710534
32
Zoom out
Zoom in
Previous page
1/68
Next page
* 5 1 0 0 0 3 6 7 8 2 - 0 1 *
* 5 1 0 0 0 3 6 7 8 2 - 0 2 *
Record Songs
Record your performances
You can record your own playing.
Use your computer to create a CD of a song you recorded
A song you’ve recorded can be copied to your computer, and written to a CD.
page 29
page 36
Play the Piano
Play various sounds
The unit contains a wide variety of tones (sounds).
You can freely select and perform using these tones.
Play two layered tones
You can layer two tones on a single key.
Play dierent tones with your left and right hands
You can divide the keyboard into left and right zones, and select a dierent tone for each zone.
Play duets
You can divide the keyboard into left and right halves, playing it as though it were two pianos.
page 14
page 15
page 16
page 20
Practice Songs
Sound a metronome
You can sound a metronome.
Practice along with the built-in songs
The unit contains numerous built-in songs.
For the song titles, refer to “Internal Song List” (separate leaet).
Practice each hand separately
You can practice along with a song while listening to only the right-hand or left-hand
part play back.
page 22
page 24
page 26
Look What You Can Do!
2
Environmentally Friendly Energy-Ecient Design
The power will turn o after a specied time has elapsed
When thirty minutes have elapsed since you last played or operated the unit, the power will turn o automatically.
* If you don’t want the power to turn o automatically, change the Auto O setting (p. 39).
page 39
Adjust Your Piano
Adjust the keyboard touch
You can adjust the touch sensitivity of the keyboard to match your own playing style.
Add reverberation to the sound
You can add reverberation (ambience) to create the sensation of performing in a
concert hall.
Adjust the brightness of the sound
You can adjust the tone quality of the sound, ranging from a brilliant timbre to a
mellow tone.
page 19
page 18
page 18
Convenient Functions
Transpose the pitch of the keyboard or song
The Transpose function lets you shift the pitch of the keyboard or a song so that you
can perform more conveniently.
Disable the buttons
The Panel Lock function lets you prevent sounds or settings from being changed when
buttons are pressed inadvertently.
Adjust the resonance of chords
The way in which the pianos soundboard vibrates can be adjusted with “Soundboard
Behavior, a setting that lets you modify the way chords resonate.
Switch the temperament
You can switch between various temperaments, such as historic temperaments used
during the Baroque era.
Connect to a Wireless LAN
You can use a WNA1100-RL wireless USB adapter (sold separately) to connect to a
wireless LAN and use wireless applications, such as the iPad app.
page 21
page 42
page 47
page 46
page 43
3
Operation Guide Panel Descriptions Before You Play Performing Practicing
Convenient Functions
Appendix
Function Mode
Contents
Look What You Can Do! . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2
Operation Guide . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 6
Panel Descriptions . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .10
Before You Play . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .12
Opening the Lid . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .12
Closing the Lid . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .12
Turning the Power On/O . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .13
Performing . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .14
Performing with Various Sounds . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .14
Selecting Tones . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .14
Performing with Two Layered Tones (Dual Play) . . . . . . . . . . . . . . . . . . . . . . . . . .15
Playing Dierent Tones with the Right and Left Hands (Split Play) . . . . . . . .16
Adjusting the Sound to Your Taste . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .18
Adding Reverberation to the Sound (Ambience) . . . . . . . . . . . . . . . . . . . . . . . . .18
Adjusting the Brightness of the Sound (Brilliance) . . . . . . . . . . . . . . . . . . . . . . .18
Adjusting the Keyboard Response (Key Touch) . . . . . . . . . . . . . . . . . . . . . . . . . .19
Dividing the Keyboard for Two-Person Performance (Twin Piano) . . . . .20
Shifting the Pitch (Transpose) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .21
Practicing . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .22
Practicing with the Metronome . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .22
Changing the Tempo . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .22
Changing the Time Signature . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .22
Adjusting the Metronomes Volume . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .23
Adding a Count-in to Synchronize Your Performance . . . . . . . . . . . . . . . . . . . .23
Practicing with a Song . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .24
Selecting and Playing a Song . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .24
Playing Songs Consecutively (All Songs Play) . . . . . . . . . . . . . . . . . . . . . . . . . . . .25
Adjusting the Volume Balance of the Song and the Keyboard
Performance (Song Balance) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
25
Adjusting a Song’s Tempo for Easier Practicing. . . . . . . . . . . . . . . . . . . . . . . . . . .26
Practicing One Hand at a Time (Part Mute). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .26
Repeatedly Practicing a Portion of a Song (AB Repeat) . . . . . . . . . . . . . . . . . . .28
Recording the Song You’re Practicing . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .29
SMF Recording . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .29
Overdubbing a Recorded Song . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .30
Converting a Song Recorded as an SMF to Audio . . . . . . . . . . . . . . . . . . . . . . . .33
Audio Recording . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .34
Transposing a Song for Easier Performance (Audio Transpose) . . . . . . . . . . .35
Enjoying Karaoke with an Audio File (Center Cancel) . . . . . . . . . . . . . . . . . . . . .35
Burning an Audio Recording of a Song (WAV le) to a CD . . . . . . . . . . . . . . . .36
Saving a Song with the Name You Specify . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .37
Renaming a Song . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .38
Convenient Functions . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .39
Making the Power Automatically Turn O After a Time (Auto O) . . . . .39
Retaining the Settings Even After Power-o (Memory Backup) . . . . . . . .39
Restoring the Factory Settings (Factory Reset) . . . . . . . . . . . . . . . . . . . . . . . .39
Copying a Saved Song (Copy Song) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .40
Deleting a Saved Song (Delete Song) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .40
Initializing the Memory (Format Media) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .41
Disabling the Buttons (Panel Lock) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .42
About the Wireless LAN Function. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .43
Basic Connection Method (Connect by WPS) . . . . . . . . . . . . . . . . . . . . . . . . .43
Wireless LAN Function Settings . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .44
Status Indication . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .44
Connecting to a Wireless LAN Access Point That You Select (Select AP) . . .44
Other Settings (Option) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .45
Various Settings (Function Mode) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .46
Applying a Headphones 3D Ambience Eect to the Piano Sound
(Headphones 3D Ambience) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
46
Adjusting the Dual Play Volume Balance (Dual Balance) . . . . . . . . . . . . . . . . . .46
Matching the Pitch with Other Instruments (Master Tuning) . . . . . . . . . . . . .46
Changing the Tuning Method (Temperament) . . . . . . . . . . . . . . . . . . . . . . . . . . .46
Specifying a Song’s Tonic (Temperament Key) . . . . . . . . . . . . . . . . . . . . . . . . . . .46
Producing Sympathetic Resonance When You Press the Damper Pedal
(Damper Resonance) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
46
Producing the Resonance of the Strings When the Keys Are Played
(String Resonance) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
47
Playing Sounds When the Keys Are Released (Key O Resonance) . . . . . . . .47
Adjusting the Metallic Sound That Occurs When You Play a Note
(Dynamic Harmonic) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
47
Adjusting the Sympathetic Resonance of the Grand Piano Body
(Cabinet Resonance) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
47
Adjusting the Clarity of Individual Notes in a Chord (SoundBoard
Behavior) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
47
Using a Pianos Unique Tuning (Stretch Tuning) . . . . . . . . . . . . . . . . . . . . . . . . . .47
Adjusting the volume of each Individual Key (Note Volume) . . . . . . . . . . . . .47
Adjusting the tonal character of Each Individual Key (Note Character) . . . .47
Specifying What the Transpose will Aect (Transpose Mode) . . . . . . . . . . . . .47
Changing the Pitch of the Tone in Octave Steps (Octave Shift) . . . . . . . . . . . .47
Selecting the Format for Recording (Recording Mode) . . . . . . . . . . . . . . . . . . .48
Changing How the Pedal Eects Are Applied (Damper Pedal Part) . . . . . . . .48
Changing How the Pedals Work (Center Pedal) . . . . . . . . . . . . . . . . . . . . . . . . . .48
Preventing Doubled Notes When Connected to a Sequencer (Local
Control) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
48
MIDI Transmit Channel Settings (MIDI Transmit Channel) . . . . . . . . . . . . . . . . .48
Renaming a Song (Save Song) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .48
Copying a Saved Song (Copy Song) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .48
Deleting a Saved Song (Delete Song) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .48
Initializing the Memory (Format Media) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .48
Changing the USB Driver Settings (USB Driver) . . . . . . . . . . . . . . . . . . . . . . . . . .49
Changing the USB ash drive Setting (USB Memory Mode) . . . . . . . . . . . . . .49
Controlling Video Equipment (Visual Control Mode) . . . . . . . . . . . . . . . . . . . . .49
Specifying the Visual Control Channel . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .49
4
Contents
Wireless LAN Function Settings . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .50
Specifying the Maximum Volume (Volume Limit) . . . . . . . . . . . . . . . . . . . . . . . .50
Making the Power Automatically Turn O After a Time (Auto O) . . . . . . . .50
Storing Your Settings (Memory Backup) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .50
Restoring the Factory Settings (Factory Reset) . . . . . . . . . . . . . . . . . . . . . . . . . . .50
Troubleshooting . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .51
Error Messages . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .53
Tone List . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .54
Internal Song List . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .55
Main Specications . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .56
USING THE UNIT SAFELY . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .58
IMPORTANT NOTES . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .60
About the Ivory Feel Keyboard . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .61
Assembling . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .62
Index . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .64
Before using this unit, carefully read the sections entitled: “USING THE UNIT SAFELY (p. 58), and “IMPORTANT NOTES” (p. 60). These sections provide
important information concerning the proper operation of the unit. Additionally, in order to feel assured that you have gained a good grasp
of every feature provided by your new unit, Owners Manual should be read in its entirety. The manual should be saved and kept on hand as a
convenient reference.
Copyright © 2014 ROLAND CORPORATION
All rights reserved. No part of this publication may be reproduced in any form without the written permission of ROLAND CORPORATION.
How to read the explanatory illustrations
While holding down a button, press another button.
1
2
Numerals indicate the sequence of steps.
Press one of the enclosed buttons.
Press two buttons.
5
Operation Guide Panel Descriptions Before You Play Performing Practicing
Convenient Functions
Appendix
Function Mode
Operation Guide
Adjusting the Brightness of the Sound (Brilliance)
You can adjust the brightness of the sound you play
from the keyboard or the sounds of a song you play
back.
To turn brilliance on
Press the [Brilliance] button so its lit.
To adjust the brilliance
While holding down the [Brilliance] button, press the [–] [+]
buttons.
page 18
Adding Reverberation (Ambience)
You can add a pleasant reverberation to the sounds,
producing the impression that you are performing in
a concert hall.
To turn ambience on
Press the [Ambience] button so it’s lit.
To adjust the ambience
While holding down the [Ambience] button, press the [–] [+]
buttons.
page 18
Retaining the settings even after power-o (memory backup)
The unit allows you to adjust numerous settings, but these settings will return to their default values as soon as you turn o the
power.
However, by using the Memory Backup feature, you can have the changes you’ve made in settings be retained.
page 39
Transposing Your Performance
(Transpose)
You can transpose the
notes you play on the
keyboard or the notes of a
song you play back.
To turn transpose on
Press the [Transpose] button so its lit.
To adjust the amount of transposition
While holding down the [Transpose]
button, press the [–] [+] buttons.
page 21
Adjusting the Keyboard Touch
(Key Touch)
You can adjust the way
in which the keyboard
responds to your playing.
To turn key touch on
Press the [Key Touch] button so it’s lit.
To adjust the key touch
While holding down the [Key Touch]
button, press the [–] [+] buttons.
page 19
Adjusting the Song Volume
(Song Balance)
By modifying the
playback volume of the
song, you can adjust the balance
between the song and your keyboard
performance.
To turn song balance on
Press the [Song Balance] button so its lit.
To adjust the song balance
While holding down the [Song Balance]
button, press the [–] [+] buttons.
page 25
1. While holding down the [Key Touch]
button, press the [Transpose] button.
2. Use the [ ] [ ] (Slow/Fast) buttons to select
“Memory Backup.
3. Press the [Song] button.
4. Use the [ ] (Fast) button to select “Y.
Adjusting the Overall Volume
Adjust the volume.
MaxMin
6
Operation Guide
Dividing the Keyboard for Two-person Performance (Twin Piano)
This function divides the keyboard into left and right, allowing two
people to play the same range of pitches.
To turn twin piano on
Press the [Twin Piano] button so it’s lit.
To change how the sounds are heard
While holding down the [Twin Piano] button, press the [–] [+]
buttons.
1 (Pair)
The sound of the right-hand keyboard zone will be heard more
loudly from the right speaker than from the left speaker.
The sound of the left-hand keyboard zone will be heard more
loudly from the left speaker than from the right speaker.
2
(Indi-
vidual)
The sound of the right-hand keyboard zone will be heard only
from the right speaker.
The sound of the left-hand keyboard zone will be heard only
from the left speaker.
page 20
Playing Dierent Tones with the Right and Left Hands (Split Play)
This function divides the keyboard into left and right zones,
allowing you to play a dierent tone in each zone.
To turn split on
While holding down the [Transpose] button, press the [Twin Piano]
button.
To change the tones
Right-hand Tone
1. Press a tone button.
2. Press the [–] [+] buttons.
Left-hand Tone
1. While holding down the [Transpose] button and
[Twin Piano] button, press a tone button.
2. While holding down the [Transpose] button and
[Twin Piano] button, use the [–] [+] buttons.
Changing the keyboard’s split point
While holding down the [Transpose] button and [Twin Piano]
button, play the key that you want to specify as the split point.
page 16
Selecting the Tone
To select a single tone
Press one of the tone buttons, and then use the [–] [+] buttons.
Press one
To layer two tones (dual play)
Press two tone buttons.
Press two
To change the tones
Tone 1 Press the [–] [+] buttons.
Tone 2
Hold down the right-most of the lit tone button, and then use
the [–] [+] buttons.
page 14
page 15
7
Operation Guide Panel Descriptions Before You Play Performing Practicing
Convenient Functions
Appendix
Function Mode
Operation Guide
Selecting a Song
You can select songs.
To select a song
1. Press the [Song] button.
Category
Song Name
Song Number
2. Use the [–] [+] buttons to select a song.
To select a song that’s saved on the USB ash drive
1. Press the [Song] button.
2. While holding down the [Song] button, use
the [–] [+] buttons to select “S.
USB ash drive
3. Use the [–] [+] buttons to select a song.
page 24
Using the Metronome
Heres how to sound the metronome.
To turn the metronome on
Press the [Metronome] button so it’s lit.
To adjust the metronome’s volume
While holding down the [Metronome] button, use the [–] [+]
buttons.
page 22
Changing the Tempo or Time Signature
You can adjust the tempo of the metronome or
song.
To change the tempo
Use the [ ] [ ] (Slow/Fast) buttons.
To change the time signature
While holding down the [Metronome] button, use the [ ] [ ]
(Slow/Fast) buttons.
page 22
Display
This shows various information such as tone names, song names,
and the values of settings.
Tone NameTone Number
Selecting Variation Tones/Adjusting the Settings
You can select tone variations or songs, and adjust various settings.
Holding down the [–] [+] buttons will make the value change
continuously.
To rapidly increase the value, hold down the [+] button and press
the [–] button.
To rapidly decrease the value, hold down the [–] button and press
the [+] button.
To return the value to its default setting, press the [+] and [–] buttons
simultaneously.
8
Operation Guide
Disabling the Buttons (Panel Lock)
Hold down the [AB Repeat] button until the
display shows “Lock.
To cancel panel lock
Hold down the [AB Repeat] button once again for a while.
page 42
Recording/Playback
Heres how to play back or record a
song.
Return to the begin-
ning of the song
Press the [
] (Reset) button.
Play/Stop
Press the [
] (Play/Stop) button.
Enter recording-
standby mode
While stopped, press the [
] (Rec) button.
Record
While in recording-standby mode, press the
[
] (Play/Stop) button.
Rewind
Press the [
] (Bwd) button.
Fast-forward
Press the [
] (Fwd) button.
To play all songs
While holding down the [Song] button, press the [ ] (Play/
Stop) button.
To make a new recording
1. Select the tone that you want to play.
2. Press the [ ] (Rec) button.
3. Press the [ ] (Play/Stop) button to start
recording.
4. Press the [ ] (Play/Stop) button to stop
recording.
To overdub
1. Select the tone to be played.
2. Select the song to be dubbed.
3. Press the [ ] (Rec) button.
4. Press the [+] button.
5. Press the button of the part that you want to record,
making it blink.
6. Press the [ ] (Play/Stop) button to start
recording.
7. Press the [ ] (Play/Stop) button to stop
recording.
page 29page 24
page 25
page 29
page 30
Selecting the Parts that will Play (Part Mute)
Heres how to select the parts that will play.
To select the right-hand part Press the [Right] button so it’s lit.
To select the left-hand part Press the [Left] button so its lit.
To select the other parts Press the [Accomp] button so it’s lit.
To adjust the mute volume of a part
Hold down the button of the part whose volume you want to adjust,
and use the [–] [+] buttons.
page 26
Repeatedly Practicing a Portion of a Song (AB Repeat)
Heres how you can make a specic portion of a
song play back repeatedly.
1. Press the [ ] (Play/Stop) button to play back
the song.
2. At the beginning of the portion to be repeated, press
the [AB Repeat] button.
3. At the end of the portion to be repeated, press the [AB
Repeat] button once again.
page 28
9
Operation Guide Panel Descriptions Before You Play Performing Practicing
Convenient Functions
Appendix
Function Mode
Panel Descriptions
Damper Pedal
Use this pedal to sustain the sound. While this pedal is held down, notes will be sustained for an extended time even if you
release your ngers from the keyboard.
On an acoustic piano, when you step on the damper pedal, you’ll rst hear the sound of the dampers releasing the strings. Then,
you should also be able to hear the sound of strings adjacent to the ones for the notes actually played resonate sympathetically,
resulting in a rich, resounding tone. Additionally, when using half-pedaling techniques, the core of the sound disappears rapidly
while a rich, spacious resonance remains, producing a unique form of reverberation. On the unit, the unique, lingering tones
produced by the half-pedaling technique are reproduced in addition to released-string sounds (Damper Noise) and resonating
sounds (Damper Resonance).
Sostenuto Pedal
The notes you are pressing when this pedal is depressed will be sustained.
Soft Pedal
This pedal is used to make the sound softer.
Playing with the soft pedal depressed produces a sound that is not as strong as when otherwise played with the equivalent
strength. This is the same function as the left pedal of an acoustic piano.
The softness of the tone can be varied subtly by the depth to which you press the pedal.
