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8 Am p Am p
AM P
[ AMP ] butt on
Sho w s the amp edit scr een.
[ L ] swit ch
T ur ns each par tial ’ s equaliz er on/o .
[EQ ] butt on
Sho w s the P AR TIAL EQ edit scr een.
A mp En v elop e
L3
L1 L2
Note o
Level
Time
Note on
T: Time L: Level
Specify the A mp En v elope times ( T ime 1– T ime 4). H igher
settings lengthen the time un til the ne x t v olume lev el is
r eached . (F or e xample , T ime 2 is the time o v er which L ev el
1 will change t o L ev el 2.)
* I f ADSR En v S w is ON, the T ime 2 has no e ec t .
Specify the A mp En v elope lev els (L ev el 1–L ev el 3). T hese
specify the amoun t of change a t each poin t r ela tiv e t o
the r ef er enc e v olume (the par tial lev el v alue specied in
the A mp scr een).
* I f ADSR En v S w is ON, only L ev el 3 (Sustain) has an e ec t .
P ARTIAL 1–4 [ L ] butt on
T ur n each par tial on/o .
* T hese ar e sho wn only in the module la y out .
LE VEL
A djusts the v olume of the t one .
PA N
Species the pan of the t one .
VEL OCIT Y SENS
Species ho w keyboar d pla ying dynamics a ec ts the
v olume of the par tial .
LFO 1/LFO 2
Specify the amoun t b y which LFO 1 and LFO 2 a ec t
the amp .
EQ (P AR TIAL EQ )
[ AMP ] butt on
Sho w s the amp edit scr een.
[ L ] swit ch
T ur ns each par tial ’ s equaliz er on/o .
[EQ ] butt on
Sho w s the P AR TIAL EQ edit scr een.
P ARTIAL 1–4 [ L ] butt ons
T ur n each par tial on/o .
* T hese ar e sho wn only in the module la y out .
P ARTIAL EQ
T his is a thr ee -band equaliz er .
Y ou can specify the r ef er enc e fr equenc y and gain of each
band (lo w , mid , and high). I nf or ma tion f or the selec t ed
band is sho wn in the upper lef t of the scr een.
MID Q
W idth of the middle r ange .
S et a higher v alue t o nar r o w the r ange t o be a ec t ed .
PR O EDIT par amet ers ( A MP)
L e ve l
0–127
S ets the v olume of the par tial . T his
setting is useful pr imar ily f or adjusting
the v olume balanc e bet w een par tials .
V elo cit y C ur v e
FIXED ,
1–7
S elec ts one of the f ollo wing sev en
cur v es tha t det er mine ho w keyboar d
dynamics will a ec t the v olume . S et
this t o “FIXED ” if y ou don ’ t w an t the
v olume of the par tial t o be a ec t ed b y
the keyboar d v elocit y .
V elo cit y S ens
-100–+100
S et this when y ou w an t the v olume of
the par tial t o change depending on the
f or c e with which y ou pr ess the key s .
S et this t o a positiv e (+) v alue t o ha v e
the changes in par tial v olume incr ease
the mor e f or c efully the key s ar e pla y ed;
t o make the par tial pla y mor e sof tly as
y ou pla y har der , set this t o a nega tiv e (-)
v alue .
Bias L e v el
-100–+100
A djusts the angle of the v olume change
tha t will oc cur in the selec t ed Bias
Dir ec tion.
H igher v alues will pr oduc e g r ea t er
change . Nega tiv e (-) v alues will in v er t
the change dir ec tion.
Bias P osition
0–127
Species the key r ela tiv e t o which the
v olume will be modied . A setting of 64
is the C4 key (middle C ).
Bias D ir ec tion
S elec ts the dir ec tion in which change will oc cur star ting
fr om the Bias P osition.
L O WER T he v olume will be modied f or the
keyboar d ar ea belo w the Bias P oin t .
UPPER T he v olume will be modied f or the
keyboar d ar ea abo v e the Bias P oin t .
L O WER
&UPPER
T he v olume will be modied
symmetr ically t o w ar d the lef t and r igh t
of the Bias P oin t .
ALL T he v olume changes linear ly with the
bias poin t a t the c en t er .
Pa n
L64–63R S ets the pan of the par tial . “L64” is far
lef t , “0” is c en t er , and “63R ” is far r igh t .
