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37
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Notice
that
each
of
the designs
is
marked in the
direction columns
to
identify
which
color
it
rep-
resents. When the direction columns are used
with
multi-color work, they indicate the color
number
and
do
not
control card movement.
You
can
knit one
row
of
each color if you have
an
odd
number
of
colors.
You
will always find
the yarn
right
where you need it,
but
with
an
even
number
you'll have
to
keep
cutting
and re-
starting.
You
can also
knit
2 rows
of
each color,
using the #3
button.
You
will probably
want
to
use
the #4
button
to
knit each stitch twice
as
well in-order
to
keep the design in proportion.
Multi-colored slip stitch
is
knitted
with
the
LEFT
#1
light
lit, although this
is
contrary
to
the way
Slip
is
usually knitted. This
is
so
that
the back-
ground stitches
of
colors 1 & 2 (for example)
are
slipped while color #3 knits. The slipped
background stitches are
not
the pattern effect in
this
case-as
they
would
be in one color slip
knitting.
The sample design
is
a 15
row
pattern in three
colors. When the
PEl
reads and shuffles the
three mylars, the pattern will actually require 45
passes
of
the carriage
to
produce 15 rows
of
knitted fabric. If you are knitting
with
the #3
button,
it
will take 90 carriage rows
to
produce
30 rows
of
fabric.
Be
aware
that
the
PEl
will still
indicate 45 rows, rather than 90 because
it
counts each
row
once, regardless
of
the #3
button,
so
you should keep
an
eye on the
SK890
row
counter.
The shuffled multi-color design
is
visually
useless
to
knit from,
so
press
the equal
button
on the
PEl
so
the display shows the
row
number
on the
right and the color
number
on the left.
Multi-color slip
is
not
difficult
to
knit if you keep
the following points in
mind.
First
of
all, knit
more slowly and
use
at least one full stitch
size
larger than you
would
for
the same yarn in
stockinette. Move
your
edge weights
up
the
fabric regularly and every
time
color
#1
(for
ex-
ample) knits, bring the edge needles
out
to
D
position
(Russel
levers on II)
to
be sure they knit.
If the needles slide forward in their slots after
THREE COLOR DESIGNING
WITH
PEl
Color #3
•=·
I
Color
#2
Color
#1
. . . .
. . . .
. .
.
. . .
. .
. . .
. . . . . .
. . . . .
.
.
. .
. .
.
. . .
. .
Basic
design
21: Each
of
the
colors in
the
original
design
is
isolated
on
a
separate
mylar.
The
third
mylar
is
always blank
because
it
accounts
for
any
squares
that
were
not
filled in
for
the
first
two
colors.
31
37


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