Pedals
Headphone Hook
Whenever you are not using the headphones, you can hang them
on the headphone hook.
* Don’t hang anything other than headphones on this hook, and don’t apply
excessive force to it.
Doing so may damage the headphone hook.
Front Panel
These buttons and sliders are used to operate the unit.
“Operation Guide” page 69
USB Memory Port
If a USB ash drive is
connected, you can
use it to save or play back songs.
You can do the following things using a USB ash
drive.
WAVE les or MIDI les (SMF) data copied from your computer
can be played back by the unit.
You can make audio recordings of your performances on the unit.
The audio recordings of songs that you’ve made can be played on your
computer, or burned to a CD.
* Carefully insert the USB ash drives all the way in-until it is rmly in place.
* Use a USB ash drive sold by Roland. We cannot guarantee operation if any
other USB ash drive is used.
page 24 page 37
USB Computer Port
If you use a commercially available
USB cable to connect the unit’ to your
computer, you’ll be able to do the
following things.
SMF data played back by MIDI-compatible
software can be sounded by the unit.
MIDI data can be transferred between the unit
and your sequencer software (sold separately),
opening up a wide range of possibilities for
music production and editing.
[Power] Switch
This turns the power on/o.
page 13
* The power to this unit will be turned o automatically after
a predetermined amount of time has passed since it was
last used for playing music, or its buttons or controls were
operated (Auto O function).
If you do not want the power to be turned o automatically, disengage the
Auto O function (p. 39).
* Any settings that you are in the process of editing will be lost when the
power is turned o. If you have any settings that you want to keep, you
should refer to “Retaining the Settings Even After Power-o (Memory
Backup)” (p. 39) and save your settings.
* To restore power, turn the power on again.
* When turning the power on again, you must allow at least ve seconds after
power-o before you once again turn the power on.
If you fail to allow enough time, the Auto O function might not be reset,
preventing the power from turning on correctly.
10
Panel Descriptions
Phones Jacks
Here you can connect stereo headphones.
The unit has two headphone jacks, two people can
also use headphones simultaneously.
Input Jack
If a digital audio player
or other audio playback
device is connected here,
you’ll be able to listen to
its playback through the
unit.
Use the controls of your
audio playback device to
adjust the volume.
* To prevent malfunction and equipment failure, always turn down the volume, and turn o all the units before making any connections.
* When connection cables with resistors are used, the volume level of equipment connected to the Input jack may be low. If this happens, use connection cables that do
not contain resistors.
Output Jacks
If you connect these jacks to
amplied speakers, the sound of
unit will be heard through them.
* Before turning o the power of
the unit, you must rst turn o
the power of the devices that are
connected to the Output jacks.
DC In Jack
Connect the
included AC
adaptor here.
* Before making this connection,
you must make sure that the
[Power] switch is o.
Pedal Connector
Connect
the pedal
cord of the
dedicated stand to this
connector.
page 63
page 63
Rear side
Ground Terminal
Depending on the circumstances of a
particular setup, you may experience a
discomforting sensation, or perceive that
the surface feels gritty to the touch when
you touch this device. This is due to an
innitesimal electrical charge, which is
absolutely harmless. However, if you are
concerned about this, connect the ground
terminal (see gure) with an external
ground. When the unit is grounded, a slight hum may occur, depending
on the particulars of your installation. If you are unsure of the connection
method, contact the nearest Roland Service Center, or an authorized
Roland distributor.
Unsuitable places for connection
Water pipes (may result in shock or electrocution)
Gas pipes (may result in re or explosion)
Telephone-line ground or lightning rod (may be dangerous in the event
of lightning)
A Headphones 3D Ambience eect will
be applied, producing the sensation that
the sound is emanating from the piano
itself even when using headphones.
* The Headphones 3D Ambience eect applies only to
piano tones; it does not apply to other tones.
* You can also turn the Headphones 3D Ambience
eect o (p. 46).
* You can use the [Ambience] button to adjust the
Headphones 3D Ambience eect.
11
Operation Guide Panel Descriptions Before You Play Performing Practicing
Convenient Functions
Appendix
Function Mode
Before You Play
Opening the Lid
NOTE
• Always use two hands to open and close the lid.
Although the unit’s lid is designed to close slowly and gently
when it is released, the lid immediately closes if it has been
opened only slightly. Take care not to allow your ngers to
become pinched by the lid.
• If small children will be using the unit, adult supervision should
be provided.
• For safety, be sure to close the lid before transporting the piano.
1. Grasp and lift the lid with both hands.
Arm
Arm
2. Close the blind and open the music rest as shown in the
gure.
Blind
Music Rest
Closing the Lid
1. When closing the lid, be sure to close the music rest and
open the blind.
Blind
Music Rest
2. Grasp and gently lower the lid with both hands.
NOTE
When opening or closing the lid, take care not to pinch your
nger in the lid or the arms.
12
Before You Play
Turning the Power On/O
Once everything is properly connected (p. 11), be sure to follow the
procedure below to turn on their power. If you turn on equipment
in the wrong order, you risk causing malfunction or equipment
failure.
NOTE
Before turning the unit on/o, always be sure to turn the volume
down. Even with the volume turned down, you might hear some
sound when switching the unit on/o. However, this is normal
and does not indicate a malfunction.
On
O
1
3
2
Min Max
Turning the power on
1. Move the [Volume] slider all the way to the left to
minimize the volume.
2. Press the [Power] switch.
After a brief interval, you’ll be able to produce sounds by playing
the keyboard.
* This unit is equipped with a protection circuit. A brief interval (a
few seconds) after turning the unit on is required before it will
operate normally.
3. Use the [Volume] slider to adjust the volume.
Adjust the volume while playing something on the keyboard, so
you can hear how it sounds.
This will adjust the volume of the speakers if you’re using
the speakers of the unit, or the volume of the headphones if
headphones are connected. Each volume setting (for speaker or
headphone) is saved automatically.
Volume adjustment screen
when using speakers
Volume adjustment screen
when using headphones
MEMO
The unit is designed so that nuances in the dynamics of your
playing will be clearly heard even at low volume, and that the
sound will remain clear even at high volume.
Turning the power o
1. Move the [Volume] slider all the way to the left to
minimize the volume.
2. Press the [Power] switch.
The power is turned o.
If you don’t want the power to turn o
automatically, change the Auto O setting to
“OFF”!
The power to this unit will be turned o automatically
after a predetermined amount of time has passed since
it was last used for playing music, or its buttons or
controls were operated (Auto O function).
If you do not want the power to be turned o automatically,
disengage the Auto O function (p. 39).
NOTE
• Any settings that you are in the process of editing will
be lost when the power is turned o. If you have any
settings that you want to keep, you should refer to
“Retaining the Settings Even After Power-o (Memory
Backup)” (p. 39) and save your settings.
• To restore power, turn the power on again (p. 13).
• When turning the power on again, you must allow at
least ve seconds after power-o before you once again
turn the power on. If you fail to allow enough time, the
Auto O function might not be reset, preventing the
power from turning on correctly.
13
Operation Guide Panel Descriptions Before You Play Performing Practicing
Convenient Functions
Appendix
Function Mode
Performing
Performing with Various Sounds
In addition to piano sounds, the unit lets you enjoy performing with many other sounds (350 types).
These sounds are called Tones. The Tones are categorized into ve groups, each of which is assigned to a dierent Tone button.
Selecting Tones
Let’s start by performing with a piano tone.
When you turn on the power, the Concert (Concert Piano) tone is selected.
1
2
1. Press a tone button to select the tone group.
The currently selected tone number and tone name are displayed.
Tone groups
Tone button Description
Piano [Grand] button Selects grand piano sounds.
Piano [Upright] button Selects upright piano sounds.
[E. Piano] button Selects various electric piano sounds used in pop or rock.
[Strings] button Selects the sounds of string instruments such as violins, as well as other instruments used in orchestras.
[Other] button
Selects a variety of sounds such as organ, bass, or accompaniment sounds.
* If you select tone numbers 43–51, you’ll be able to use the keyboard to play the sounds of a drum set or SFX.
* If you’ve selected an organ sound that provides a rotary eect (*1), such as a Jazz Org or a Balad Or, pressing the [Other] button will
switch the speed of the rotary eect.
For details on the tones, refer to Tone List” (p. 54).
*1 Rotary is an eect which simulates the sound of rotating speakers. There is a choice of two settings: Fast and Slow.
2. Use the [–] [+] buttons to select a variation within the tone group.
* If you’ve selected a drum set tone or an SFX set tone, some notes of the keyboard will not produce sound.
Auditioning tones (tone demo)
1. While holding down a tone button, press the [ ] (Play/Stop) button.
A tone demo that uses the rst tone of each tone group will begin playing back.
2. To stop the tone demo, press the [Song] button or the [ ] (Play/Stop) button.
What are eects?
Some of the tones provide a wide variety of other eects that can modify the sound in various ways.
The rotary eect is one of these eects.
14
Performing
Performing with Two Layered Tones (Dual Play)
You can play two tones simultaneously from each note of the keyboard. This feature is called Dual Play.
As an example, heres how to layer piano and strings tones.
1
2
1. While holding down the Piano [Grand] button, press the [Strings] button.
Both buttons will light.
When you play the keyboard, you’ll hear both the piano and the strings tones.
* Dual play is not available if Split Play (p. 16) or Twin Piano (p. 20) are turned on.
* For some combinations of sounds, the eect is not applied to tone 2, and this may aect how the tone sounds.
* Its not possible to layer Piano [Grand] and Piano [Upright] tones together.
Selecting tones for dual play
Tone name Corresponding button How to select tones
Tone 1 Left tone button Press the [–] [+] buttons.
Tone 2 Right tone button While holding down the tone button for Tone 2 (the right-most of the lit Tone buttons), and press the [–] [+] buttons.
2. To exit Dual Play, press one of the tone buttons.
Advanced techniques
Changing the pitch of tone 2 in steps of an octave: Octave Shift (p. 47)
Specifying the part(s) aected by the damper pedal: Damper Pedal Part (p. 48)
Adjusting the volume balance of the two tones: Dual Balance (p. 46)
15
Operation Guide Panel Descriptions Before You Play Performing Practicing
Convenient Functions
Appendix
Function Mode
Performing
Playing Dierent Tones with the Right and Left Hands (Split Play)
You can play dierent tones in the left and right sides of the keyboard, divided at a certain key.
This feature is called Split Play, and the key at which the keyboard is divided is called the Split Point.
21
1. While holding down the [Transpose] button, press the [Twin Piano] button.
The display will indicate SPLIT.
Name of the right-hand tone
When Split is turned on, the keyboard settings will be as follows.
Split Point (Power-up default: F 3)
Left-hand Tone Right-hand Tone
2. To exit Split Play, hold down the [Transpose] button and press the [Twin Piano] button once again.
* Depending on which tones are being used together, the tones might sound dierent because no eect is applied to the left-hand tone.
Advanced technique
Specifying the part(s) aected by the damper pedal: Damper Pedal Part (p. 48)
Changing the right-hand tone
1
2
1. Press a tone button.
The number and name of tone currently selected for the right-hand zone are shown.
2. Press the [–] [+] buttons.
A dierent tone is selected.
16
Performing
Changing the left-hand tone
1
2
1. While holding down the [Transpose] button and [Twin Piano] button, press a tone button.
The number and name of the tone currently selected for the left-hand zone are shown.
2. While holding down the [Transpose] button and [Twin Piano] button, press the [–] [+] buttons.
A dierent tone is selected.
Advanced technique
Changing the pitch of the left-hand tone in steps of an octave: Octave Shift (p. 47)
Changing the keyboard’s split point
Power-up default: F 3
The split point you specify becomes the
highest note of the left-hand section.
Split Point
Range in which you can specify the split point (B1–B6)
Left-hand Tone
Right-hand Tone
1
1. While holding down the [Transpose] button and [Twin Piano] button, press the key that you want to assign as the split point.
The key you pressed becomes the new split point, and that key will be shown in the display.
Screen Value
B1–B6
(default: F#3)
* In the display, a quotation mark (“) signies a sharp (#).
Saving your settings
The unit’s settings will revert to the
default values when you turn o the
power, but you can save them as
described in “Retaining the Settings
Even After Power-o (Memory Backup)”
(p. 39).
17
Operation Guide Panel Descriptions Before You Play Performing Practicing
Convenient Functions
Appendix
Function Mode
Performing
Adjusting the Sound to Your Taste
The unit lets you add reverberation or modify the brightness of the sound.
Adding Reverberation to the Sound (Ambience)
You can add a pleasant reverberation to the sounds of the unit, producing the impression that you are performing in a concert hall.
This eect is called Ambience.
2
1 3
1. Press the [Ambience] button.
The [Ambience] button will light.
2. While holding down the [Ambience] button, press the [–] [+] buttons.
The display will indicate the depth of the ambience eect values.
Screen Value Explanation
1–10
(default: 2)
Higher values apply deeper ambience.
* If you’re using headphones and the Headphones 3D Ambience eect (p. 46) is set to “ON, this lets you adjust
the depth of the Headphones 3D Ambience eect.
3. To turn o the ambience eect, press the [Ambience] button once again.
The [Ambience] button will go out.
* Its not possible to specify the depth of ambience individually for each tone. The eect will be applied in the same way to each tone.
Adjusting the Brightness of the Sound (Brilliance)
You can adjust the brightness of the sounds played on the keyboard or played back by a song.
2
1 3
1. Press the [Brilliance] button.
The [Brilliance] button will light.
Saving your settings
The unit’s settings will revert to the
default values when you turn o the
power, but you can save them as
described in “Retaining the Settings
Even After Power-o (Memory Backup)”
(p. 39).
18
Performing
2. While holding down the [Brilliance] button, press the [–] [+] buttons.
The display will indicate the depth of the brilliance eect values.
Screen Value Explanation
-10–0–10
(default: 5)
Positive (+) values make the sound brighter; negative (-) values make the sound more mellow.
3. To turn o the brilliance eect, press the [Brilliance] button once again.
The [Brilliance] button will go out.
Adjusting the Keyboard Response (Key Touch)
The way in which the keyboard responds to your playing strength can be adjusted to your personal taste.
2
1 3
1. Press the [Key Touch] button.
The [Key Touch] button will light.
2. While holding down the [Key Touch] button, press the [–] [+] buttons.
The display will indicate the key touch setting.
Screen Value Explanation
FIX The sound plays at one set volume, regardless of the force used to play the keys.
L2 This setting produces the lightest keyboard touch.
L1
You can achieve fortissimo () play with a less forceful touch than M, so the keyboard feels lighter. This setting
makes it easy to play, even for children.
M
This sets the standard keyboard touch. You can play with the most natural touch. This is the closest to the
touch of an acoustic piano.
This setting is used if the [Key Touch] button is unlit.
H1
(default)
You have to nger the keyboard more forcefully than M in order to play fortissimo ( ), so the keyboard touch
feels heavier. Dynamic ngering adds even more feeling to what you play.
H2 This setting produces the heaviest keyboard touch.
3. To cancel key touch, press the [Key Touch] button once again.
The [Key Touch] button will go out.
Saving your settings
The unit’s settings will revert to the
default values when you turn o the
power, but you can save them as
described in “Retaining the Settings
Even After Power-o (Memory Backup)”
(p. 39).
Saving your settings
The unit’s settings will revert to the
default values when you turn o the
power, but you can save them as
described in “Retaining the Settings
Even After Power-o (Memory Backup)”
(p. 39).
19
Operation Guide Panel Descriptions Before You Play Performing Practicing
Convenient Functions
Appendix
Function Mode
Performing
Dividing the Keyboard for Two-Person Performance (Twin Piano)
You can divide the keyboard into left and right zones so that two people can play the same range of pitches, just as though there were two pianos.
This function is called Twin Piano.
For example, you could use Twin Piano to allow a student to play along with their teacher.
31
1. Press the [Twin Piano] button.
The [Twin Piano] button will light, and the Concert (Concert Piano) tone
will be selected.
When you turn Twin Piano on, the keyboard and pedal settings will be as
shown in the illustration.
NOTE
If Twin Piano is on, damper resonance will not be applied; this may cause the piano to sound dierent.
2. Select the tone to be played (p. 14).
The left and right sections will have the same tone.
3. To cancel Twin Piano, press the [Twin Piano] button once again.
The [Twin Piano] button will go out.
Changing the way in which the sound is heard (Twin Piano mode)
1
1. While holding down the [Twin Piano] button, press the [–] [+] buttons.
The display will indicate Twin Piano mode.
Screen Value Explanation
1
(default)
The sound of the right-hand keyboard zone will be heard more loudly from the right speaker than from the
left speaker.
The sound of the left-hand keyboard zone will be heard more loudly from the left speaker than from the right
speaker.
When using headphones, you’ll be able to hear the other person’s playing.
2
The sound of the right-hand keyboard zone will be heard only from the right speaker.
The sound of the left-hand keyboard zone will be heard only from the left speaker.
If you’re using headphones, the sound of the right-hand keyboard zone will be heard in your right ear, and
the sound of the left-hand keyboard zone will be heard in your left ear.
* Ambience will turn o.
* For some tones, the sound might not be divided to left and right.
The damper pedal for
the left area
The damper pedal for
the right area
Conventional
keyboard
Twin Piano
divide point
Saving your settings
The unit’s settings will revert to the
default values when you turn o the
power, but you can save them as
described in “Retaining the Settings
Even After Power-o (Memory Backup)”
(p. 39).
20
Performing
Shifting the Pitch (Transpose)
Transpose means to shift the pitches of songs and the keyboard.
The Transpose function makes it easy to do the following.
• You can use unchanged ngering to accompany a singer who is singing in a key dierent than the original music.
• A song written in a dicult key with numerous sharps (
) or ats ( ) can be performed in a key thats easier for you to play.
• Notation of a transposing instrument such as trumpet or sax can be played as written, while hearing the transposed pitches.
For example if the song is written in E major but you want to play it using the ngering of the key of C major, you would set Transpose to 4.
If you play C E G It will sound E G B
MEMO
With the factory settings, both the song and the keyboard will be transposed. If you want to transpose only the keyboard or only the song, make
the appropriate setting as described in “Specifying What the Transpose will Aect (Transpose Mode)” (p. 47).
2
1 3
1. Press the [Transpose] button.
The [Transpose] button will light.
2. While holding down the [Transpose] button, press the [–] [+] buttons.
The display will indicate the amount of transposition.
Screen Value Explanation
-6–0–+5
(semitone units)
(default: +1)
Positive (+) values raise the pitch in semitone steps, and negative (-) values lower the pitch in semitone steps.
