
Para mover el cursor hacia
arriba
Para mover el cursor hacia
abajo
Para mover el cursor hacia la
derecha
Para mover el cursor hacia la
izquierda
Para introducir la selección de
la pantalla del menú (MENU)
VISUALIZACIÓN
DE LAS TECLAS
RECALL
EXIT
PROGRAM +/–
w +/–
MUTING
S.FIELD
MODE
T.TONE
CENTER
CENTER
REAR
REAR
SUB WOOFER
SUB WOOFER
FRONT BAL
REAR BAL
EFFECT
FUNCIÓN
Para cambiar de banda o la
selección programada
Para volver al menú (MENU)
básico
Programación o sintonización
de frecuencia a una superior: +
Programación o sintonización
de frecuencia a una inferior: -
Subir volumen: +
Bajar volumen: –
Para silenciar el volumen del
AMP.
Vuelva a pulsarlo para
desconectar el silencio
Para conectar o desconectar el
campo acústico
Para seleccionar un modo de
campo acústico
Para emitir un tono de prueba
Para ajustar el nivel del
altavoz central: +
Para ajustar el nivel del
altavoz central: –
Para ajustar el nivel de los
altavoces posteriores: +
Para ajustar el nivel de los
altavoces posteriores: –
Para ajustar el nivel del
altavoz potenciador de
graves: +
Para ajustar el nivel del
altavoz potenciador de
graves: –
Para controlar el balance de
los altavoces frontales
Para controlar el balance de
los altavoces posteriores
Para controlar el efecto
131


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