The following example shows a sophisticated cue mix for tracking a rhythm section during a recording session using five C
•
The following example shows a sophisticated cue mix for tracking a rhythm section during a recording session using five C•The following example shows a sophisticated cue mix for tracking a rhythm section during a recording session using five C
que 8’s. The complete mix for all the
musicians is sent via the console’s auxiliary send to the C
•
musicians is sent via the console’s auxiliary send to the C•musicians is sent via the console’s auxiliary send to the C
que 8’s RIGHT LINE input and daisy-chained from unit to unit. Then signal from each instrument is con-
nected from the console’s direct outputs to each of C
•
nected from the console’s direct outputs to each of C•nected from the console’s direct outputs to each of C
que 8’s master INJECT inputs using a mono 1/4-inch (TIP/SLEEVE) cable. (By using a mono 1/4-inch cable only
the Left Inject input is connected). The C
•
the Left Inject input is connected). The C•the Left Inject input is connected). The C
cue 8’s are set to 2-channel mode, so that the BALANCE controls the level difference between the backing tracks and indi-
vidual instruments. This allows the lead vocalist or musician to dial up his or her own track for a “more me” mix.
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