MEMO
You can also specify this value by holding down the [Transpose] button and playing the note that is the tonic of the key to which you want to
transpose.
* If you select a dierent song, the transposition setting will be canceled.
3. To cancel the transposition, press the [Transpose] button once again.
The [Transpose] button will go out.
21
Operation Guide Panel Descriptions Before You Play Performing Practicing
Convenient Functions
Appendix
Function Mode
Practicing
Practicing with the Metronome
You can sound the metronome while you practice.
While the song selects, the metronome will sound at the tempo and time signature of the song.
1. Press the [Metronome] button.
The [Metronome] button will blink, and the metronome will sound.
The [Metronome] button will blink red and green according to the currently
selected time signature; red indicates the strong beats, and green indicates the
weak beats.
2. To stop the metronome, press the [Metronome] button once again.
The [Metronome] button will go out.
Changing the Tempo
1. Press the [ ] [ ] (Slow/Fast) buttons.
When you select or play back a song (p. 24), the tempo of the metronome will be set to that songs tempo.
Changing the Time Signature
1. While holding down the [Metronome] button, press the [ ] [ ]
(Slow/Fast) buttons.
If you specify “0/4” only the weak beats will sound.
When you play back a song, the metronome’s time signature will be set to the time signature of that song.
Available time signatures
2/2, 0/4, 2/4, 3/4, 4/4, 5/4, 6/4, 7/4, 3/8, 6/8, 9/8, 12/8
(default: 4/4)
* You can’t change the metronome’s time signature while a song is playing.
* If you record using 0/4, the songs time signature will be set to 4/4 when you save it.
21
1
1
22
Practicing
Adjusting the Metronome’s Volume
1. While holding down the [Metronome] button,
press the [–] [+] buttons.
The display will indicate the metronome’s volume.
Screen Value Explanation
0–10
(default: 5)
When the volume of the metronome is set to “0, the metronome won’t sound, but the [Metronome] button
will blink.
Adding a Count-in to Synchronize Your Performance
A series of sounds rhythmically played to indicate the tempo before a song starts is called a count-in.
If you sound a count-in, it will be easier for you to synchronize your own performance to the tempo of the playback.
1. Press the [Metronome] button.
The metronome will sound.
2. Press the [ ] (Play/Stop)
button.
A two-measure count sound will
be produced before the song starts
playing.
1
1 2
23
Operation Guide Panel Descriptions Before You Play Performing Practicing
Convenient Functions
Appendix
Function Mode
Practicing
Practicing with a Song
You can practice by playing along with a song.
Selecting and Playing a Song
Heres how to listen to the built-in songs.
You can also play back songs stored on a separately sold USB ash drive.
1. Press the [Song] button.
2. While holding down the [Song] button,
use the [–] [+] buttons to select the
category.
Category
Song Name
Display Explanation
S Songs saved on the USB ash drive
U Songs saved in the internal memory
a
Songs built into the unit
Piano Masterpieces
A Selections
b Czerny
c Hanon
Song Number
* If an audio le is selected, a “ . ” (dot) is displayed following the song number.
3. Use the [–] [+] buttons to select a song.
MEMO
Use the following operations to select a song from a folder.
• To enter a folder, use the [–] [+] buttons to select that folder, and then press the [
] (Play/Stop) button.
• To select a song within a folder, use the [–] [+] buttons.
• To exit a folder, use the [–] button to select “Fld. UP, and then press the [
] (Play/Stop) button.
* If one folder contains more than 500 les or folder, some of the les or folders might not be displayed.
4. Press the [ ] (Play/Stop) button.
When the song has played to its end, playback will stop.
To pause the playback, press the [
] (Play/Stop) button once again.
The next time you press the [
] (Play/Stop) button, playback will resume from where you paused.
Button operations
[ ] (Reset) button
Returns you to the beginning of the song.
[
] (Play/Stop) button
Plays/stops the song.
Starts/stops recording.
[
] (Rec) button
Enter recording – standby mode.
[
] (Bwd) button
Rewinds the song.
[
] (Fwd) button
Fast-forwards the song.
MEMO
When the song number is displayed, you can press the [Song] button to see the song playback position (the measure number or the time).
Press the [Song] button once again to return to the song number indication.
Song formats that can be played by the unit
The unit can play back data in the following formats.
• SMF formats 0/1
• Roland Piano Digital format (i-format)
• Audio les: WAV format, 44.1 kHz, 16-bit linear
2
3 1 4
24
Practicing
Playing Songs Consecutively (All Songs Play)
You can consecutively play back the built-in songs or the songs saved in the internal memory or on the USB ash drive repetitively.
This function is called All Songs Play.
1. While holding down the [Song] button, use the [–] [+] buttons to select the category.
2. While holding down the [Song] button, press the [ ] (Play/Stop) button.
All Songs Play will be selected, and the [ ] (Play/Stop) button will blink.
* All Song Play will be cancelled if you stop playback or turn o the power.
Adjusting the Volume Balance of the Song and the Keyboard Performance (Song Balance)
You can adjust the balance between the song and your keyboard performance by changing the volume of the song.
2
1 3
1. Press the [Song Balance] button.
The [Song Balance] button will light.
2. While holding down the [Song Balance] button, press the [–] [+] buttons.
The display will show the song balance.
Screen Value Explanation
0–9
(default: 5)
The song’s volume decreases the more you lower this value, and at the same time the keyboard performance
will take on more prominence.
The song’s volume increases the more you raise this value, and at the same time the keyboard performance
will become less prominent.
3. To cancel the Song Balance function, press the [Song Balance] button once again.
The [Song Balance] button will go out.
25
Operation Guide Panel Descriptions Before You Play Performing Practicing
Convenient Functions
Appendix
Function Mode
Practicing
Adjusting a Song’s Tempo for Easier Practicing
You can change the tempo at which a song plays back.
When you’re practicing along with a song, this allows you to slow down the tempo of a dicult song in order to play it more comfortably.
1. Press the [ ] [ ] (Slow/Fast) buttons.
The tempo will be indicated.
MEMO
If an audio le is selected, you can adjust the tempo in the range of 75–100–125%.
2. To return the tempo to its original setting, press the [ ] (Slow)
and [ ] (Fast) buttons simultaneously.
Playing back at a xed tempo (tempo mute)
With some of the internal songs, the tempo will change during the song. If desired, you can make these songs play back at a xed, unchanging tempo.
1. With the tempo displayed, holding down the [ ] (Play/Stop) button and press the [ ] [ ] (Slow/Fast) buttons to
adjust the tempo.
The screen will show the tempo and “ . ” (dot). This “ . ” indicates that the tempo is muted.
2. To cancel tempo mute, once again hold down the [ ] (Play/Stop) button and press the [ ] [ ] (Slow/Fast) buttons.
Practicing One Hand at a Time (Part Mute)
Heres how to have only the selected part play back. This allows you to practice playing the left or right-hand part of a song while listening to the
other hand played automatically.
Part button
Accompaniment part
Left-hand
part
Right-hand
part
Part
Each part is assigned to the part buttons as shown in the
illustration.
Muting
You can “mute” a specic part so that it will not be heard.
* If you’ve selected a song that does not contain an
accompaniment, the [Accomp] button will not light even if
you press it.
1. Press the part button for the part that you don’t want to be played.
The light for the button you pressed will go out, and the selected part will not be heard.
MEMO
• If the accompaniment part is muted, playback will skip the introduction.
• The mute setting will be cancelled when you switch songs.
• Although the Part Mute function cannot be used with respect to the playback of an audio le, you can reduce the volume during playback of
sounds that are localized at the center of the sound eld, such as vocals or bass. Refer to “Center Cancel” (p. 35).
2. To un-mute the sound, press the part button once again so it’s lit.
1
2
26
Practicing
Using the sound of a specic part as a guide” (mute volume)
If desired, you can specify that the sound of a part will play at a reduced volume rather than going completely silent when you press a part button
and turn o its indicator.
This setting lets you play a specic part at a reduced volume and use it as a guide” for your playing.
1. While holding down the part button, press the [–] [+] buttons.
Screen Value Explanation
0–10
(default: 0)
Higher values make the sound louder.
1
27
Operation Guide Panel Descriptions Before You Play Performing Practicing
Convenient Functions
Appendix
Function Mode
Practicing
Repeatedly Practicing a Portion of a Song (AB Repeat)
Heres how you can repeatedly play back a specied portion of the song. You can use this function to repeatedly practice that portion.
Section to repeat
A (Repeat Start)
B (Repeat End)
Time
2
1
3 4
1. Press the [ ] (Play/Stop) button.
The song will play back.
2. Press the [AB Repeat] button at the point where you want to start repeating (point A).
The [AB Repeat] button will blink.
3. Press the [AB Repeat] button at the point where you want to stop repeating (point B).
The [AB Repeat] button will light, and playback will begin repeating.
4. To cancel the repeat function, press the [AB Repeat] button once again.
The [AB Repeat] button will go out, the repeat points you specied will be cleared.
MEMO
• The repeat points can be set at the beginning of each measure for an SMF song, or in 1/100th of a second for audio.
• Instead of playing back the song, you can also specify the portion to repeat by using the [
] [ ] buttons.
Moving the portion to repeat forward or backward
When AB Repeat is on, you can move the repeated portion forward or backward.
1
Section to repeat
Section to repeat
A (Repeat Start)
B (Repeat Start)
Time
1. While holding down the [AB Repeat] button, press the [–] [+] buttons.
The repeated portion will be moved without its length being changed.
28
Practicing
Recording the Song You’re Practicing
Its easy to record your own performances.
You can play back a recorded performance to check your playing, or perform along with a recorded performance.
The unit lets you record in the following ways.
Type of recording Explanation
SMF recording
Parts will be separate.
You can re-record a specic portion of the song.
You can overdub.
* Normally, you should use SMF recording.
Audio recording
Your performance will be recorded as audio data. The recorded song can be used on your computer.
* In order to use audio recording, you must connect a USB ash drive (sold separately) to the USB memory port (p. 10).
* SMFs (Standard MIDI Files) use a standard format for music le that was formulated so that les containing music le could be widely compatible,
regardless of the manufacturer of the listening device. An enormous variety of music is available, whether it be for listening, for practicing musical
instruments, for Karaoke, etc.
SMF Recording
To record a new song, proceed as follows.
This method is convenient when you simply want to record your performance as easily as possible.
Getting ready to record
1.
Select the tone that you want to use for performing (p. 14).
2. Press the [ ] (Rec) button.
The [ ] (Rec) button will light, the [ ] (Play/Stop) button will blink, and the unit will enter
recording-standby mode.
If you decide not to record, press the [
] (Rec) button once again.
3. If desired, sound the metronome (p. 22).
MEMO
If you change the metronomes tempo and time signature, they will be recorded with the song, allowing the metronome to sound correctly during
playback.
Starting/stopping recording
1.
Press the [ ] (Play/Stop) button.
A two-measure count will be heard (the measure number will be shown as “-2”
then “-1” in the lower right of the display), and then recording will start.
When recording starts, the [
] (Rec) button and [ ] (Play/Stop) button
will light.
MEMO
You can also initiate recording by simply playing the keyboard. If you initiate recording by playing the keyboard, a count will not be sounded.
2. Press the [ ] (Play/Stop) button.
Recording will stop, and a message will ask whether you want to save your performance.
2
1 2
29
Operation Guide Panel Descriptions Before You Play Performing Practicing
Convenient Functions
Appendix
Function Mode
Practicing
Saving a performance you’ve recorded
* If you want to save to the USB ash drive (sold separately), connect your USB ash drive to the USB memory port before you continue.
1. Press the [ ] (Fast) button to select “Y.
Saving will begin.
The recorded performance is saved at the earliest vacant song number.
The song is automatically given a name in this format: “Song nnn, where “nnn is the song number.
NOTE
Never turn o the power while the screen indicates Working...
Saving to a specic memory, song number, or song name
If you press the [Song] button instead of the [ ] (Fast) button, you’ll be able to specify the save-destination memory, song number, and song
name used for saving.
For details on the procedure, refer to “Saving a Song with the Name You Specify (p. 37).
Erasing a performance you’ve recorded
1. Use the [ ] (Slow) button to select “N.
A message will ask you to conrm that you want to erase the song.
2. Press the [ ] (Fast) button to erase the song.
Listening to a performance you’ve recorded
1. Press the [ ] (Play/Stop) button.
Playback will start from the beginning of the recorded performance.
Overdubbing a Recorded Song
When recording an SMF, you can overdub each part separately. For example, you can record the left-hand and right-hand parts separately, or record
along with a song.
Recording each hand separately
You can separately record your left-hand performance to the [Left] button and your right-hand performance to the [Right] button. You can also
separately re-record each hand afterward.
Getting ready to record
1.
Select the tone that you want to use for performing (p. 14).
2. Press the [ ] (Rec) button.
The [ ] (Rec) button will light, the [ ] (Play/Stop) button will blink, and the unit will enter
recording-standby mode.
If you decide not to record, press the [
] (Rec) button once again.
3. If desired, sound the metronome (p. 22).
MEMO
If you change the metronomes tempo and time signature, they will be recorded with the song, allowing the metronome to sound correctly during
playback.
2
30
Practicing
Recording the left hand
1.
Press the [Right] button and the [Accomp] button so
their illumination is turned o.
The [Left] button alone will start blinking, meaning that
the unit is ready to record to the [Left] button.
* If you don’t specify a part at this time, the recorded performance will be recorded in this order: [Right] button
[Left] button [Accomp] button.
* If you’re using Twin Piano or Split Play, the left side or left-hand tone will be recorded to the [Left] button, and the right side or right-hand tone will
be recorded to the [Right] button.
2. Press the [ ] (Play/Stop) button.
A two-measure count will sound (the measure number in the lower right of the display will indicate “-2, then “-1”), and then recording will start.
When recording starts, the [
] (Rec) button and [ ] (Play/Stop) button will light.
MEMO
You can also initiate recording by playing the keyboard. In this case, the count will not sound.
3. Press the [ ] (Play/Stop) button.
Recording will stop, and a conrmation message will ask whether you want to save the recording.
4. Either save the performance or erase it (p. 30).
Overdubbing the right hand
1.
Press the [ ] (Rec) button.
The [ ] (Rec) button will light, and
the unit will enter recording-standby
mode.
At this time, New Song will be selected.
If you decide not to record, press the [
]
(Rec) button once again.
2. Reselect the song you saved earlier by pressing the [+] button.
MEMO
The song’s tempo and time signature will be as they were when you recorded the left hand.
3. Press the [Right] button so it’s blinking.
In this state, the right-hand performance will be recorded to the [Right] button. Leave the [Left] button lit.
NOTE
If you select a previously recorded part and then record, your new performance will overwrite that part; the previously recorded performance will
be lost.
4. Press the [ ] (Play/Stop) button.
A two-measure count will be heard (the measure number will be shown as “-2” then “-1” in the lower right of the display), and then recording will start.
The previously recorded performance for the left hand will be played back, so you can listen to it while you play the right-hand part.
When recording starts, the [
] (Rec) button and [ ] (Play/Stop) button will light.
MEMO
You can also initiate recording by playing the keyboard. In this case, the count will not sound.
5. Press the [ ] (Play/Stop) button.
Recording will stop, and a conrmation message will ask whether you want to save the recording.
6. Either save the performance or erase it (p. 30).
2 3
1 1
4
12
5
3
31
Operation Guide Panel Descriptions Before You Play Performing Practicing
Convenient Functions
Appendix
Function Mode
Practicing
Recording a performance you play along with a song
Heres how you can record a performance that you play along with a song.
Getting ready to record
1.
Select the tone that you want record (p. 14).
2. Select the song to be dubbed (p. 24).
3. Press the [ ] (Rec) button.
The [ ] (Rec) button will light, and the
unit will enter recording-standby mode.
At this time, New Song will be selected.
If you decide not to record, press the [
]
(Rec) button once again.
4. Reselect the song selected in step 2 by pressing the [+] button.
MEMO
The song’s tempo and time signature will be according to the settings of the song you selected.
5. Press the part button of the part that you want to record, so it’s blinking.
Parts whose buttons are lit will play back during recording.
MEMO
If you want to re-record only a portion of the song, use the [
] (Bwd) button or [ ] (Fwd) button to move to the measure at which you
want to start recording.
Starting/stopping recording
1.
Press the [ ] (Play/Stop) button.
A two-measure count will be heard (the measure number will be shown as “-2”
then “-1” in the lower right of the display), and then recording will start.
When recording starts, the [
] (Rec) button and [ ] (Play/Stop) button
will light.
MEMO
You can also initiate recording by simply playing the keyboard. If you initiate recording by playing the keyboard, a count will not be sounded.
2. Press the [ ] (Play/Stop) button.
Recording will stop, and a conrmation message will ask whether you want to save the recording.
3. Either save the performance or erase it (p. 30).
3
5
4
1 2
32
Practicing
Converting a Song Recorded as an SMF to Audio
By converting a song recorded in the form of an SMF to audio, you’ll be able to listen to it on your computer. You can also use your computer to burn
the song to a music CD, or upload it to the Internet.
Copying an audio recording of a song to your computer
page 36
If you save an audio recording of a song on the
USB ash drive, you'll be able to listen to it on your
computer.
In order for an SMF song recording to be used on your
computer, you’ll need to convert it to audio (WAV le).
Audio recordings of songs are saved as WAVE les
(16-bit, 44.1 kHz).
You can use your computer to burn them to a music
CD or upload them to the Internet.
WAV
Use computer software (such as
iTunes) to burn the song to a CD.
A song recorded on the unit can be
copied to your computer by means of a
USB ash drive.
1. Connect a USB ash drive (sold separately) to the USB memory
port (p. 10).
* Audio data cannot be saved in the unit itself.
2. Select the song that you want to convert to audio (p. 24).
3. While holding down the [ ] (Rec) button, press the [–] [+] buttons
to select Audio.
4. Press the [ ] (Rec) button.
The [ ] (Rec) button will light, and the [ ] (Play/Stop) button will blink; the unit will enter converting-standby mode.
At this time, New Song will be selected.
If you decide not to convert, press the [
] (Rec) button once again.
5. Reselect the song selected in step 2 by pressing the [+] button.
6. Press the [ ] (Play/Stop) button.
The song will play back, and the conversion will begin.
MEMO
If, during conversion, you play the keyboard or input something via the USB port (USB MIDI), all sound including those sounds will be converted.
Muted parts will not be converted.
NOTE
• Never turn o the power or disconnect the USB ash drive during conversion.
• For some SMF recordings, it might not be possible to perfectly convert the recording in its original form.
7. To end conversion, press the [ ] (Play/Stop) button.
A conrmation message will ask whether you want to save the le.
