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6
Control Panel
2
1
iPhone, iPad, etc.
Microphone,
Electric Guitar
3 4 5 6
7 8 9 10
11
12
Panel Descriptions
* To prevent malfunction and equipment failure, always turn
down the volume, and turn o all the units before making
any connections.
1 INPUT jack
Connect your guitar or microphone here.
* Howling could be produced depending on the location of
microphones relative to speakers. This can be remedied
by:
1. Changing the orientation of the microphone(s).
2. Relocating microphone(s) at a greater distance from
speakers.
3. Lowering volume levels.
2 i-CUBE LINK/AUX IN jack
i-CUBE LINK
If you use the included mini cable (4-pole) to connect
your iPad/ iPhone, you’ll be able to use the i-CUBE LINK
function (p. 10).
AUX IN
Use the included mini cable (4-pole) or a commercially
available stereo-mini cable to connect your digital audio
player or iPad/iPhone here.
3 [MEMORY] button
Turns the unit’s memory feature on/o.
The memory feature lets you individually save your
settings for each of the eight amp types (p. 9).
Memory Explanation
ON (lit)
The MICRO CUBE GX will sound according to
the knob settings you previously stored.
OFF (unlit)
The MICRO CUBE GX will sound according to
the current knob settings.
4 [AMP TYPE] switch
You can select from the following eight amp types:
Type Explanation
ACOUSTIC
SIM
This original amplier model gives you a dynamic
acoustic guitar sound using a standard electric
guitar.
JC CLEAN
This is a model of Roland’s famous JC-120 Jazz
Chorus guitar amplier. The ultra-clean, ultra-at
sound oers a smooth tone. This becomes more
eective when used in combination with a external
eector.
BLACK
PANEL
This is modeled on the classic Fender Twin Reverb
amplier, used in a wide variety of musical styles,
from country to blues, jazz and rock. Exhibiting rich
lows and a bright high end.
BRIT
COMBO
This is modeled on the Vox AC-30TB, the rock
amplier that created the Liverpool sound of the
‘60s. It can produce a broad range of sounds, from
clean to overdrive, with increased distortion and
greater power in the low-midrange when the
amplier’s gain is boosted.
CLASSIC
STACK
This is modeled on the sound and response of a
Marshall JMP1987. This is a rock amp distinctive for
its fat, solid sound, and a smooth tone that extends
into the “presence” frequency range.
R-FIER
STACK
This is modeled on the MESA/Boogie Rectier.
This super high gain amp is capable of producing
slash metal, grunge, and a wide range of other
lead sounds.
EXTREME
This original high-gain amp delivers thick lows and
intense distortion while still preserving the sound’s
clear denition.
MIC
Select this position when a microphone is
connected.
* All product names mentioned in this document are trademarks
or registered trademarks of their respective owners, and are
not related to Roland Corporation. In this manual, these names
are used as appropriate ways to indicate sounds that are
simulated using COSM technology.
8


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