P an K e yf ollo w
-100–+100
U se this par amet er if y ou w an t key
position t o a ec t panning . P ositiv e
(+) v alue will cause not es higher
than C4 key (c en t er C ) t o be panned
incr easingly fur ther t o w ar d the r igh t ,
and nega tiv e (-) v alue will cause not es
higher than C4 key (c en t er C ) t o be
panned t o w ar d the lef t . H igher v alues
will pr oduc e g r ea t er change .
C4 C3 C2 C1 C5 C6 C7
0
+50
+100
-50
-100
Key
R andom P an Depth
0–63
U se this par amet er when y ou w an t the
st er eo loca tion t o change r andomly
each time y ou pr ess a key .
H igher v alues will pr oduc e a g r ea t er
amoun t of change .
A lt erna t e P an Depth
L63–63R
T his setting causes panning t o be
alt er na t ed bet w een lef t and r igh t each
time a key is pr essed . H igher v alues will
pr oduc e a g r ea t er amoun t of change .
“L ” or “R ” settings will r ev erse the or der
in which the pan will alt er na t e bet w een
lef t and r igh t .
F or e xample if t w o par tials ar e set t o “L ”
and “R ” r espec tiv ely , the panning of the
t w o t ones will alt er na t e each time they
ar e pla y ed .
V ibr a t o L e v el S ens
-100–+100
Species the amoun t of change in the
LFO1’ s A mp D epth ac c or ding t o the
[ VIBR A T O ] k nob of the “ T one S cr een ” .
S t er eo W idth
0–100
A djusts the amoun t of width when
outputting in st er eo . T his has no e ec t
when outputting in mono .
PR O EDIT par amet ers ( A MP ENV )
T1 V elo cit y S ens
-100–+100
Specify this if y ou w an t keyboar d
dynamics t o a ec t the A mp En v elope ’ s
T ime 1. I f y ou w an t T ime 1 t o be
speeded up f or str ongly pla y ed not es ,
set this par amet er t o a positiv e (+)
v alue . I f y ou w an t it t o be slo w ed do wn,
set this t o a nega tiv e (-) v alue .
T4 V elo cit y S ens
-100–+100
Specify this if y ou w an t key r elease
v elocit y t o a ec t the A mp En v elope ’ s
T ime 4. I f y ou w an t T ime 4 t o be
speeded up f or quick ly r eleased not es ,
set this par amet er t o a positiv e (+)
v alue . I f y ou w an t it t o be slo w ed do wn,
set this t o a nega tiv e (-) v alue .
LFO T rigger S wit ch
OFF , ON
I f this is ON, the A mp En v elope is
c y clically r etr igger ed b y LFO1.
* T his is e ec tiv e when En v elope M ode
is SUST AIN.
T1/A ttack , T2, T3/Dec a y , T4/Release
0–1023
Specify the A mp En v elope times ( T ime
1– T ime 4). H igher settings lengthen
the time un til the ne x t v olume lev el
is r eached . (F or e xample , T ime 2 is the
time o v er which L ev el 1 will change t o
L ev el 2.)
* I f ADSR En v S w is ON, the T ime 2 has
no e ec t .
L1, L2, L3/Sustain
0–1023
Specify the A mp En v elope lev els (L ev el
1–L ev el 3). T hese specify the amoun t
of change a t each poin t r ela tiv e t o the
r ef er enc e v olume (the par tial lev el
v alue specied in the A mp scr een).
* I f ADSR En v S w is ON, only L ev el 3
(Sustain) has an e ec t .
T ime K e yf ollo w
-100–+100
Specify this if y ou w an t keyboar d
position t o a ec t the A mp En v elope ’ s
times ( T ime 2– T ime 4). R ela tiv e t o the
A mp En v elope times a t the C4 key
(middle C ), positiv e (+) v alues cause the
times t o shor t en as y ou pla y higher on
the keyboar d , and nega tiv e (-) v alues
cause the times t o lengthen. H igher
v alues will pr oduc e g r ea t er change .
0
C4 C3 C2 C1 C5 C6 C7
-50
-100
+50
+100 Key
PR O EDIT par amet ers (P AR TIAL EQ )
S wit ch
OFF , ON T ur ns the equaliz er on/o f or each
par tial .
L o w G ain
-24.0–+24.0
[dB] G ain of the lo w r ange .
M id G ain
-24.0–+24.0
[dB] G ain of the middle r ange .
H igh G ain
-24.0–+24.0
[dB] G ain of the high r ange .
L o w F r equenc y
20–16000 [H z] F r equenc y of the lo w r ange .