MEMO
Conversion will continue until you press the [
] (Play/Stop) button.
8. Either save the performance or erase it (p. 30).
476
3
5
33
Operation Guide Panel Descriptions Before You Play Performing Practicing
Convenient Functions
Appendix
Function Mode
Practicing
Audio Recording
Heres how to record what you play on the unit as audio data. The recorded song can be used on your computer.
Preparing to record
1.
Connect a USB ash drive (sold separately) to the
USB memory port (p. 10).
* Audio data cannot be saved in the unit itself.
2. Select the tone that you want perform (p. 14).
3. While holding down the [ ] (Rec) button, press the [–] [+] buttons to select Audio.
4. Press the [ ] (Rec) button.
The [ ] (Rec) button will light, the [ ] (Play/Stop) button will blink, and the unit will enter recording-standby mode.
If you decide not to record, press the [
] (Rec) button once again.
5. If desired, sound the metronome (p. 22).
Starting/stopping recording
1.
Press the [ ] (Play/Stop) button.
Recording will start.
When recording starts, the [
] (Rec) button and [ ] (Play/Stop) button
will light.
NOTE
Never turn o the power or disconnect the USB ash drive during recording.
2. Press the [ ] (Play/Stop) button.
Recording will stop, and a conrmation message will ask whether you want to save the recording.
3. Either save the performance or erase it (p. 30).
4
3
1 2
34
Practicing
Transposing a Song for Easier Performance (Audio Transpose)
You can change the key when playing back an audio le. You can play the keyboard while listening to the transposed sound.
1. Press the [Transpose] button.
The [Transpose] button will light.
2. While holding down the [Transpose] button, press the [–] [+] buttons.
The display will indicate the amount of transposition.
Screen Value Explanation
-6–0–+5
(semitone units)
(default: +1)
Positive (+) values raise the pitch in semitone steps, and negative (-) values lower the pitch in semitone steps.
MEMO
With the factory settings, both the audio le and the keyboard will be transposed. If you want transposition to aect only the keyboard or only the
audio le, make the appropriate setting as described in “Specifying What the Transpose will Aect (Transpose Mode)” (p. 47).
* If you select a dierent song, the audio transposition setting will be canceled.
3. To cancel the transposition, press the [Transpose] button once again.
The [Transpose] button will go out.
Enjoying Karaoke with an Audio File (Center Cancel)
When playing back an audio le, you can minimize the sounds that are heard from the center. For example, this allows you to minimize the melody or
vocal on a music CD, so that you can play or sing that part instead.
* For some songs, it might not be possible to completely eliminate the melody sound.
1. Press the [Right] button.
The [Right] button will go out, and the melody sound will be minimized.
* The Center Cancel setting will turn o if you select a dierent song.
2. When you want the sound to be heard, press the [Right] button once again.
The [Right] button will light.
35
Operation Guide Panel Descriptions Before You Play Performing Practicing
Convenient Functions
Appendix
Function Mode
Practicing
Burning an Audio Recording of a Song (WAV le) to a CD
After an audio recording of a song has been saved to
the USB ash drive, you can copy it to your computer
and burn it to a CD. If you want to burn a CD from
a song that you recorded as an SMF, you must rst
convert it to audio (WAV le) (p. 33).
In order to burn a CD on your computer, you’ll need
software such as “iTunes.
For details, refer to the owners manual or the online
help of your software.
WAV
Use computer software (such as
iTunes) to burn the song to a CD.
A song recorded on the unit can be
copied to your computer by means of a
USB ash drive.
The following explanation uses iTunes 10 for Windows. If you’re
using a dierent version or other software, refer to its online help
or owner’s manual.
1. From the Start menu, click [All Programs] - [iTunes].
2. From the iTunes [File] menu, click [New Playlist] to create
a playlist.
Newly created
playlist
3. From the desktop (or other location) where you copied
it, drag and drop the song (WAV le) to add it to the
playlist you created in step 2.
Drag & drop
4. Insert a blank CD-R into your computer.
5. Select the playlist that you created in step 2, and in the
[File] menu, click [Burn playlist to Disc].
6. Make the appropriate settings in the disc creation dialog
box, and then click the [Burn] button.
1. Connect the USB ash drive
containing the song to your
computer.
If you’re using Windows, a
“Removable disk” icon will appear in “Computer. If you’re using
Mac OS X, a “NO NAME” icon will appear on the desktop.
2. Double-click the icon that appeared.
The contents of the USB ash drive will be displayed.
The audio recording of the song (WAV le) will be among the
contents.
3. Copy the song (WAV le) that you want to burn to CD to
your computers desktop or another location where you
can easily nd it.
Copy to desktop
Copy the recorded song to your computer
Use iTunes to burn a CD
36
Practicing
1.
Make sure that you’ve nished recording, and that the
screen shown at the right is displayed.
2. Press the [Song] button.
The media select screen will appear.
3. Use the [–] [+] buttons to select the save-destination
media.
Display Save-destination media
U Internal memory
S USB ash drive
* If a USB ash drive (sold separately) is not connected, you won’t
be able to select “USB Memory.
4. Press the [ ] (Fast) button.
A screen will appear, allowing you to select the song number of
save destination.
5. Use the [–] [+] buttons to select the song number of save
destination.
No song has been saved in song numbers shown as (Empty) in the
song name column.
Choose a song number in which no song has been saved.
If you want to save your song by overwriting an existing song you
no longer need, select the song number of that unwanted song.
6. Press the [ ] (Fast) button.
A screen will appear, allowing you to specify a name for your song.
7. Edit the name using the buttons shown in the illustration
below.
Select the character to changeChange the character
Use the [ ] [ ] (Slow/Fast) buttons to select the position at
which you want to specify a character.
Use the [–] [+] buttons to change the character.
8. Press the [Song] button to save the song.
If you decide not to save the song, press the [Metronome] button.
NOTE
Never turn o the power or disconnect the USB ash drive while
the screen indicates Working...
Saving a Song with the Name You Specify
Immediately after you’ve nished recording, you can save the song to the memory, song number, and song name that you specify.
* If you want to save to the USB ash drive (sold separately), connect your USB ash drive to the USB memory port before you continue.
764
5 73
8
2
37
Operation Guide Panel Descriptions Before You Play Performing Practicing
Convenient Functions
Appendix
Function Mode
Practicing
Renaming a Song
Heres how to rename a song you’ve saved.
9863
11
2
975
10
4
1. Select the song that you want to rename (p. 24).
2. While holding down the [Key Touch] button, press the [Transpose] button.
The [Key Touch] button and [Transpose] button will light, and the unit will enter Function mode.
3. Use the [ ] [ ] (Slow/Fast) buttons to select “SaveSong.
4. Press the [Song] button.
The media select screen will appear.
If you decide not to rename the song, press the [Metronome] button.
5. Use the [–] [+] buttons to select the save-destination media.
Display Save-destination media
U Internal memory
S USB ash drive
6. Press the [ ] (Fast) button.
A screen will appear, allowing you to select the song number of save destination.
7. Use the [–] [+] buttons to select the song number of save destination.
No song has been saved in song numbers shown as (Empty) in the song name column.
If you want to save the song as a new song, choose a song number in which no song has been saved.
If you want to save your song by overwriting an existing song you no longer need, select the song number of that unwanted song.
8. Press the [ ] (Fast) button.
A screen will appear, allowing you to specify the song name.
9. Edit the song name using the buttons shown in the illustration below.
Use the [ ] [ ] (Slow/Fast) buttons to select the position at
which you want to specify a character.
Use the [–] [+] buttons to change the character.
10. Press the [Song] button to save the song.
If you decide not to rename the song, press the [Metronome] button.
When the song has been renamed, you will return to the screen of step 3.
NOTE
Never turn o the power or disconnect the USB ash drive while the screen indicates Working...
11. Press the [Key Touch] button or the [Transpose] button to nish the procedure.
Select the character to changeChange the character
38
Convenient Functions
Making the Power Automatically
Turn O After a Time (Auto O)
With the factory settings, the unit’s power will automatically be
switched o 30 minutes after you stop playing or operating the
unit.
If you don’t need the power to turn o automatically, set Auto O
to the “OFF” setting as described below.
1. While holding down the [Key Touch] button, press the
[Transpose] button.
2. Use the [ ] [ ] (Slow/Fast) buttons to select Auto
O.
3. Use the [–] [+] buttons to change the setting.
Value Explanation
OFF The power will not turn o automatically.
10
The power will automatically turn o if no
operation is performed for 10 minutes.
30 (default)
The power will automatically turn o if no
operation is performed for 30 minutes.
240
The power will automatically turn o if no opera-
tion is performed for 240 minutes (4 hours).
* This setting is automatically stored in the unit.
4. Press the [Key Touch] button or the [Transpose] button to
nish the procedure.
NOTE
When turning the unit’s power back on after it has been shut
down due to the Auto O function, always make sure to allow
at least ve seconds to pass after the power has been shut o
before you turn the power back on. If you turn it back on too
rapidly, the Auto O function will not have had enough time to
reset itself, and you may not be able to turn on the power in the
normal way.
Retaining the Settings Even After
Power-o (Memory Backup)
The settings of the unit will return to their factory-set state when
you turn o the power. However, you can store the settings so that
they will be retained even after the power is turned o.
This is called the “memory backup” function.
Parameters Stored in Memory Backup Page
Ambience (on/o, depth) p. 18
Brilliance (on/o, depth) p. 18
Split Point p. 17
Twin Piano mode p. 20
Key Touch (on/o, value) p. 19
Damper Resonance p. 46
String Resonance p. 47
Key O Resonance p. 47
Dynamic Harmonic p. 47
Cabinet Resonance p. 47
Parameters Stored in Memory Backup Page
Soundboard Behavior p. 47
Note Volume p. 47
Note Character p. 47
Master Tuning p. 46
Temperament p. 46
Temperament Key p. 46
Stretch Tuning p. 47
Volume Limit p. 50
Dual Balance p. 46
Transpose Mode p. 47
Headphones 3D Ambience p. 46
Damper Pedal Part p. 48
MIDI Transmit Channel p. 48
Visual Control Channel p. 49
1. While holding down the [Key Touch] button, press the
[Transpose] button.
2. Use the [ ] [ ] (Slow/Fast) buttons to select “Backup.
3. Press the [Song] button.
A screen will appear, allowing you to execute the backup.
4. Press the [ ] (Fast) button to select “Y.
Memory backup will begin.
If you decide to cancel without executing, press the [
] (Slow)
button to select “N.
When the memory backup has been completed, the screen of step
2 will appear.
NOTE
Never turn o the power while the screen indicates Working...
5. Press the [Key Touch] button or the [Transpose] button to
nish the procedure.
Restoring the Factory Settings
(Factory Reset)
Settings that you’ve stored using the Memory Backup function (p. 39)
can be returned to their factory-set state. This is called the “factory
reset” function.
NOTE
When you execute “Factory Reset, all stored settings will be
erased and returned to the factory settings.
MEMO
This function will not erase the songs from the internal memory
or the USB ash drive (sold separately).
If you want to erase the internal memory or the USB ash drive,
“Initializing the Memory (Format Media)” (p. 41).
1. While holding down the [Key Touch] button, press the
[Transpose] button.
39
Operation Guide Panel Descriptions Before You Play Performing Practicing
Convenient Functions
Appendix
Function Mode
Convenient Functions
2. Use the [ ] [ ] (Slow/Fast) buttons to select
“FctReset.
3. Press the [Song] button.
A screen will appear, allowing you to execute factory reset.
4. Press the [ ] (Fast) button to select “Y.
Factory reset will begin.
If you decide to cancel without executing, press the [
] (Slow)
button to select “N.
When the factory reset has been completed, the screen will indicate
“END.
NOTE
Never turn o the power while the screen indicates Working...
5. Turn the power o, then on again (p. 13).
Copying a Saved Song (Copy Song)
Songs that have been saved in the internal memory can be copied
to USB ash drive (sold separately). Alternatively, songs stored on
the USB ash drive can be copied to the internal memory.
* Audio les cannot be copied.
* If a USB ash drive (sold separately) is not connected, you won’t
be able to perform this operation.
1. While holding down the [Key Touch] button, press the
[Transpose] button.
2. Press the [ ] [ ] (Slow/Fast) button to choose “Copy
Song.
3. Press the [Song] button.
A screen will appear, allowing you to select the copy-source and
destination memory locations.
If you decide not to copy the song, press the [Metronome] button.
4. Use the [–] [+] buttons to select the copy-source and copy-
destination memory locations.
5. Press the [ ] (Fast) button.
6. Press the [–] [+] button to select the song that you want
to copy.
MEMO
If you choose ALL, all songs except for audio les in the copy-
source memory will be copied.
7. Press the [ ] (Fast) button.
8. Use the [–] [+] buttons to select the copy-destination
number.
No song has been saved at song numbers for which (Empty) is
shown as the song name.
Select a song number at which no song has been saved.
If you want to delete an unwanted song and replace it with the
song you’re copying, select the unwanted song number.
9. Press the [Song] button to copy the song.
If you decide not to copy, press the [Metronome] button.
Once the song has been copied, you’ll be returned to the screen of
step 2.
NOTE
Never turn o the power or disconnect the USB ash drive while
the screen indicates Working...
10. Press the [Key Touch] button or the [Transpose] button to
nish the procedure.
Deleting a Saved Song (Delete Song)
Heres how to delete a song that you saved on the internal memory
or the USB ash drive (sold separately).
MEMO
• If you want to delete all songs that have been saved to the
internal memory, initialize the memory.
• If you want to delete a song on the USB ash drive (sold
separately), connect your USB ash drive to the USB memory
port before you continue.
1. While holding down the [Key Touch] button, press the
[Transpose] button.
2. Use the [ ] [ ] (Slow/Fast) buttons to select “Del
Song.
3. Press the [Song] button.
A screen will appear, allowing you to select the memory location
that contains the song you want to delete.
If you decide not to delete the song, press the [Metronome] button.
4. Use the [–] [+] buttons to select the memory location that
contains the song you want to delete.
40
Convenient Functions
5. Press the [ ] (Fast) button.
6. Use the [–] [+] buttons to select the song that you want to
delete.
7. Press the [Song] button.
A conrmation message will appear.
8. Press the [ ] (Fast) button to select “Y.
Deletion of the song will begin.
If you decide to cancel without deleting, press the [
] (Slow)
button to select “N.
Once the song is deleted, you’ll be returned to the screen you were
in at step 2.
NOTE
Never turn o the power or disconnect the USB ash drive while
the screen indicates Working...
9. Press the [Key Touch] button or the [Transpose] button to
nish the procedure.
Initializing the Memory
(Format Media)
Heres how you can completely erase all songs that were
saved in the internal memory or the USB ash drive (sold
separately).
NOTE
• Once an initialization is performed, all songs that
have been saved in the internal memory or the USB
ash drive will be erased. The erased data cannot
be recovered, so we recommend that you check the
contents of memory before you proceed.
• If you’re using new USB ash drive (sold separately) with the unit
for the rst time, you’ll need to initialize (format) the USB ash
drive before using it. The unit can’t use USB ash drive that has
not been initialized.
If you want to format USB ash drive, connect the USB ash drive to
the USB memory port (p. 10).
1. While holding down the [Key Touch] button, press the
[Transpose] button.
2. Use the [ ] [ ] (Slow/Fast) buttons to select “Format.
3. Press the [Song] button.
A screen will appear, allowing you to proceed with the format.
If you decide not to proceed with the format, press the
[Metronome] button.
4. Use the [–] [+] buttons to select the memory that you
want to initialize.
5. Press the [Song] button.
A conrmation message will appear.
6. Press the [ ] (Fast) button to select “Y.
Formatting of the media will begin.
If you decide not to initialize, press the [
] (Slow) button.
Once the initialization is nished, you’ll be returned to the screen
you were in at step 2.
7. Press the [Key Touch] button or the [Transpose] button to
nish the procedure.
Caution when initializing the memory
• Never turn o the power while Working... is shown in the
display.
• If the screen indicates “Error, please refer to “Error Messages”
(p. 53).
• Initializing the units internal memory will not initialize
settings other than the contents of the internal memory. If
you want to return settings other than the contents of the
internal memory to their factory-set condition, execute the
Factory Reset operation (p. 39).
• Don’t disconnect the USB ash drive until USB ash drive
initialization has been completed.
41
Operation Guide Panel Descriptions Before You Play Performing Practicing
Convenient Functions
Appendix
Function Mode
Convenient Functions
Disabling the Buttons (Panel Lock)
When you activate Panel Lock, all buttons will be disabled.
This prevents the tones or settings from being changed if you
inadvertently press a button.
1. Hold down the [AB Repeat] button until the following
display appears.
Panel Lock will be activated.
All button operations will be disabled.
2. To cancel Panel Lock, once again hold down the [AB
Repeat] button for a while.
Panel Lock will also be cancelled when you turn o the power.
MEMO
• If you activate Panel Lock while a song is playing, playback will
stop.
• You can’t activate Panel Lock during recording, while in Function
mode (p. 46), or during Tone Demo (p. 14).
42
Convenient Functions
About the Wireless LAN Function
By inserting the wireless USB Adapter (WNA1100-RL; sold
separately) into the unit’s USB MEMORY port, you’ll be able to use
wireless-compatible applications (such as the “Piano Partner iPad
app).
unit
Wireless USB Adapter (sold
separately: WNA1100-RL)
Wireless LAN access point
(e.g., wireless LAN router)
Wireless LAN Wireless LAN
iPad etc.
Items required to use the wireless LAN function
Wireless USB Adapter (sold separately: WNA1100-RL)
Wireless LAN access point (e.g., wireless LAN router) *1 *2 *3
iPad etc.
*1 The wireless LAN access point you use must support WPS. If
your wireless LAN access point does not support WPS, you can
connect using the procedure described in “Connecting to a
Wireless LAN Access Point That You Select (Select AP)” (p. 44).
*2 The ability to connect with all kinds of wireless LAN access
points is not guaranteed.
*3 If you’re unable to connect to the wireless LAN access point, try
connecting using Ad-Hoc mode (p. 45).
*4 Depending on the wireless LAN system that you’re using,
you might be unable to connect, or the connection might be
dropped.
*5 Depending on the wireless device used by the wireless LAN
function, noise might be heard from the unit. In this case,
you may be able to improve the situation by moving the
wireless device away from the unit, or by changing the wireless
connection mode (WPS / Ad-Hoc mode).
*6 The sound and functionality might be temporarily aected
while a connection is being established; this is not a
malfunction.
Basic Connection Method (Connect
by WPS)
The rst time you connect the unit to a wireless network, you’ll
need to perform the following procedure (WPS) to join the wireless
network.
