Manual Samson MXP144FX (page 11 of 112) (English, German, Français, Italian, Espanõl)

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MXP144/MXP144FX

ENGLISH

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Mono Input Channel Section

The following section details four mono input channels.

1. MIC Inputs - Use these balanced XLR inputs to connect

low Impedance microphones and low level signals from

direct boxes. The MIC inputs feature +48V phantom

power, allowing you to use condenser microphones.

XLR Connector pin-out - Pin 1: Ground, Pin 2: Hot (+),

Pin 3: Cold (-)

2. Line Level Input - Use these balanced TRS ¼” inputs to

connect synthesizers, drum machines, effects processors

or any line-level signal. You can connect balanced and

unbalanced devices to these inputs.

TRS phone jacks Connector pin-out - Sleeve: Ground,

Tip: Hot (+), Ring: Cold (-)

3. INSERT (Send and Return) Jack - The ¼” TRS (Tip, Ring,

Sleeve) INSERT jack is for connecting outboard effects processors directly

on the channel input. The signal is sent on the tip (the Send) and returns

on the ring (the Return) of the connector.

4. GAIN Control - Variable GAIN control with a range of +5 to +45dB on the

MIC input and -20 to +20dB on the LINE input.

5. HPF Switch - The high pass filter rolls off the low frequencies from the

XLR MIC inputs from 80Hz and below at the rate of 12dB per octave. The

high pass filter allows you to remove the lower frequencies that you don’t

want the microphone to pick up. In live sound applications, the high pass

filter is useful for removing stage rumble.

6. COMP Control - The COMP knob adjusts the level of

compression applied to the channel. As the COMP knob

is turned clockwise, the compression ratio is raised and

the output gain is adjusted accordingly. The dynamic

range of the channel is narrowed, where softer signals

will be magnified and loud signals will be subdued to sit

better in the mix. Too much compression can create a

pumping effect, eliminate all dynamic range, and lead

to feedback.

7. Equalizer (HIGH, MID, and LOW) - This three-band

equalizer allows you to contour a channel’s high, mid,

and low frequency bands. When the control is set to the 12 o’clock

(detent) position, there is no effect on the signal. Turning the controls

fully clockwise will raise the level of the frequency band +15 dB, while

turning the controls fully counterclockwise will lower the level of the

frequency band -15 dB.

Top Panel Controls

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Samson MXP144FX Manual

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