M id F r equenc y
20–16000 [H z] F r equenc y of the middle r ange .
H igh F r equenc y
20–16000 [H z] F r equenc y of the high r ange .
M id Q
0.5–16.0
W idth of the middle r ange .
S et a higher v alue t o nar r o w the r ange
t o be a ec t ed .
PR O EDIT par amet ers ( OUTPUT )
O utput A ssign
DR Y , MFX Species ho w the sound of each par tial
will be output .
7 F ilt er F ilt er
FIL TER
[FIL TER] butt on
Sho w s the lt er edit scr een.
[ENVEL OPE] butt on
Sho w s the lt er en v elope edit scr een.
F ilt er T yp e
S elec ts the t ype of lt er .
OFF No lt er is used .
LPF
L o w P ass F ilt er . T his cuts the fr equencies
in the r eg ion abo v e the cut o fr equenc y
( C ut o F r equenc y). Sinc e this cuts the high-
fr equenc y r eg ion, the sound bec omes mor e
mello w . T his is the most c ommon lt er used
in syn thesiz ers .
BPF
Band P ass F ilt er . T his lea v es only the
fr equencies in the r eg ion of the cut o
fr equenc y ( C ut o F r equenc y), and cuts
the r est . T his can be useful when cr ea ting
distinc tiv e sounds .
HPF
H igh P ass F ilt er . T his cuts the fr equencies
in the r eg ion belo w the cut o fr equenc y
( C ut o F r equenc y). T his is suitable f or
cr ea ting per cussiv e sounds emphasizing
their higher t ones .
P KG
P eak ing F ilt er . T his emphasiz es the
fr equencies in the r eg ion of the cut o
fr equenc y ( C ut o F r equenc y). Y ou can
use this t o cr ea t e w ah- w ah e ec ts b y
emplo ying an LFO t o change the cut o
fr equenc y c y clically .
LPF2
L o w P ass F ilt er 2. A lthough fr equenc y
c omponen ts abo v e the C ut o fr equenc y
( C ut o F r equenc y) ar e cut , the sensitivit y of
this lt er is half tha t of the LPF . T his makes
it a c ompar a tiv ely w ar mer lo w pass lt er .
T his lt er is good f or use with simula t ed
instrumen t sounds such as the ac oustic
piano .
* I f y ou set “LPF2, ” the setting f or the
R esonanc e par amet er will be ig nor ed .
LPF3
L o w P ass F ilt er 3. A lthough fr equenc y
c omponen ts abo v e the C ut o fr equenc y
( C ut o F r equenc y) ar e cut , the sensitivit y of
this lt er changes ac c or ding t o the C ut o
fr equenc y . W hile this lt er is also good f or
use with simula t ed ac oustic instrumen t
sounds , the nuanc e it e xhibits di ers fr om
tha t of the LPF2, ev en with the same F ilt er
En v elope settings .
* I f y ou set “LPF3, ” the setting f or the
R esonanc e par amet er will be ig nor ed .
V CF1 Each setting simula t es the oper a tion of an
analog syn thesiz er ’ s LPF . I n par ticular , MG,
JP , and P5 ar e t ypes tha t ar e suitable f or
r ep r od ucin g sy n the siz e r so unds of the pas t .
JP
MG
P5
P ARTIAL 1–4 [ L ] butt on
T ur n each par tial on/o .
* T hese ar e sho wn only in the module la y out .
F ilt er S lop e ([-12] [-18] [-24] butt ons)
T his butt on selec ts the slope (st eepness) of the lt er .
F or VCF , y ou can choose -12, -18, or -24.
F or T VF , only -12 or -24 can be selec t ed .
CUT OFF
S elec ts the fr equenc y a t which the lt er beg ins t o ha v e an
e ec t on the w a v ef or m ’ s fr equenc y c omponen ts .
RESONANCE
Emphasiz es the por tion of the sound in the r eg ion of
the cut o fr equenc y , adding char ac t er t o the sound .
Ex c essiv ely high settings can pr oduc e oscilla tion, causing
the sound t o dist or t .
ENV DEPTH
Species the depth of the F ilt er en v elope .
H igher settings incr ease the change pr oduc ed b y the
F ilt er en v elope .
Nega tiv e (-) v alue will in v er t the shape of the en v elope .
LFO 1/LFO 2
Species ho w deeply the LFO 1/LFO 2 will a ec t the cut o
fr equenc y .