This procedure is required only the rst time. (Once you’ve joined
the network, this procedure will no longer be necessary.)
What is WPS?
This is a standard that makes it easy to make security settings
when connecting to a wireless LAN access point. We recommend
that you use WPS when connecting to a wireless LAN access point.
1. Insert the wireless USB Adapter (WNA1100-RL; sold
separately) into the unit’s USB MEMORY port.
2. While holding down the [Key Touch] button, press the
[Transpose] button.
3. Press the [ ] [ ] (Slow/Fast) buttons to select the
“Wireless, then press the [Song] button.
4. Press the [ ] [ ] (Slow/Fast) buttons to select the
Connect, then press the [Song] button.
5. Press the [ ] [ ] (Slow/Fast) buttons to select the WPS,
then press the [Song] button.
“Proceed?” will appear.
6. Perform the WPS operation on your wireless LAN access
point (e.g., press the WPS button on your wireless LAN
access point).
For details on WPS operation of your wireless LAN access point,
refer to the documentation for your wireless LAN access point.
7. Press the [ ] (Fast) button of the unit.
Once successfully connected, “Success” will appear.
* If you fail to connect, refer to “Problems when connecting to a
wireless LAN” (p. 52).
8. Press the [Key Touch] or [Transpose] button to exit
Function mode.
NOTE
The device (e.g., iPad) running the app must be connected to
the same network.
MEMO
• The connection data is stored in memory when you perform
the WPS procedure; the device will automatically connect to the
wireless network the next time.
• All connection data will be erased if you perform a factory reset.
This completes the procedure necessary for joining
the wireless network. You can use the wireless
connection from an iPad app such as Piano Partner.
43
Operation Guide Panel Descriptions Before You Play Performing Practicing
Convenient Functions
Appendix
Function Mode
Convenient Functions
Wireless LAN Function Settings
You can view or edit the wireless settings.
Basic Operation
1. While holding down the [Key Touch] button, press the
[Transpose] button.
2. Press the [ ] [ ] (Slow/Fast) buttons to select the
“Wireless, then press the [Song] button.
3. Press the [ ] [ ] (Slow/Fast) buttons to select menu,
then press the [Song] button.
Menu Explanation
Status This shows the wireless LAN status.
Connect Connect to a wireless LAN access point.
Option Make settings for Wireless ID or Ad-Hoc mode (p. 45).
In the explanations in this Chapter, procedures will be
indicated using arrows, like this: “Wireless g “Status.
Status Indication
This shows the wireless LAN status.
1. Select Wireless” g “Status.
The status screen will appear.
Display Explanation
Signal level:
Strong
Currently connected to the wireless LAN access point.
Three bars are used to indicate the signal level (the
strength of the connected wireless LAN access point’s
radio signal).
The identier (name) of the connected wireless LAN
access point is shown.
Signal level:
Middle
Signal level:
Weak
Not Con
The wireless USB adapter is inserted, but not
connected to a wireless LAN access point.
NotAvail The wireless USB adapter is not inserted.
DP90S/90
SSID
Ad-Hoc mode (p. 45).
The Ad-Hoc SSID is shown. Press the [
] (Fast)
button to display the Ad-Hoc key.
For details, refer to “Connecting in Ad-Hoc Mode”
(p. 45).
2. Press the [ ] (Fast) button to display the IP address.
Connecting to a Wireless LAN Access
Point That You Select (Select AP)
This method lets you connect by choosing a wireless LAN access
point from the list that is displayed.
* Wireless standards 802.11g/n (2.4 GHz) and authentication
methods WPA/WPA2 are supported.
1. Select Wireless” g”Connect g “Select AP, then press the
[Song] button.
The Select Access Point screen will appear.
An “*” symbol is shown for the currently-connected wireless LAN
access point.
2. Press the [–] [+] button to choose the wireless LAN access
point to which you want to connect, and press the [Song]
button.
• You will be connected to the selected wireless LAN access point.
• If you’re using this wireless LAN access point for the rst time,
you’ll proceed to the authorization (PASS) screen.
• If t
his is a wireless LAN access point to which you have
connected in the past, just press the [Song] button and you’ll be
connected. Once successfully connected, “Success” will appear.
Authorization screen (PASS)
3. Enter the security code (passphrase) of your wireless LAN
access point, and press the [Song] button.
How to enter characters
Use the [
] [ ] (Slow/Fast) buttons to select the position at
which you want to specify a character. Use the [–] [+] buttons to
change the character.
* You cannot enter a space at the end of the passphrase.
Once successfully connected, “Success” will appear.
* If you fail to connect, refer to “Problems when connecting to a
wireless LAN” (p. 52).
4. Press the [Key Touch] or [Transpose] button to exit
Function mode.
44
Convenient Functions
Other Settings (Option)
Make settings for Wireless ID or Ad-Hoc mode.
1. Select Wireless” g “Option.
2. Press the [ ] [ ] (Slow/Fast) buttons to select the
parameter that you want to change.
3. Press the [–] [+] button to edit the value of the setting.
Parameter Explanation
ID (Wireless ID)
Species the nal digits of the
unit
s device name and Ad-
Hoc SSID (DP90S/90) that will be shown as the instrument
in the wirelessly connected app.
Normally, you should specify “0, but if you have more than
one of the same instrument, you can set the Wireless ID in
the range of 1–99 to change the device name and Ad-Hoc
SSID for each instrument, as follows.
If Wireless ID=0, “DP90S/90” (default value)
If Wireless ID=1, “DP90S/90_1”
:
If Wireless ID=99, “DP90S/90_99”
Ad-Hoc
Ch.
Species the channel (1–11) for Ad-Hoc mode.
Normally, you won’t need to change the channel.
Try changing the channel only if you have problems
connecting.
Connecting in Ad-Hoc Mode
Heres how to connect in Ad-Hoc mode.
What is Ad-Hoc mode?
Ad-Hoc mode lets you connect the unit directly to an iPad
or other wireless device without using a wireless LAN access
point. This is a convenient way to use the unit with an iPad or
other wireless device if you’re in a location where the wireless
LAN access point you normally use is unavailable, such as
when you’re away from home.
unit
Wireless USB Adapter (sold
separately: WNA1100-RL)
Wireless LAN
iPad etc.
Limitations
The iPad or other wireless device connected in Ad-Hoc mode
will be unable to communicate with the Internet or with another
wireless device. However, an iPad or other wireless device that
has cellular capability will be able to connect to the Internet via
the cellular connection.
Please be aware that if you use a cellular connection for Internet
connectivity, you may incur costs depending on your rate plan.
1. Select Wireless” g”Option g Ad-Hoc, then press the
[Song] button.
2. Press the [ ] (Fast) button to turn the Ad-Hoc Mode “On.
* To turn o Ad-Hoc Mode, press the [ ] (Slow) button.
3. Once in Ad-Hoc Mode, the Ad-Hoc SSID (DP90S/90) will
be displayed. Press the [ ] (Fast) button to display the
Ad-Hoc key (a ve-character text string). Write down this
number.
The Ad-Hoc key is the ve-digit number that’s displayed
here. Each piano has its own unique number.
MEMO
• The Ad-Hoc SSID (DP90S/90) will be the value that you specied
in the WIRELESS OPTIONS screen Wireless ID” setting.
• The Ad-Hoc SSID and the Ad-Hoc key can also be veried in the
status screen.
4. On the iPad or other wireless device that you want to
connect, select the Ad-Hoc SSID shown in the above
screen to make the connection. (For example, on an iPad,
choose [Settings]
g [Wi-Fi] g [Choose a Network] to
select the above Ad-Hoc SSID (DP90S/90). A password
entry screen will appear; enter the above Ad-Hoc key.)
For details on how to connect to a wireless LAN from an iPad or
other device, refer to the owner’s manual of that device.
5. Press the [Key Touch] or [Transpose] button to exit
Function mode.
6. When you have nished the Ad-Hoc mode connection,
restore the iPad settings in [Settings]
g [Wi-Fi] g [Choose
a Network] to their previous state.
Checking the MAC Address
The MAC address indicated on the bottom of the wireless
USB adapter (WNA1100-RL; sold separately).
45
Operation Guide Panel Descriptions Before You Play Performing Practicing
Convenient Functions
Appendix
Function Mode
Indication Value Explanation
Phones3D (*1)
Applying a Headphones 3D Ambience Eect to the Piano Sound (Headphones 3D
Ambience)
When using headphones, you can apply a Headphones 3D Ambience eect which produces the sensation that the sound is emanating from the
piano itself.
ON Headphones 3D Ambience is on.
OFF Headphones 3D Ambience is o.
Dual Bal (*1)
Adjusting the Dual Play Volume Balance (Dual Balance)
When using Dual Play, you can adjust the volume balance between tone 1 and tone 2.
9-1 (tone 1 is louder)–9-9 (same volume)–1-9 (tone 2 is louder)
Tuning (*1)
Matching the Pitch with Other Instruments (Master Tuning)
When playing ensemble with other instruments and in other such instances, you can match the standard pitch to another instrument.
The standard pitch generally refers to the pitch of the note that’s played when you nger the middle A key (A4). For a cleaner ensemble sound while
performing with one or more other instruments, ensure that each instrument’s standard pitch is in tune with that of the other instruments. This
tuning of all the instruments to a standard pitch is called “master tuning.
415.3–440.0–466.2 Hz
Temprmnt (*1)
Changing the Tuning Method (Temperament)
You can play classical styles such as Baroque using historic temperaments (tuning methods).
Most modern songs are composed for and played in equal temperament, the most common tuning in use today. But at one time, there were a wide
variety of other tuning systems in existence. By playing in the temperament that was in use when a composition was created, you can experience
the sonorities of chords originally intended for that song.
Screen Explanation Qualities
EQU Equal
In this tuning, each octave is divided into twelve equal steps. Every interval produces about the same amount of
slight dissonance.
MAJ Just Major
This tuning eliminates ambiguities in the fths and thirds. It is unsuited to playing melodies and cannot be
transposed, but is capable of beautiful sonorities.
MIN Just Minor
The Just tunings dier from major and minor keys. You can get the same eect with the minor scale as with the major
scale.
PYTH Pythagorean
This tuning, devised by the philosopher Pythagoras, eliminates dissonance in fourths and fths.
Dissonance is produced by third-interval chords, but melodies are euphonious.
KIRN Kirnberger
This is an improvement of the Meantone and Just tunings that provides a high degree of freedom of modulation.
Performances are possible in all keys (III).
MEAN Meantone This scale makes some compromises in just intonation, enabling transposition to other keys.
WERC Werckmeister
This temperament combines the Meantone and Pythagorean tunings. Performances are possible in all keys (rst
technique, III).
ARB Arabic This tuning is suitable for the music of Arabia.
Tmpr Key (*1)
Specifying a Song’s Tonic (Temperament Key)
When playing with tuning other than equal temperament, you need to specify the temperament key for tuning the song to be performed (that is,
the note that corresponds to C for a major key or to A for a minor key).
If you choose an equal temperament, theres no need to select a temperament key.
C, C
, D, E , E, F, F ,G, A , A, B , B
* In the display, a quotation mark (“) signies a sharp (#).
Dmpr Res (*1)
Producing Sympathetic Resonance When You Press the Damper Pedal (Damper
Resonance)
This adjusts the damper resonance of the acoustic piano sound (the sympathetic vibration produced in strings other than those actually played
when you press the damper pedal).
Higher settings will make the sympathetic vibration louder.
OFF, 1–10
Various Settings (Function Mode)
The same procedure is used for all settings in Function mode.
1. While holding down the [Key Touch] button, press the
[Transpose] button.
The [Key Touch] button and [Transpose] button will light; the unit
will be in Function mode.
2. Press the [ ] [ ] (Slow/Fast) buttons to select the
function setting that you want to change.
3. Press the [–] [+] button to edit the value of the setting.
4. Press the [Key Touch] button or the [Transpose] button to
exit Function mode.
46
Various Settings (Function Mode)
Indication Value Explanation
Strg Res (*1)
Producing the Resonance of the Strings When the Keys Are Played (String Resonance)
This adjusts the string resonance of the acoustic piano sound (the sympathetic vibrations of strings for previously played notes that occur when you
play another note).
Higher settings will make the sympathetic vibration louder.
OFF, 1–10
KO Res (*1)
Playing Sounds When the Keys Are Released (Key O Resonance)
This adjusts sympathetic vibrations such as an acoustic pianos key-o sound (the subtle sound that occurs when you release a note).
Higher settings will make the sympathetic vibration louder.
OFF, 1–10
DynHarmo (*1)
Adjusting the Metallic Sound That Occurs When You Play a Note (Dynamic Harmonic)
This adjusts the metallic resonance that is produced when you play strongly on an acoustic piano.
Higher settings will produce a louder metallic sound.
OFF, 1–10
Cabinet (*1)
Adjusting the Sympathetic Resonance of the Grand Piano Body (Cabinet Resonance)
Adjusts the body resonance of the grand piano itself.
Higher values will produce a larger body resonance.
OFF, 1–10
SoundBrd (*1)
Adjusting the Clarity of Individual Notes in a Chord (SoundBoard Behavior)
When you play a chord, this setting improves the clarity of the individual notes in the chord, creating a more beautiful resonance.
Higher settings produce a clearer resonance.
OFF, 1–10
Stretch (*1)
Using a Pianos Unique Tuning (Stretch Tuning)
This lets you specify the amount of “stretch tuning, a tuning method specically for pianos, in which the high range is tuned slightly sharper, and
the low range is tuned slightly atter.
If you select “ON, a standard tuning curve created for the unit will be used.
OFF, 1, 2, USER (USER: -50–0–+50)
Note Vol (*1)
Adjusting the volume of each Individual Key (Note Volume)
This lets you adjust the volume of each individual key. Higher settings will make the volume louder. If you select “USER, and then press the [Song]
button, you’ll be able to edit the Note Volume settings. Press the key whose volume you want to adjust, and use the [–] [+] buttons to adjust its
volume.
OFF, USER (USER: -50–0)
NoteChar (*1)
Adjusting the tonal character of Each Individual Key (Note Character)
This lets you adjust the tonal character of each individual key. Higher settings will make the tone harder, and lower settings will make the tone
softer. If you select “USER, and then press the [Song] button, you’ll be able to adjust the Note Character settings. Press the key whose tone you want
to adjust, and use the [–] [+] buttons to adjust its tone.
OFF, USER (USER: -5–0–+5)
Trnspose (*1)
Specifying What the Transpose will Aect (Transpose Mode)
This setting species what the transpose will aect. You can use the transpose to change the pitch of both the song and the keyboard, only the
pitch of the song, or only the pitch of the keyboard.
KBD The sound of the keyboard
SONG The song being played back
BOTH The sound of the keyboard and the song being played back
Oct Shft
Changing the Pitch of the Tone in Octave Steps (Octave Shift)
You can change the pitch of the Tone 2 in Dual Play (p. 15) and Lower tone in Split Play (p. 16) an octave at a time.
Altering the pitch in one-octave units in this way is called “Octave Shift.
For example, you can raise the pitch of the Lower Tone to the same pitch of the Upper Tone in Split Play.
-2–0–+2 (octave)
MEMO
(*1) This parameter can be saved by the “Memory Backup operation (p. 39).
47
Operation Guide Panel Descriptions Before You Play Performing Practicing
Convenient Functions
Appendix
Function Mode
Various Settings (Function Mode)
Indication Value Explanation
Rec Mode
Selecting the Format for Recording (Recording Mode)
You can choose whether to record as SMF or as audio.
MEMO
You can also switch the recording mode by holding down the [ ] (Rec) button and using the [–] [+] buttons.
SMF SMF parts will be recorded separately. This allows you to re-record just a single part, or to overdub dierent parts.
Audio The recording will be made as audio data. The recorded song can be used in your computer.
DPdl Prt (*1)
Changing How the Pedal Eects Are Applied (Damper Pedal Part)
When you press the damper pedal during Dual play or Split play, the pedal eect is normally applied to both tones, but you can also select the tone
to which the eect is to be applied.
R+L All enabled
R Applied only to the Tone 1 (in dual mode)/Right-hand Tone (in split mode)
L Applied only to the Tone 2 (in dual mode)/Left-hand Tone (in split mode)
CPdl Fnc
Changing How the Pedals Work (Center Pedal)
When you turn on the power, the center pedal functions as the sostenuto pedal (p. 10).
You can change the function of the pedal to a variety of other operations.
SOST Sets function to sostenuto pedal.
PLAY
The pedal will have the same function as the [
] (Play/Stop) button.
LAYR
Pressing the pedal will layer on Tone 2, used for Dual play.
* The Layer function can be applied only when using Dual play.
OCT
Pressing the pedal will layer on a sound one octave higher.
* The Octave function cannot be applied while using Twin Piano, Dual play, or Split play.
LocalCtl
Preventing Doubled Notes When Connected to a Sequencer (Local Control)
When you have a MIDI sequencer connected via USB, set this parameter to Local O.
Since most sequencers have their Thru function turned on, notes you play on the
keyboard may be sounded in duplicate, or get dropped. To prevent this, you can
enable the “Local O setting so that the keyboard and internal sound generator will be
disconnected.
OFF
Local Control is o.
The keyboard and composer are disconnected from the internal sound generator. Playing the keyboard will not produce sound.
ON
Local Control is on.
The keyboard and composer are connected to the internal sound generator.
MIDI Ch (*1)
MIDI Transmit Channel Settings (MIDI Transmit Channel)
This setting species the MIDI channel on which the unit will transmit.
MIDI uses sixteen “MIDI channels, which are numbered 1 through 16. By connecting MIDI devices (USB MIDI) and specifying the appropriate MIDI
channel for each device, you can play or select sounds on those devices.
The unit will receive all sixteen channels (1–16).
OFF, 1–16
SaveSong
Renaming a Song (Save Song)
Here’s how to rename a song you’ve saved (p. 38).
CopySong
Copying a Saved Song (Copy Song)
A song you’ve saved to the internal memory can be copied to the USB ash drive. Alternatively, a song saved to the USB ash drive can be copied to
the internal memory. (p. 40)
Del Song
Deleting a Saved Song (Delete Song)
You can delete a saved song from the internal memory or the USB ash drive. (p. 40)
Format
Initializing the Memory (Format Media)
You can delete all songs from the internal memory or a separately sold USB ash drive. (p. 41)
MIDI
Sequencer
Local Control
Sound Generator
USB MIDI
In
USB MIDI
Out
48
Various Settings (Function Mode)
Indication Value Explanation
USB Drv
Changing the USB Driver Settings (USB Driver)
Normally, you don’t need to install a driver in order to connect the unit to your computer. However, if some problem occurs, or if
the performance is poor, using the Roland original driver may solve the problem.
In this case, set the unit’s “USB Driver” setting to “ORG, and then install the driver in your computer.
After changing this setting, you need to turn o the unit, then turn it back on again.
MEMO
This setting is automatically saved in the unit.
For details on downloading and installing the Roland original driver, refer to the Roland website.
Roland website:
http://www.roland.com/
GEN Choose this if you want to use the generic USB driver that was included with your computer. Normally, you should use this mode.
ORG Choose this if you want to use a USB driver downloaded from the Roland website.
USB Mode
Changing the USB ash drive Setting (USB Memory Mode)
In some cases, when USB ash drive is connected to the USB memory port, it may take longer for data to be loaded, or data may fail to be loaded
successfully. If this occurs, you may be able to solve the problem by changing the USB ash drive setting.
When the unit left the factory, this was set to “2” Normally, there is no need to make this setting.
After changing this setting, you need to turn o the unit, then turn it back on again.
MEMO
This setting is automatically saved in the unit.
1, 2
VC Mode
Controlling Video Equipment (Visual Control Mode)
Visual Control is a function that lets you control images along with your performance. If you’ve set Visual Control mode to MVC or VLNK, playing the
keyboard of unit will control the images produced by the Visual Control device connected to unit using a USB cable.
OFF Visual Control is o.
MVC MIDI Visual Control mode is selected.
VLNK V-LINK mode is selected.
VC Ch (*1)
Specifying the Visual Control Channel
Here’s how to specify the channel on which messages used to control video will be sent.
1–16 Species the MIDI channel used to transmit MIDI messages to the Visual Control device.
What is MIDI Visual Control?
MIDI Visual Control is an internationally-used recommended practice that was added to the MIDI specication so that visual
expression could be linked with musical performance. Video equipment that is compatible with MIDI Visual Control can be
connected to electronic musical instruments via MIDI in order to control video equipment in tandem with a performance.
What is V-LINK?
V-LINK is Roland’s proprietary specication that allows visual expression to be linked with musical performance.
Video equipment that is compatible with V-LINK can be connected to electronic musical instruments, making it easy
to enjoy a variety of visual eects that are linked with the performance.
Connection examples
Connect a USB cable from this unit’s USB port (p. 10) to the USB port of your Visual Control compatible device.
* You’ll need a commercially available USB cable in order to connect this unit to a device that supports Visual Control.
Visual control function chart
Playing the lowest 12 keys of this unit (A0–G#1) will transmit the following MIDI messages.
Visual Control function Transmitted MIDI message Unit’s operation
Switch images
CC 0 (Bank Select): 0–4 Play black keys
Program Change: 1–7 Play white keys
MEMO
(*1) This parameter can be saved by the “Memory Backup operation (p. 39).
49
Operation Guide Panel Descriptions Before You Play Performing Practicing
Convenient Functions
Appendix
Function Mode
Various Settings (Function Mode)
Indication Value Explanation
Wireless
Wireless LAN Function Settings
You can view or edit the wireless settings (p. 44).
VolLimit (*1)
Specifying the Maximum Volume (Volume Limit)
You can specify the maximum volume setting. This will prevent undesirably high volumes even if the [Volume] slider are operated unintentionally.
20, 40, 60 ,80, 100
Auto O
Making the Power Automatically Turn O After a Time (Auto O)
With the factory settings, the unit’s power will automatically be switched o 30 minutes after you stop playing or operating the unit.
If you don’t want the power to turn o automatically, change the Auto O setting to “OFF” as follows. (p. 39)
MEMO
This setting is automatically saved in the unit.
Backup
Storing Your Settings (Memory Backup)
The unit’s settings will return to their default settings when you turn o the power, but you can store these settings so that they will retain the
changes you made even after the power is turned o, then on again. (p. 39)
FctReset
Restoring the Factory Settings (Factory Reset)
When you execute the “Factory Reset” function, the settings you’ve edited in Function mode will be restored to their factory-set state. (p. 39)
MEMO
(*1) This parameter can be saved by the “Memory Backup operation (p. 39).
50
Symptom Cause/Action Page
Even though you’re using head-
phones and the sound is muted,
a thumping sound is heard when
you play the keyboard
The unit uses a hammer action keyboard in order to simulate an acoustic piano’s playing touch as realistically as possible. For
this reason, you’ll hear the hammers thump when you play the keyboard, just as you would when playing an acoustic piano.
Since this unit allows you to adjust its volume, you might notice the sound of the hammers in certain situations, but this does
not indicate a malfunction. If vibration transmitted to the oor or walls is a concern, you may be able to minimize the vibration
by moving the piano away from the wall, or by laying down a commercially available anti-vibration mat designed for use with
pianos.
Power turns o on its own
When 30 minutes have elapsed since you last played or operated this unit, the power will turn o automatically. (This is the
factory setting).
If you don’t need the power to turn o automatically, turn the “Auto O setting “OFF.
p. 39
Power does not turn on
Is the AC adaptor connected correctly? p. 63
Could the power have been turned o by the auto-o function?
If you want to turn on the power after the auto-o function has turned it o, operate the [Power] switch to turn the power on
again.
p. 39
Nothing appears in the display
Since the unit uses a liquid-crystal display, you may nd that it is unable to display letters or other things in environments where
temperatures go below 0 degrees Celsius (32 degrees Fahrenheit).
Can’t perform operations Could Panel Lock be activated? Disengage the Panel Lock setting. p. 42
Pedal does not work, or is “stuck”
Is the pedal connected correctly?
Plug the cable rmly into the pedal connector.
p. 63
If you disconnect the pedal cord from the unit while the power is on, the pedal eect may remain “stuck” in the On condition.
You must power-o the unit before connecting or disconnecting the pedal cord.
p. 63
Could you have changed how the pedal eect is applied?
If the damper pedal part is set to “R, the pedal will apply only to the right tone; if it is set to “L, the pedal will apply only to the left
tone.
p. 48
Could Twin Piano be turned on?
If Twin Piano is on, the right pedal will aect only the right-hand keyboard zone and the left pedal will aect only the left-hand
keyboard zone.
p. 20
Could you have changed the function of the pedal?
If you’ve reassigned the function of the center pedal, this pedal will not operate as the sostenuto pedal.
p. 48
Unable to read from/write to USB
ash drive
Are you using (optional) Roland USB ash drive?
Reliable performance cannot be guaranteed if you use non-Roland USB ash drive products.
If you are unable to read or write USB ash drive successfully, change the USB memory mode. p. 49
“Buzz” is heard from external
devices
Are the external devices connected to more than one AC power outlet?
If you connect external devices, be sure to connect them to the same AC outlet.
The volume level of the instru-
ment connected to Input jack is
too low.
Raise the volume of the connected device.
Could you be using a connection cable that contains a resistor?
Use a connection cable that does not contain a resistor.
No sound
No sound
Could the unit’s volume or the volume of the connected equipment be turned down? p. 6, p. 13
Could headphones be connected?
Could there be a plug inserted in a headphone jack?
The speakers will not produce sound if headphones or plug are connected to the headphone jacks.
p. 11
Has Local Control been set to “OFF”?
When Local Control is set to “OFF, no sound is produced by playing the keyboard. Set Local Control to “ON.
p. 48
No sound when you play back
a song
Has Local Control been set to “OFF”?
When Local Control is set to “OFF, no sound is produced by playing the song. Set Local Control to “ON.
p. 48
Could the Song Balance be set to “0”? p. 25
No sound from the left most
notes of the keyboard
Could the Visual Control mode be set to “MVC” or VLNK”?
If the Visual Control mode is set to “MVC or VLNK, the lowest 12 keys of the keyboard (A0–G#1) are used to control images; they
will not produce sound.
p. 49
Notes don’t sound right
Pitch of the keyboard or song is
incorrect
Could you have made Transpose settings?
p. 21
p. 35
Is the Master Tune setting appropriate? p. 46
Is the setting for the Temperament correct? p. 46
If stretch tuning is “ON, the piano will be tuned in a unique way; notes in the pianos upper range will be tuned slightly sharper,
while notes in the lower range will be tuned slightly lower. For this reason, certain pitches may seem to be o, but this is actually
the way that an acoustic piano should sound.
p. 47
Not all the notes you play are
sounded
The maximum simultaneous polyphony is 128 voices. If you’re using Dual Play, or playing along with a song, or making heavy
use of the damper pedal, the number of notes being requested by the performance data may exceed the maximum available
polyphony, causing notes to drop out.
Sounds are heard twice (doubled)
when the keyboard is played
Is the unit in Dual play? p. 15
When the unit is connected to an external sequencer, set the Local Control to o. Alternatively, the sequencer could be set so its
Soft Thru feature is O.
p. 48
Eect does not apply
When you are using Dual play or Split play, and dierent eects are specied for the two selected tones, the eect will not be
applied to Tone 2 (when using Dual play) or the left-hand tone (when using Split play).
Reverberation remains even if You
defeat the Ambience eect
The unit’s piano sound faithfully simulates the depth and resonance of an acoustic piano, and this may give the impression of
reverberation even if you’ve defeated the Ambience eect.
Also, you may be able to eliminate some reverberation by reducing the value set for “Cabinet Resonance.
p. 47
The sound of the higher notes
suddenly changes from a certain
key
On an acoustic piano, the approximately one and a half octaves of notes at the top of the keyboard will continue sounding
regardless of the damper pedal. These notes also have a somewhat dierent tonal character. The unit faithfully simulate this
characteristic of acoustic pianos. On the unit, the range that is unaected by the damper pedal will change according to the key
transpose setting.
Troubleshooting
51
Operation Guide Panel Descriptions Before You Play Performing Practicing
Convenient Functions
Appendix
Function Mode
Troubleshooting
Symptom Cause/Action Page
High-pitched ringing is heard
If you hear this in headphones:
Piano sounds that have a brilliant and crisp character contain substantial high-frequency components that may sound as though
a metallic ringing has been added. This is because the character of an actual piano is being faithfully reproduced, and is not a
malfunction.
This sound can be adjusted by modifying the following settings.
String Resonance (p. 47)
Ambience (p. 18)
If you don’t hear this in headphones:
It is likely that there is some other reason (such as resonances within the unit). Please contact your dealer or a nearby Roland
service center.
Low notes sound wrong, or are
buzzy
If you set the volume to the maximum setting, the sound may be distorted depending on how you perform.
If this occurs, turn down the volume.
If you don’t hear this in headphones:
Performing at high volumes may cause the speakers or objects near the unit to resonate. Fluorescent lights or glass doors may
also resonate sympathetically. In particular, this is more likely to occur for lower notes and higher volumes. You can take the
following measures to minimize resonances.
Locate the speakers 10–15 cm (4–6 inch) away from walls or other surfaces.
Keep the volume down.
Move away from the objects that are resonating.
If you hear this in headphones:
It is likely that there is some other reason. Please contact your dealer or a nearby Roland service center.
Song does not play correctly
Only the sound of a particular
instrument in a song does not
play
Could a part be muted?
If the button indicator is out, the music on that part is not heard. Press the part button so the indicator is illuminated.
p. 26
Sound is heard from a muted part
Could the part mute volume be set to other than “0”?
If you set this to “0, the sound of a muted part will be completely inaudible.
p. 27
Song volume is low /
Volume diers between recording
and playback
Could the Song Balance volume be lowered? p. 25
Can’t play back a song saved in
USB ash drive
Could the Audio les of the format be played?
Audio les of the following format can be played back.
File extension .WAV”
16-bit linear
“44.1 kHz” sampling rate
p. 24
Is the lename extension “MID”?
Files with other lename extensions cannot be handled as song data.
Song tempo becomes unstable When playing a song from USB ash drive, the tempo may become unstable if there is an excessive amount of performance data.
Song name in USB ash drive is
not shown
The song name will not be shown if the song information in the le is empty or consists only of spaces.
Is the lename extension “MID”?
Files with other lename extensions cannot be handled as song data.
Song names can consist only of English letters, numerals, certain symbols, and single-byte characters from the Japanese
syllabary; the unit is unable to correctly display the name if other characters are used.
Can’t record / play back
Can’t record SMF Has one of the part buttons for recording been selected? p. 29
Can’t record audio Is a USB ash drive connected to the USB memory port?
The recorded performance
disappeared
Your recorded performance will disappear if you switch o the unit’s power or select a song.
There is no way to recover the lost performance. Before you turn o the power, save your recorded performance in the internal
memory or the USB ash drive.
Problems when connecting to a wireless LAN
Can’t connect to a wireless LAN
access point
Make sure that your wireless LAN access point supports WPS.
If your wireless LAN access point does not support WPS, you can connect using the procedure described in “Connecting to a
Wireless LAN Access Point That You Select (Select AP)” (p. 44).
The 802.11a/b wireless standard is not supported. Please use the 802.11g/n (2.4 GHz) wireless standard.
The WEP authentication method is not supported. Please use the WPA or WPA2 authentication method.
Make sure that DHCP is enabled for your wireless LAN access point.
If you don’t get connected to the previously-connected wireless LAN access point when you turn on the unit, check and make
sure the setting described in “Connecting in Ad-Hoc Mode” (p. 45) is OFF.
The connection might not occur successfully due to the state of the radio signal. If so, use the procedure described in “Connect-
ing to a Wireless LAN Access Point That You Select (Select AP)” (p. 44), and select your wireless LAN access point and reconnect.
There is a limit to the connection data that can be remembered. Making a new connection may cause older connection data to
be deleted.
All connection data will be deleted if you execute a factory reset.
If the connection data has been deleted, please re-connect to the wireless LAN access point.
p. 43–p. 45
The display indicates “Error 46,
and can’t connect to the wireless
LAN access point
This Access Point is not supported. Please use the WPA or WPA2 authentication method.
Communication is unstable
Communication may be unstable depending on the usage of the radio frequency spectrum.
If communication is unstable, the response may be sluggish, or if using audio communication, there may be dropouts in the
audio.
The following actions may improve the situation.
Move the wireless LAN access point and the unit closer to each other.
Change the channel setting of the wireless LAN access point.
52
Error Messages
Indication Meaning
Error 1 You can only read the music le. It can not be saved.
Error 2
An error occurred during writing. The external media may be corrupted.
Insert other external media and try again. Alternatively, you can initialize the external media.
The external media’s protect tab may be in the “Protect” (writing prohibited) position may not yet be initialized.
Error 10 No external media is inserted. Insert the external media and try again.
Error 11
There is not sucient free memory in the save destination.
Either insert other external media or delete unneeded les and try again.
Error 14
An error occurred during reading. The external media may be corrupted.
Insert other external media and try again. Alternatively, you can initialize the external media.
Error 15 The le is unreadable. The data format is not compatible with the unit.
Error 16
Data was not called up in time for playback of the song. After waiting several seconds, you may be able to play back the song by pressing the [
]
(Play/Stop) button again.
Error 18
This audio format is not supported.
Please use 44.1 kHz 16-bit linear WAV format audio les.
Error 30 The internal memory capacity of the unit is full.
Error 40
The unit cannot deal with the excessive MIDI data sent from the USB MIDI.
Reduce the amount of MIDI data sent to the unit.
Error 43 A MIDI transmission error has occurred. Check the connected USB MIDI device.
Error 46 This Access Point is not supported. Please use the WPA or WPA2 authentication method (p. 43–p. 45).
Error 51
There may be a problem with the system. Repeat the procedure from the beginning. If it is not solved after you have tried several times, contact the Roland
service center.
Error 65 The USB memory port was subjected to excessive current. Make sure that there is no problem with the external media, then turn the power o, then on again.
* External Media: USB ash drive
Symptom Cause/Action Page
The unit is not found in the
instrument connections of
the app (such as the iPad app
Piano Partner)
Is the unit powered up?
Is the wireless USB adapter (WNA1100-RL) inserted to the unit?
Is the unit connected to the wireless LAN?
Are the unit and the iPad connected to the same network (the same wireless LAN access point)?
Is the wireless LAN access point set to allow communication between wireless LAN devices?
For details on settings, refer to the owner’s manual of your wireless LAN access point.
p. 43–p. 45
Your iPad won’t connect to the
Internet
Is the wireless LAN access point connected to the Internet?
Could you be connected in Ad-Hoc mode?
The iPad or other wireless device connected in Ad-Hoc mode will be unable to communicate with the Internet or with another
wireless device. However, an iPad or other wireless device that has cellular capability will be able to connect to the Internet
via the cellular connection. Please be aware that if you use a cellular connection for Internet connectivity, you may incur costs
depending on your rate plan.
Limitations regarding audio les
Ambience will not be applied to audio les (p. 18).
The Part Mute function cannot be used when playing audio les (p. 26).
Audio data cannot be saved in the unit’s internal memory. In order to record audio, you must connect a USB ash drive (separately sold) (p. 29, p. 33, p. 34).
You can’t rename an audio le (p. 38).
Audio les cannot be copied (p. 40).
53
Operation Guide Panel Descriptions Before You Play Performing Practicing
Convenient Functions
Appendix
Function Mode
Piano–Grand
No. Tone Name Explanation
1 Concert
The sound of a splendid concert grand piano. This piano sound has our highest recommendation, and can be used for any style of
music.
2 Ballade A mellow grand piano sound, recommended for quiet songs.
3 Bright A brilliant grand piano sound, recommended when you want the piano to stand out in an ensemble.
4 Magical A charming sound that layers synth bells with Concert.
5 Pno+Str Strings layered with Concert.
6 Pno+Pad A pad layered with Concert.
7 Pno+Cho A choir layered with Concert.
8 Pure Pno A grand piano sound notable for its clarity. When using headphones, this will sound the same as the Concert (Concert Piano).
9 FortePno An early type of piano with a distinctive sound that’s somewhat dierent than today’s pianos.
10 MlwForte A mellow FortePno (Forte Piano) sound.
11 BrtForte A brilliant FortePno (Forte Piano) sound.
12 Dolcechd A dream-like sound that can sound like a piano or a harpsichord.
13 Harpsi A type of keyboard instrument widely used in Baroque music, producing a delicate sound.
14 Hpsd 8+4 The sound of a harpsichord layered with sound an higher octave.
Piano–Upright
No. Tone Name Explanation
1 Upright The sound of an upright piano. The sound will feel closer to you.
2 MellowUp A mellow upright piano sound.
3 BrightUp A brilliant upright piano sound.
4 Rock Pno A robust piano sound, recommended for boogie-woogie playing.
5 Ragtime A honky-tonk piano sound, recommended for ragtime playing.
Tone List
E. Piano
No. Tone Name
1 Trem EP
2 Pop EP
3 Vint EP
4 FM EP
5 EP Belle
6 '60s EP
7 Clav.
8 Stg Phsr
9 '70s EP
10 E.Grand
Strings
No. Tone Name
1 SymphStr
2 Epic Str
3 Rich Str
4 Orch Str
5 Orchstra
6 Cham Win
7 Harp
8 Violin
9 Velo Str
10 Flute
11 Cello
12 Orch Brs
13 Pizz Str
14 Decy Str *
* Tones indicated by “*” are suitable for
playing layered with a piano tone.