ENVEL OPE
[FIL TER] butt on
Sho w s the lt er edit scr een.
[ENVEL OPE] butt on
Sho w s the lt er en v elope edit scr een.
F ilt er En v elop e
Note on
T: Time L: Level
L3
L0
L2 L1 L4
Specify the lt er en v elope times ( T ime 1– T ime 4). H igher
settings will lengthen the time un til the ne x t cut o
fr equenc y lev el is r eached . (F or e xample , T ime 2 is the time
o v er which L ev el 1 will change t o L ev el 2.)
* I f ADSR En v S w is ON, the T ime 2 has no e ec t .
Specify the lt er en v elope lev els (L ev el 0–L ev el 4). Specify
the amoun t of cut o fr equenc y change a t each poin t
r ela tiv e t o the r ef er enc e cut o fr equenc y (the cut o
fr equenc y v alue specied in the F ilt er scr een).
* I f ADSR En v S w is ON, only L ev el 3 (Sustain) has an e ec t .
P ARTIAL 1–4 [ L ] butt on
T ur n each par tial on/o .
* T hese ar e sho wn only in the module la y out .
F ilt er S lop e ([-12] [-18] [-24] butt ons)
T his butt on selec ts the slope (st eepness) of the lt er .
F or VCF , y ou can choose -12, -18, or -24.
F or T VF , only -12 or -24 can be selec t ed .
CUT OFF KEY FOLL O W
U se this par amet er if y ou w an t the cut o fr equenc y t o
change ac c or ding t o the key tha t is pr essed .
CUT OFF V SENS
U se this par amet er when chang ing the cut o fr equenc y t o
be applied as a r esult of changes in pla ying v elocit y .
ENV DEPTH
Species the depth of the F ilt er en v elope .
H igher settings incr ease the change pr oduc ed b y the
F ilt er en v elope .
Nega tiv e (-) v alue will in v er t the shape of the en v elope .
LFO 1/LFO 2
Species ho w deeply the LFO 1/LFO 2 will a ec t the cut o
fr equenc y .
PR O EDIT par amet ers (FIL TER)
F ilt er T yp e
T VF , V CF
S elec ts the t ype of lt er .
* T VF stands f or T ime V ar ian t F ilt er , a
lt er tha t lets y ou specify in detail
ho w the fr equenc y c omponen ts of
the sound change o v er time . I f y ou
selec t VCF , the polyphon y will be
lo w er than if y ou selec t T VF .
T VF F ilt er T yp e
S elec ts the t ype of T VF lt er .
* I f F ilt er T ype is set t o VCF , this will be LPF .
OFF No lt er is used .
LPF
L o w P ass F ilt er . T his cuts the
fr equencies in the r eg ion abo v e the
cut o fr equenc y ( C ut o F r equenc y).
Sinc e this cuts the highfr equenc y
r eg ion, the sound bec omes mor e
mello w . T his is the most c ommon lt er
used in syn thesiz ers .
BPF
Band P ass F ilt er . T his lea v es only the
fr equencies in the r eg ion of the cut o
fr equenc y ( C ut o F r equenc y), and
cuts the r est . T his can be useful when
cr ea ting distinc tiv e sounds .
HPF
H igh P ass F ilt er . T his cuts the
fr equencies in the r eg ion belo w the
cut o fr equenc y ( C ut o F r equenc y).
T his is suitable f or cr ea ting per cussiv e
sounds emphasizing their higher t ones .
P KG
P eak ing F ilt er . T his emphasiz es the
fr equencies in the r eg ion of the cut o
fr equenc y ( C ut o F r equenc y). Y ou can
use this t o cr ea t e w ah- w ah e ec ts b y
emplo ying an LFO t o change the cut o
fr equenc y c y clically .
LPF2
L o w P ass F ilt er 2. A lthough fr equenc y
c omponen ts abo v e the C ut o
fr equenc y ( C ut o F r equenc y) ar e cut ,
the sensitivit y of this lt er is half tha t of
the LPF . T his makes it a c ompar a tiv ely
w ar mer lo w pass lt er . T his lt er is
good f or use with simula t ed instrumen t
sounds such as the ac oustic piano .
* I f y ou set “LPF2, ” the setting f or the
R esonanc e par amet er will be ig nor ed .
LPF3
L o w P ass F ilt er 3. A lthough fr equenc y
c omponen ts abo v e the C ut o
fr equenc y ( C ut o F r equenc y) ar e cut ,
the sensitivit y of this lt er changes
ac c or ding t o the C ut o fr equenc y .
W hi l e th i s l t er i s a l s o g o o d f or u se w i t h
simula t ed ac oustic instrumen t sounds ,
the nuanc e it e xhibits di ers fr om tha t
of the LPF2, ev en with the same F ilt er
En v elope settings .
* I f y ou set “LPF3, ” the setting f or the
R esonanc e par amet er will be ig nor ed .
V CF T yp e
V CF1 T his par amet er is e ec tiv e when F ilt er
T ype is VCF .
Each setting simula t es the oper a tion
of an analog syn thesiz er ’ s LPF . I n
par ticular , MG, JP , and P5 ar e t ypes tha t
ar e suitable f or r epr oducing syn thesiz er
sounds of the past .
JP
MG
P5
F ilt er S lop e
-12, -18, -24
[dB/Oc t]
T his butt on selec ts the slope
(st eepness) of the lt er .
F or VCF , y ou can choose -12, -18, or -24.
F or T VF , only -12 or -24 can be selec t ed .
I f F ilt er T ype is T VF , the f ollo wing
limita tions apply .
5 Y ou can specify only -12 dB or -24
dB . I f y ou specify -18 dB , the sound
gener a t or oper a t es in t er nally with
the -12 dB setting .
5 I f y ou specify -24 dB , the
polyphon y will be lo w er than if
y ou specify -12 dB .
HPF C ut o
0–1023
Species the cut o fr equenc y of the -6
dB high-pass lt er .
* T his par amet er is e ec tiv e when F ilt er
T ype is VCF .
C ut o
0–1023
S elec ts the fr equenc y a t which the
lt er beg ins t o ha v e an e ec t on the
w a v ef or m ’ s fr equenc y c omponen ts .
W ith “LPF/LPF2/LPF3” selec t ed f or the
T VF F ilt er T ype par amet er , lo w er cut o
fr equenc y settings r educ e a t one ’ s
upper har monics f or a mor e r ounded ,
w ar mer sound . H igher settings make it
sound br igh t er .
I f “BPF ” is selec t ed f or the F ilt er
T ype , har monic c omponen ts will
change depending on the T VF C ut o
F r equenc y setting . T his can be useful
when cr ea ting distinc tiv e sounds .
W ith “HPF ” selec t ed , higher C ut o
F r equenc y settings will r educ e lo w er
har monics t o emphasiz e just the
br igh t er c omponen ts of the sound .
W ith “PK G ” selec t ed , the har monics t o
be emphasiz ed will v ar y depending on
C ut o F r equenc y setting .
C ut o K e yf ollo w
-200–+200
U se this par amet er if y ou w an t the
cut o fr equenc y t o change ac c or ding
t o the key tha t is pr essed . R ela tiv e
t o the cut o fr equenc y a t the key
specied b y C ut o Keyf ollo w Base
P oin t , positiv e “+” v alues cause the
cut o fr equenc y t o bec ome higher as
y ou pla y abo v e the r ef er enc e key , and
nega tiv e “-” v alues cause the cut o
fr equenc y t o bec ome lo w er .
H igher v alues will pr oduc e g r ea t er
change .
-200
C4 C3 C2 C1 C5 C6 C7
+50
+100
-100
o
-1
-2
+1
+2
Key
0
+200
-50
-200
C ut o V elo cit y C ur v e
FIXED ,
1–7
S elec ts one of the f ollo wing sev en
cur v es tha t det er mine ho w keyboar d
pla ying dynamics (v elocit y) inuenc e
the cut o fr equenc y . S et this t o “FIXED ”
if y ou don ’ t w an t the C ut o fr equenc y
t o be a ec t ed b y the keyboar d v elocit y .
C ut o V elo cit y S ens
-100–+100
U se this par amet er when chang ing
the cut o fr equenc y t o be applied as
a r esult of changes in pla ying v elocit y .
Specify a positiv e “+” v alue if y ou w an t
the cut o fr equenc y t o r aise when y ou
pla y str ongly , or a nega tiv e “-” v alue if
y ou w an t it t o lo w er .
C ut o K e yf ollo w B ase P oin t
0–127
Species the r ef er enc e key when
using Keyf ollo w t o modify the cut o
fr equenc y .
I f this is 60, the C4 key (middle C ) is the
r ef er enc e key .
Resonanc e
0–1023
Emphasiz es the por tion of the sound
in the r eg ion of the cut o fr equenc y ,
adding char ac t er t o the sound .