Other
No. Tone Name
1 Vib
2 Celesta
3 Jz Scat
4 SymphCho
5 Pipe Org
6 Nasn Flt
7 Jazz Org
8 Balad Or
9 Soft Pad
10 Harpvox
11 Nylon Gt
12 Steel Gt
13 Marimba
14 Mlt Isle
15 Mrng Lit
16 Balad Bl
17 Acordion
18 Church 1
19 Church 2
20 Aerl Cho
21 Angl Cho
22 Beau Vox
23 Fem Aahs
24 Male Aah
25 Decy Cho *
No. Tone Name
26 Thum Vo
27 Gspl Spn
28 Full Stp
29 Melw Bar
30 Lite Org
31 Lowr Org
32 ‘60s Org
33 Glas Pad
34 Lunr Str
35 Dcy C.Pd *
36 Jazz Gt
37 Ac. Bass
38 Bass+Cym
39 Fingr Bs
40 Brs Sect
41 Alto Sax
42 Ten Sax
* Tones numbered 43 and higher are
accompaniment-use GM2 tones.
* In the tone group “Other when you
hold down the [–] [+] buttons to switch
tone in succession, the tones will stop
changing at number 43 and number
52.
* To select the next sound, release the [–]
[+] buttons, then press it again.
54
Internal Song List
No. Song Title Composer
MASTERPIECE
a.001
The Nutcracker "Danse des
Mirlitons"
Peter Ilyich Tchaikovsky
a.002
The Marriage of Figaro
"Overture"
Wolfgang Amadeus Mozart
a.003 Barcarolle Fryderyk Franciszek Chopin
a.004 Zhavoronok
Mikhail Ivanovich Glinka, Arranged by
Mily Alexeyevich Balakirev
a.005 Floral Pursuits Léo Delibes, Arranged by John Maul
a.006 Sonate für Klavier Nr.23 1 Ludwig van Beethoven
a.007 Sonate für Klavier Nr.23 2 Ludwig van Beethoven
a.008 Sonate für Klavier Nr.23 3 Ludwig van Beethoven
a.009 Valse, op.34-1 Fryderyk Franciszek Chopin
a.010 Polonaise op.53 Fryderyk Franciszek Chopin
a.011 Nocturne No.20 Fryderyk Franciszek Chopin
a.012 Die Forelle
Franz Peter Schubert, Arranged by
Franz Liszt
a.013 Reets dans l'Eau Claude Achille Debussy
a.014 La Fille aux Cheveux de Lin Claude Achille Debussy
a.015 La Campanella Franz Liszt
a.016 Scherzo No.2 Fryderyk Franciszek Chopin
a.017 Étude, op.10-12 Fryderyk Franciszek Chopin
a.018 Sonate No.15 Wolfgang Amadeus Mozart
a.019 Liebesträume 3 Franz Liszt
a.020 Étude, op.10-3 Fryderyk Franciszek Chopin
a.021 Je te veux Erik Satie
a.022 Valse, op.64-1 Fryderyk Franciszek Chopin
a.023 Golliwog's Cakewalk Claude Achille Debussy
a.024 Fantaisie-Impromptu Fryderyk Franciszek Chopin
a.025 Arabesque 1 Claude Achille Debussy
a.026 An der schönen, blauen Donau Johann Strauss, Sohn
a.027 Auf Flügeln des Gesanges Felix Mendelssohn
a.028 Mazurka No.5 Fryderyk Franciszek Chopin
a.029 Gymnopédie 1 Erik Satie
a.030 Étude, op.25-1 Fryderyk Franciszek Chopin
a.031 Clair de Lune Claude Achille Debussy
a.032 Étude, op.10-5 Fryderyk Franciszek Chopin
a.033 Dr. Gradus ad Parnassum Claude Achille Debussy
a.034 Grande Valse Brillante Fryderyk Franciszek Chopin
a.035 La prière d'une Vierge Tekla Badarzewska
a.036 Course en Troïka Peter Ilyich Tchaikovsky
a.037 To The Spring Edvard Hagerup Grieg
a.038 Valse, op.64-2 Fryderyk Franciszek Chopin
a.039 Radetzky Marsch Johann Baptist Strauss
a.040 Träumerei Robert Alexander Schumann
a.041 Moments Musicaux 3 Franz Peter Schubert
a.042 Prélude, op.28-15 Fryderyk Franciszek Chopin
a.043 Harmonious Blacksmith Georg Friedrich Händel
a.044 Ungarische Tänze 5 Johannes Brahms
a.045 Türkischer Marsch Ludwig van Beethoven
a.046 Nocturne No.2 Fryderyk Franciszek Chopin
a.047 Frühlingslied Felix Mendelssohn
a.048 Präludium Johann Sebastian Bach
a.049 Jägerlied Felix Mendelssohn
a.050 Passepied Claude Achille Debussy
a.051 Für Elise Ludwig van Beethoven
a.052 Türkischer Marsch Wolfgang Amadeus Mozart
a.053 Ständchen Franz Peter Schubert
No. Song Title Composer
a.054 Humoreske Antonín Dvořák
a.055 Blumenlied Gustav Lange
a.056 Alpenglöckchen Theodor Oesten
a.057 Menuett G dur Ludwig van Beethoven
a.058 Venezianisches Gondellied Felix Mendelssohn
a.059 Alpenabendröte Theodor Oesten
a.060 Farewell to the Piano Ludwig van Beethoven
a.061 Brautchor Wilhelm Richard Wagner
a.062 Forget-Me-Not Heinrich Lichner
a.063 Wiener Marsch Carl Czerny
a.064 Le Coucou Louis Claude Daquin
a.065 Menuett G dur Johann Sebastian Bach
a.066 Spinnerlied Albert Ellmenreich
a.067 Gavotte François Joseph Gossec
a.068 Heidenröslein Gustav Lange
a.069 Zigeuner Tanz Heinrich Lichner
a.070 La Cinquantaine Gabriel Marie
a.071 Csikos Post Hermann Necke
a.072 Dolly's Dreaming Awakening Theodor Oesten
a.073 La Violette Louis Streabbog
a.074 Fröhlicher Landmann Robert Alexander Schumann
a.075 Sonatine op.36-1 Muzio Clementi
a.076 Sonatine op.20-1 Friedrich Kuhlau
a.077 Sonatine No.5 Ludwig van Beethoven
SELECTIONS
A.001 Triumphal March from Aida Giuseppe Verdi
A.002 Ninna Nanna Johannes Brahms
A.003 Papagenos Aria Wolfgang Amadeus Mozart
A.004 The Spring Antonio Lucio Vivaldi
A.005 Polovtsian Dances Alexander Borodin
A.006 Air on the G String Johann Sebastian Bach
A.007 Cucaracha Mexican Popular Song
A.008 Samba Lelè Brazilian Popular Child Song
A.009 Old MacDonald Had a Farm Popular Child Song
A.010 When the Saints Go Marching in Popular Song
CZERNY 100
b.001
–b.100
Czerny 100 Carl Czerny
HANON
C.001
–C.020
Hanon 1–20 Charles Hanon
* All rights reserved. Unauthorized use of this material for purposes other than
private, personal enjoyment is a violation of applicable laws.
* No data for the music that is played will be output from USB Computer port.
* The copyrights to the songs marked by an asterisk “*” are owned by the Roland
Corporation.
* MASTERPIECE 3–4, 6–17 are piano solos. They have no accompaniment.
55
Operation Guide Panel Descriptions Before You Play Performing Practicing
Convenient Functions
Appendix
Function Mode
Main Specications
Keyboard
Keyboard
DP90e: 88 keys (PHA-4 Premium Keyboard: with Escapement
and Ivory Feel)
DP90Se: 88 keys (PHA-4 Concert Keyboard: with Escapement
and Ebony/Ivory Feel)
Touch Sensitivity Key Touch: 5 types, xed touch
Keyboard Mode
Whole
Dual (volume balance adjustable)
Split (split point adjustable)
Twin Piano
Pedals
Pedals
Damper (Progressive Damper Action Pedal, capable of
continuous detection)
Soft (capable of continuous detection)
Sostenuto (function assignable)
Sound Generator
Piano Sound SuperNATURAL Piano Sound
MIDI Format Conforms to GM2, GS, XGlite
Max. Polyphony 128 voices
Tones
Grand Piano: 14 Tones
Upright Piano: 5 Tones
E. Piano: 10 Tones
Strings: 14 Tones
Other: 307 Tones (including 8 drum sets, 1 SFX set)
Temperaments 8 types, selectable temperament key
Individual Note
Voicing (adjustable in
individual notes)
Stretched Tuning: -50.0–+50.0 cent
Note Volume: -50–0
Note Character: -5–+5
Master Tuning 415.3–466.2 Hz (adjustable in increments of 0.1 Hz)
Transpose
Key Transpose: -6–+5 (in semitones)
Playback Transpose: -6–+5 (in semitones, including audio les)
Eects
Ambience (O, 10 levels)
Brilliance (O, 21 levels)
Only for Piano Tones (Piano Designer):
Damper Resonance (O, 10 levels)
String Resonance (O, 10 levels)
Key O Resonance (O, 10 levels)
Cabinet Resonance (O, 10 levels)
Duplex Scale (O, 10 levels)
Dynemic Harmonic (O, 10 levels)
Soundboard Behavior (O, 10 levels)
Only for Organ Tones:
Rotary Speaker Eect (Slow/Fast)
Metronome
Tempo Quarter note = 10–500
Beat 2/2, 0/4, 2/4, 3/4, 4/4, 5/4, 6/4, 7/4, 3/8, 6/8, 9/8, 12/8
Volume 11 levels
SMF Recorder
Parts 3 parts
Save Song Standard MIDI Files (Format 0)
Note Storage Approx. 30,000 notes
Controls
Song Select, Play/Stop, Rec, Rewinding, Fast-forwarding, Top of
song, Part Mute, Mute Volume, Tempo, Tempo Mute, All Songs
Play, Count-in, Song Balance, AB Repeat
Tempo Quarter note = 10–500
Resolution 120 ticks per quarter note
Audio
Playback File Format: Audio File (WAV 44.1 kHz, 16-bit linear format)
Recording
Keyboard, SMF data
File Format: Audio File (WAV 44.1 kHz, 16-bit linear format)
Transpose Playback Transpose: -6–+5 (in semitones)
Playback Speed 75–125%
Controls
Song Select, Play/Stop, Rec, Rewinding, Fast-forwarding, Top of
song, Playback Speed, All Songs Play, Song Balance, AB Repeat,
Center Cancel
Internal Memory
Save Song Standard MIDI Files (Format 0)
Songs Max. 99 songs
External Memory
External Storage USB Flash Memory
Playable Software
Standard MIDI Files (Format 0, 1)
Roland Original Format (i-Format)
Audio File (WAV, 44.1 kHz, 16-bit linear format)
Save Song
Standard MIDI Files (Format 0)
Audio File (WAV, 44.1 kHz, 16-bit linear format)
Other
Internal Songs
Piano Masterpieces: 77 songs
Selection: EU= 10 songs/ US= 18 songs/ Other= 10 songs
Hanon: 20 songs
Czerny #100: 100 songs
Display
16 segments x 4 (LED), 8 characters (backlit LCD)
Beat Indicator
Language English
Music Rest Folding music rest
Keyboard Lid Soft-fall fallboard
Other Functions
Wireless Connect (when using optional Wireless USB Adapter)
Panel Lock
Auto O
V-LINK
MIDI Visual Control
Demo
Connectors
DC In jack
Input jack: Stereo miniature phone type
Output (L/Mono, R) jacks: 1/4-inch phone type
USB COMPUTER port: USB Type B
USB MEMORY port: USB Type A
Phones jacks (Stereo, with Twin Piano Individual Mode) x 2:
Stereo miniature phone type, Stereo 1/4-inch phone type
Rated Power Output 12 W x 2
Volume Level (SPL)
110 dB
* This value was measured according to the method that is
based on Roland’s technical standard.
Speakers 12 cm (4-3/4 inches) x 2
Headphones Eects: Headphones 3D Ambience
Control
Volume (Slider, with the speaker volume and the headphones
volume automatically select function, with the volume limit
function)
Power Consumption
10 W (5–33 W)
10 W: Average power consumption while piano is played
with volume at center position
5 W: Power consumption immediately after power-up;
nothing being played
33 W: Rated power consumption
Dimensions
(including piano stand)
(with lid close)
1,398 (W) x 344 (D) x 781 (H) mm
55-1/16 (W) x 13-9/16 (D) x 30-3/4 (H) inches
(with lid open)
1,398 (W) x 339 (D) x 974 (H) mm
55-1/16 (W) x 13-3/8 (D) x 38-3/8 (H) inches
* Measurements include stabilizer components attached.
Weight
(including piano stand)
DP90e: 46.1 kg/101 lbs 10 oz
DP90Se: 47.4 kg/104 lbs 8 oz
Accessories
Owners manual
Assembly manual
AC Adaptor
Power Cord (for AC Adaptor)
Headphone hook
Screw set
Stabilizer
Options
(sold separately)
Headphones
USB Flash Memory (*1)
Wireless USB Adapter (*1)
Audio Cable
*1 Use USB Flash Memory and Wireless USB Adapter sold by
Roland. We cannot guarantee operation if other products
are used.
* In the interest of product improvement, the specications and/
or appearance of this unit are subject to change without prior
notice.
Roland DP90e
DP90Se: Digital Piano
56
MEMO
57
Operation Guide Panel Descriptions Before You Play Performing Practicing
Convenient Functions
Appendix
Function Mode
USING THE UNIT SAFELY
WARNING
Do not disassemble or modify by yourself
Do not open (or modify in any way) the
unit or its AC adaptor.
Do not repair or replace parts by yourself
Do not attempt to repair the unit, or
replace parts within it (except when this
manual provides specic instructions
directing you to do so). Refer all servicing
to your retailer, the nearest Roland
Service Center, or an authorized Roland
distributor, as listed on the “Information
page.
Do not use or store in the following types of locations
Subject to temperature extremes (e.g.,
direct sunlight in an enclosed vehicle,
near a heating duct, on top of heat-
generating equipment); or are
Damp (e.g., baths, washrooms, on wet
oors); or are
Exposed to steam or smoke; or are
Subject to salt exposure; or are
Humid; or are
Exposed to rain; or are
Dusty or sandy; or are
Subject to high levels of vibration and
shakiness.
Do not place in an unstable location
Make sure you always have the unit
placed so it is level and sure to remain
stable. Never place it on stands that could
wobble, or on inclined surfaces.
Use only the supplied AC adaptor and the correct
voltage
Be sure to use only the AC adaptor
included with the unit. Also, make sure
the line voltage at the installation matches
the input voltage specied on the AC
adaptor’s body. Other AC adaptors may
use a dierent polarity, or be designed
for a dierent voltage, so their use could
result in damage, malfunction, or electric
shock.
Use only the included power cord
Use only the attached power-supply cord.
Also, the included power cord must not be
used with any other device.
WARNING
Do not bend the power cord or place heavy objects
on it
Do not excessively twist or bend the
power cord, nor place heavy objects on it.
Doing so can damage the cord, producing
severed elements and short circuits.
Damaged cords are re and shock hazards!
Avoid extended use at high volume
This unit, either alone or in combination
with an amplier and headphones or
speakers, may be capable of producing
sound levels that could cause permanent
hearing loss. Do not operate for a long
period of time at a high volume level, or
at a level that is uncomfortable. If you
experience any hearing loss or ringing
in the ears, you should immediately stop
using the unit, and consult an audiologist.
Don’t allow foreign objects or liquids to enter unit;
never place containers with liquid on unit
Do not place containers containing liquid
(e.g., ower vases) on this product. Never
allow foreign objects (e.g., ammable
objects, coins, wires) or liquids (e.g., water
or juice) to enter this product. Doing so
may cause short circuits, faulty operation,
or other malfunctions.
Turn o the unit if an abnormality or malfunction
occurs
Immediately turn the unit o, remove the
AC adaptor from the outlet, and request
servicing by your retailer, the nearest
Roland Service Center, or an authorized
Roland distributor, as listed on the
“Information page when:
The AC adaptor, the power-supply cord,
or the plug has been damaged; or
If smoke or unusual odor occurs
Objects have fallen into, or liquid has
been spilled onto the unit; or
The unit has been exposed to rain (or
otherwise has become wet); or
The unit does not appear to operate
normally or exhibits a marked change in
performance.
WARNING
Adults must provide supervision in places where
children are present
When using the unit in locations where
children are present, be careful so no
mishandling of the unit can take place. An
adult should always be on hand to provide
supervision and guidance.
Do not drop or subject to strong impact
Protect the unit from strong impact.
(Do not drop it!)
Do not share an outlet with an unreasonable number
of other devices
Do not force the unit’s power-supply cord
to share an outlet with an unreasonable
number of other devices. Be especially
careful when using extension cords—the
total power used by all devices you have
connected to the extension cord’s outlet
must never exceed the power rating
(watts/amperes) for the extension cord.
Excessive loads can cause the insulation
on the cord to heat up and eventually
melt through.
Do not use overseas
Before using the unit in a foreign country,
consult with your retailer, the nearest
Roland Service Center, or an authorized
Roland distributor, as listed on the
“Information page.
Used for instructions intended to alert the
user to the risk of injury or material
damage should the unit be used
improperly.
* Material damage refers to damage or
other adverse effects caused with
respect to the home and all its
furnishings, as well to domestic animals
or pets.
Used for instructions intended to alert the
user to the risk of death or severe injury
should the unit be used improperly.
The symbol alerts the user to things that must be
carried out. The specific thing that must be done is
indicated by the design contained within the circle. In the
case of the symbol at left, it means that the power-cord
plug must be unplugged from the outlet.
The symbol alerts the user to important instructions or
warnings.The specific meaning of the symbol is
determined by the design contained within the triangle. In
the case of the symbol at left, it is used for general
cautions, warnings, or alerts to danger.
The symbol alerts the user to items that must never be
carried out (are forbidden). The specific thing that must
not be done is indicated by the design contained within
the circle. In the case of the symbol at left, it means that
the unit must never be disassembled.