Ex c essiv ely high settings can pr oduc e
oscilla tion, causing the sound t o dist or t .
L ev el
F r equenc y
C ut o F r equenc y
High
L ow
Resonanc e V elo cit y S ens
-100–+100
U se this par amet er when chang ing the
r esonanc e t o be applied as a r esult of
changes in pla ying v elocit y . Specify a
positiv e “+” v alue if y ou w an t r esonanc e
t o incr ease when y ou pla y str ongly ,
or a nega tiv e “-” v alue if y ou w an t it t o
decr ease .
V ibr a t o C ut o S ens
-100–+100
Species the amoun t of change in the
LFO1’ s F ilt er D epth ac c or ding t o the
[ VIBR A T O ] k nob of the “ T one S cr een ” .
PR O EDIT par amet ers (FIL TER ENV )
Depth
-63–+63
Species the depth of the F ilt er en v elope .
H igher settings incr ease the change
pr oduc ed b y the F ilt er en v elope .
Nega tiv e (-) v alue will in v er t the shape
of the en v elope .
F ine Depth
-63–+63 F inely adjusts the depth of the lt er
en v elope .
V elo cit y C ur v e
FIXED ,
1–7
S elec ts one of the f ollo wing sev en
t ypes of cur v e b y which keyboar d
pla ying dynamics a ec t the depth of
the lt er en v elope .
I f y ou don ’ t w an t keyboar d pla ying
dynamics t o a ec t the lt er en v elope
depth, specify “FIXED . ”
V elo cit y S ens
-100–+100
Specify this if y ou w an t keyboar d
pla ying dynamics t o a ec t the lt er
en v elope depth. Specify a positiv e “+”
v alue if y ou w an t the lt er en v elope t o
apply mor e deeply as y ou pla y mor e
str ongly , or a nega tiv e “-” v alue if y ou
w an t it t o apply less deeply .
T1 V elo cit y S ens
-100–+100
Specify this if y ou w an t keyboar d
pla ying dynamics t o a ec t T ime 1 of
the lt er en v elope . I f y ou w an t T ime 1
t o be speeded up f or str ongly pla y ed
not es , set this par amet er t o a positiv e
“+” v alue . I f y ou w an t it t o be slo w ed
do wn, set this t o a nega tiv e “-” v alue .
T4 V elo cit y S ens
-100–+100
Specify this if y ou w an t key r elease
v elocit y t o a ec t T ime 4 of the lt er
en v elope . I f y ou w an t T ime 4 t o be
speeded up f or quick ly r eleased not es ,
set this par amet er t o a positiv e (+)
v alue . I f y ou w an t it t o be slo w ed do wn,
set this t o a nega tiv e (-) v alue .
T ime K e yf ollo w
-100–+100
Specify this if y ou w an t the lt er en v elope
times ( T ime 2– T ime 4) t o v ar y
depending on the keyboar d position
y ou pla y .
R ela tiv e t o the lt er en v elope times
a t the C4 key (middle C ), positiv e “+”
v alues shor t en the times f or not es
pla y ed in the r eg ion abo v e C4, and
nega tiv e “-” v alues lengthen the times .
H igher v alues will pr oduc e g r ea t er
change .
C4 C3 C2 C1 C5 C6 C7 Key
0
-50
-100
+50
+100
LFO T rigger S wit ch
OFF , ON
I f this is ON, the lt er en v elope is
c y clically r etr igger ed b y LFO1.
* T his is e ec tiv e only when En v elope
M ode is SUST AIN.
T1/A ttack , T2, T3/Dec a y , T4/Release
0–1023
Specify the lt er en v elope times ( T ime
1– T ime 4). H igher settings will lengthen
the time un til the ne x t cut o fr equenc y
lev el is r eached . (F or e xample , T ime 2 is
the time o v er which L ev el 1 will change
t o L ev el 2.)
* I f ADSR En v S w is ON, the T ime 2 has
no e ec t .
L0, L1, L2, L3/Sustain, L4
0–1023
Specify the lt er en v elope lev els (L ev el
0–L ev el 4). Specify the amoun t of cut o
fr equenc y change a t each poin t r ela tiv e
t o the r ef er enc e cut o fr equenc y (the
cut o fr equenc y v alue specied in the
F ilt er scr een).
* I f ADSR En v S w is ON, only L ev el 3
(Sustain) has an e ec t .