About WARNING and CAUTION Notices
About the Symbols
ALWAYS OBSERVE THE FOLLOWING
58
USING THE UNIT SAFELY
CAUTION
Place in a well ventilated location
The unit and the AC adaptor should be
located so their location or position does
not interfere with their proper ventilation.
Grasp the plug when connecting or disconnecting the
AC adaptor
Always grasp only the plug on the AC
adaptor cord when plugging into, or
unplugging from, an outlet or this unit.
Periodically clean the AC adaptors plug
At regular intervals, you should unplug
the AC adaptor and clean it by using
a dry cloth to wipe all dust and other
accumulations away from its prongs.
Also, disconnect the power plug from
the power outlet whenever the unit is to
remain unused for an extended period of
time. Any accumulation of dust between
the power plug and the power outlet can
result in poor insulation and lead to re.
Manage cables for safety
Try to prevent cords and cables from
becoming entangled. Also, all cords and
cables should be placed so they are out of
the reach of children.
Avoid climbing on top of the unit, or placing heavy
objects on it
Never climb on top of, nor place heavy
objects on the unit.
Do not connect or disconnect the AC adaptor with wet
hands
Never handle the AC adaptor or its plugs
with wet hands when plugging into, or
unplugging from, an outlet or this unit.
Cautions when moving this unit
If you need to move the instrument, take
note of the precautions listed below. At
least two persons are required to safely lift
and move the unit. It should be handled
carefully, all the while keeping it level.
Make sure to have a rm grip, to protect
yourself from injury and the instrument
from damage.
Check to make sure the screws securing
the unit to the stand have not become
loose. Fasten them again securely
whenever you notice any loosening.
Disconnect the power cord.
Disconnect all cords coming from
external devices.
Fold down the music rest.
Close the lid.
Unplug the AC adaptor from the outlet before
cleaning
Before cleaning the unit, turn it o and
unplug the AC adaptor from the outlet
(p. 62).
CAUTION
If there is a possibility of lightning strike, disconnect
the AC adaptor from the outlet
Whenever you suspect the possibility of
lightning in your area, disconnect the AC
adaptor from the outlet.
Take care so as not to get ngers pinched by lid
Be careful when opening/closing the lid
so you do not get your ngers pinched
(p. 12). Adult supervision is recommended
whenever small children use the unit.
Precautions concerning use of bench
When using the bench, please observe the
following points:
Do not use the bench as a toy, or as a
stepping stool.
Do not allow two or more persons to sit
on the bench.
Do not adjust the height while sitting on
the bench.
Do not sit on the bench if the bolts
holding the bench legs are loose. (If the
bolts are loose, immediately re-tighten
them using the supplied tool.)
Never insert your hand into the gap (the
metal height adjustment mechanism)
under the seat lid. Doing so may cause
your hand to be pinched or injured.
Keep small items out of the reach of children
To prevent accidental ingestion of the
parts listed below, always keep them out
of the reach of small children.
Included Parts / Removable Parts:
Screws for stand assembly (p. 62)
Cord clamps (p. 62)
Handle the ground terminal carefully
If you remove the screw from the ground
terminal, be sure to replace it; don’t leave
it lying around where it could accidently
be swallowed by small children. When
refastening the screw, make that it is rmly
fastened, so it won’t come loose.
Take care not to get burned
The area shown in the illustration may
become hot, so take care to avoid burns.
Do not remove the speaker grille and speaker
Do not remove the speaker grille and
speaker by any means. Speaker not user
replaceable. Shock hazardous voltages
and currents are present inside the
enclosure.
59
Operation Guide Panel Descriptions Before You Play Performing Practicing
Convenient Functions
Appendix
Function Mode
IMPORTANT NOTES
Power Supply
Do not connect this unit to same electrical outlet
that is being used by an electrical appliance that
is controlled by an inverter or a motor (such as a
refrigerator, washing machine, microwave oven, or
air conditioner). Depending on the way in which
the electrical appliance is used, power supply noise
may cause this unit to malfunction or may produce
audible noise. If it is not practical to use a separate
electrical outlet, connect a power supply noise lter
between this unit and the electrical outlet.
The AC adaptor will begin to generate heat after
long hours of consecutive use. This is normal, and is
not a cause for concern.
To prevent malfunction and equipment failure,
always make sure to turn o the power on all your
equipment before you make any connections.
With the factory settings, the unit will automatically
be switched o 30 minutes after you stop playing
or operating the unit. If the unit’s power has been
turned o automatically, you can use the [Power]
switch to turn the unit back on again. If you don’t
want the unit to turn o automatically, change the
Auto O setting to “O as described on “Making
the Power Automatically Turn O After a Time (Auto
O)” (p. 39).
NOTE
The settings you were editing will be lost when the
unit is turned o. If you want to keep your settings,
you must save your settings before turning the unit
o.
Placement
Using the unit near power ampliers (or other
equipment containing large power transformers)
may induce hum. To alleviate the problem, change
the orientation of this unit; or move it farther away
from the source of interference.
This device may interfere with radio and television
reception. Do not use this device in the vicinity of
such receivers.
Noise may be produced if wireless communications
devices, such as cell phones, are operated in the
vicinity of this unit. Such noise could occur when
receiving or initiating a call, or while conversing.
Should you experience such problems, you should
relocate such wireless devices so they are at a greater
distance from this unit, or switch them o.
Do not expose the unit to direct sunlight, place
it near devices that radiate heat, leave it inside
an enclosed vehicle, or otherwise subject it to
temperature extremes. Also, do not allow lighting
devices that normally are used while their light
source is very close to the unit (such as a piano light),
or powerful spotlights to shine upon the same area
of the unit for extended periods of time. Excessive
heat can deform or discolor the unit.
When moved from one location to another where
the temperature and/or humidity is very dierent,
water droplets (condensation) may form inside
the unit. Damage or malfunction may result if you
attempt to use the unit in this condition. Therefore,
before using the unit, you must allow it to stand for
several hours, until the condensation has completely
evaporated.
Do not allow rubber, vinyl, or similar materials to
remain on this unit for long periods of time. Such
objects can discolor or otherwise harmfully aect
the nish.
Do not allow objects to remain on top of the
keyboard. This can be the cause of malfunction, such
as keys ceasing to produce sound.
Do not paste stickers, decals, or the like to this
instrument. Peeling such matter o the instrument
may damage the exterior nish.
Depending on the material and temperature of the
surface on which you place the unit, its rubber feet
may discolor or mar the surface.
You can place a piece of felt or cloth under the
rubber feet to prevent this from happening. If you
do so, please make sure that the unit will not slip or
move accidentally.
Do not put anything that contains water on this unit.
Also, avoid the use of insecticides, perfumes, alcohol,
nail polish, spray cans, etc., near the unit. Swiftly
wipe away any liquid that spills on the unit using a
dry, soft cloth.
Maintenance
To clean the unit, use a dry, soft cloth; or one that
is slightly dampened. Try to wipe the entire surface
using an equal amount of strength, moving the cloth
along with the grain of the wood. Rubbing too hard
in the same area can damage the nish.
Never use benzine, thinners, alcohol or solvents of
any kind, to avoid the possibility of discoloration
and/or deformation.
Since wood will expand and contract depending
on how it is used and the environment in which it is
located, products made of wood may experience a
gradual loosening of the screws over time.
To ensure that your piano remains in safe, optimal
condition, you should regularly check the tightness of
the screws in the locations shown in the illustration. If
you nd that any screws are loose, use a screwdriver to
tighten them.
Maintenance of polished-nish pianos
(Only for DP90Se)
Since your piano has a polished nish that is as
delicate as that found on nely crafted wooden
furniture, it needs careful, periodic care. A few
important suggestions concerning the proper care
of the unit follow. For dusting, using a soft, clean
cloth and/or piano-use feather duster. Be sure to
wipe gently. Even the tiniest grains of sand or grit
can leave scratches on the surface if too much force
is applied while wiping. Do not use any cleaners or
detergents, since they might deteriorate the surface
of the cabinet, and produce cracks.
If the cabinet’s surface loses its luster, wipe it
thoroughly with a soft cloth dampened with a little
of the polishing liquid. Do not use any cleaners or
detergents, since they might deteriorate the surface
of the cabinet, and produce cracks. Do not use
dusting cloths that contain chemicals.
About piano polishing liquid
Use polishing liquid as directed by the instructions
for the product.
Use only polishing liquid that is intended for use on
polished-nish pianos. Using any other polishing
liquid may cause scratches, deformation, or
discoloration. To purchase polishing liquid, contact
your nearby musical instrument dealer.
Use the polishing liquid only on the polished
surfaces of the cabinet. Always wipe the surface
with the grain using straight, even strokes. Do
not repeatedly wipe the same places using too
much pressure, since that might result in the loss
of luster.
Be sure to keep the polishing liquid out of the
reach of small children. If the polishing liquid is
accidentally swallowed, rst get them to vomit,
then take them to a doctor.
Repairs and Data
Please be aware that all data contained in the
unit’s memory may be lost when the unit is sent for
repairs. Important data should always be backed up
USB ash drives, or written down on paper (when
possible). During repairs, due care is taken to avoid
the loss of data. However, in certain cases (such
as when circuitry related to memory itself is out
of order), we regret that it may not be possible to
restore the data, and Roland assumes no liability
concerning such loss of data.
Additional Precautions
Please be aware that the contents of memory can
be irretrievably lost as a result of a malfunction,
or the improper operation of the unit. To protect
yourself against the risk of loosing important data,
we recommend that you periodically save a backup
copy of important data you have stored in the unit’s
memory on a USB ash drive.
Unfortunately, it may be impossible to restore
the contents of data that was stored in the unit’s
memory, USB ash drives once it has been lost.
Roland Corporation assumes no liability concerning
such loss of data.
Use a reasonable amount of care when using the
unit’s buttons, sliders, or other controls; and when
using its jacks and connectors. Rough handling can
lead to malfunctions.
Never strike or apply strong pressure to the display.
When disconnecting all cables, grasp the connector
itself—never pull on the cable. This way you will
avoid causing shorts, or damage to the cables
internal elements.
To avoid disturbing others nearby, try to keep the
unit’s volume at reasonable levels. You may prefer
to use headphones, so you do not need to be
concerned about those around you.
The sound of keys being struck and vibrations
produced by playing an instrument can be
transmitted through a oor or wall to an unexpected
extent. Please take care not to cause annoyance to
others nearby.
When you need to transport the unit, package it
in the box (including padding) that it came in, if
possible. Otherwise, you will need to use equivalent
packaging materials.
Do not apply undue force to the music rest while it
is in use.
Some connection cables contain resistors. Do not
use cables that incorporate resistors for connecting
to this unit. The use of such cables can cause the
sound level to be extremely low, or impossible to
hear. For information on cable specications, contact
the manufacturer of the cable.
60
IMPORTANT NOTES
When opening/closing the lid or raising/folding
down the music rest, please be careful not to get
your ngers pinched between the movable part and
the panel. In places where small children are present,
make sure that an adult provides supervision and
guidance.
Before Using External Memories
(Using Optional USB ash drive)
Do not connect or disconnect USB ash drive while
it is being read from, or written to (i.e., while the USB
ash drive access indicator will blink).
Carefully insert the USB ash drive all the way in—
until it is rmly in place.
Never touch the terminals of the USB ash drives.
Also, avoid getting the terminals dirty.
USB ash drives are constructed using precision
components; handle the USB ash drives carefully,
paying particular note to the following.
To prevent damage to the USB ash drives from
static electricity, be sure to discharge any static
electricity from your own body before handling
the USB ash drives.
Do not touch or allow metal to come into contact
with the contact portion of the USB ash drives.
Do not bend, drop, or subject USB ash drives to
strong shock or vibration.
Do not keep USB ash drives in direct sunlight, in
closed vehicles, or other such locations.
Do not allow USB ash drives to become wet.
Do not disassemble or modify the USB ash drives.
Copyrights / Licenses / Trademarks
It is forbidden by law to make an audio recording,
video recording, copy or revision of a third partys
copyrighted work (musical work, video work,
broadcast, live performance, or other work), whether
in whole or in part, and distribute, sell, lease,
perform, or broadcast it without the permission of
the copyright owner.
Do not use this product for purposes that could
infringe on a copyright held by a third party. We
assume no responsibility whatsoever with regard to
any infringements of third-party copyrights arising
through your use of this product.
The copyright of content in this product (the sound
waveform data, style data, accompaniment patterns,
phrase data, audio loops and image data) is reserved
by Roland Corporation.
Purchasers of this product are permitted to utilize
said content (except song data such as Demo
Songs) for the creating, performing, recording and
distributing original musical works.
Purchasers of this product are NOT permitted to
extract said content in original or modied form, for
the purpose of distributing recorded medium of said
content or making them available on a computer
network.
MMP (Moore Microprocessor Portfolio) refers to a
patent portfolio concerned with microprocessor
architecture, which was developed by Technology
Properties Limited (TPL). Roland has licensed this
technology from the TPL Group.
XGlite (
) is a registered trademark or a trademark
of Yamaha Corporation.
Microsoft product screen shot(s) reprinted with
permission from Microsoft Corporation.
Company names and product names appearing
in this document are registered trademarks or
trademarks of their respective owners.
Microsoft, Windows, Windows Vista, and DirectX
are either registered trademarks or trademarks of
Microsoft Corporation.
Mac OS and iTunes are either registered trademarks
or trademarks of Apple Inc.
Roland, GS, and SuperNATURAL are either registered
trademarks or trademarks of Roland Corporation in
the United States and/or other countries.
Features of an ivory feel keyboard
Traditional piano keys are made from the best materials-ivory (for
white keys) and ebony (for black keys). The Ivory Feel keyboard uses
the latest in technology to reproduce the touch and feel of these
materials.
An Ivory Feel keyboard oers the following features.
• We’re sure you’ll develop a fondness for the distinctive texture of
these keys, which feels better the more you play them.
• Surfaces incorporate stripes of moisture-absorbing material for
improved touch and playability.
• The keys feature subtle gloss and understated coloring,
enhancing the look and elegance.
• The white keys are nished with a slight yellowish tinge for the
look of real ivory.
Handling
• Do not write on the keyboard with any pen or other implement,
and do not stamp or place any marking on the instrument. Ink
will seep into the surface lines and become unremovable.
• Do not ax stickers on the keyboard. You may be unable to
remove stickers that use strong adhesives, and the adhesive
may cause discoloration.
Care and maintenance
Please note the following points. Failure to do so may result
in scratches on the surface nish, damaged gloss, or other
discoloration or deformation.
• To remove dirt, use a soft cloth.
Using a moistened and tightly wrung-out cloth, gently wipe o
any dirt.
Do not rub the surface vigorously.
• To remove stubborn dirt, use a commercially available keyboard
cleaner that does not contain abrasives.
Start by wiping lightly. If the dirt does not come o, wipe using
gradually increasing amounts of pressure while taking care not
to scratch the keys.
• Do not use benzene, paint thinner, or alcohol on the instrument.
About the Ivory Feel Keyboard
61
Operation Guide Panel Descriptions Before You Play Performing Practicing
Convenient Functions
Appendix
Function Mode
Assembling
* 5 1 0 0 0 2 8 3 8 0 - 0 2 *
Assembling the DP90/DP90S
* To ensure that you assemble this unit correctly, please read this manual carefully
before you begin assembly. Keep this manual nearby for reference when needed.
* Keep this unit horizontal when lifting it during assembly or transport.
* Be careful not to pinch your hands or drop this unit on your foot during assembly or
transport.
* You must obtain the assistance of at least one additional person when assembling or
transporting this unit.
* Keep small parts such as screws, stabilizers, and cord clamps out of the reach of small
children to ensure that these items are not swallowed accidentally.
* The screwdriver needed for assembly is not included. You’ll need have a Phillips
screwdriver on hand.
* Hand-tighten the screws  rst, and then tighten them  rmly. Start by tightening the
screws until they are approximately half hidden. Do not use a power screwdriver
when tightening the screws to their  nal position. Doing so may strip the threads.
* Tighten the screws  rmly, and place the unit at a location that is level and sure to
remain stable. Never place the unit on a shag carpet. If you do so, the pedal may be
unstable, causing damage.
* Do not place the body of the piano directly on the  oor. By doing so, you risk damag-
ing the bottom of the piano, the jacks on the bottom of the piano, and the USB case.
Copyright © 2012 ROLAND CORPORATION
All rights reserved. No part of this publication may be reproduced in any form without
the written permission of ROLAND CORPORATION.
1
Piano main unit
2
Side board (left)
3
Side board (right)
4
Speaker box
5
Pedal board
6
Stabilizers (left/right)
7
Protective sheets
8
Screws (large): 8 pcs.
9
Screws (small): 6 pcs.
10
Screws (with washers): 2 pcs.
11
Cord clamps: 2 pcs.
12
Headphone hook
* To prevent the side boards from
getting scratched, do not remove the
protective sheets
7
until you are
directed to do so.
1. Attach the side board (left)
2
and the side board (right)
3
to the speaker box
4
, and hand-tighten four of the screws
(large)
8
to fasten them provisionally (four locations).
Attach the speaker box so that the speaker cord is on the same side as
the left side board
2
.
L Mark
Speaker
cord
2
Front
Rear
R Mark
4
3
8
Screws (large): use four screws
8
MEMO
The speaker box can also be installed so that it faces toward the
rear instead of toward the front. Having the speaker box face
out the rear of the instrument allows the speakers to be directed
toward listeners when the back of the instrument faces the
audience.
Normal direction
Speaker box Speaker box
Front FrontRear Rear
When facing to the rear
2. Place the unit upright, and use the screws (small)
9
to
fasten the stabilizers
6
to the side boards
2
,
3
(six
locations).
When standing the assembled unit up, grasp near the speaker box,
and gently raise the assembly.
Take care not to attach the left and right stabilizer to the wrong sides.
Left
Right
Front
Rear
6
Screws (small): use six screws
9
3. Place the pedal board onto the metal  xtures.
If you  nd it di cult to attach the pedal board
5
, slightly loosen the
speaker box screws (large)
8
that you fastened provisionally in step 1.
5
2
3
Avoid scratches!
Putting the Pedal Board
(a lateral view)
Pedal board
5
Metal  xtures
Extend the
pedal cord
4. Remove the protective sheets
7
from each side board.
Check the Parts
1
2
3
7
7
4
5
6
6
8
9
10
11
12
When moving the unit
If you need to move the unit, close the keyboard cover and
disconnect the AC adaptor. With at least one other person
helping you, lift the unit horizontally and carry it, taking care
not to pinch your hands or drop the unit on your feet.
5. Hand-tighten the screws (large)
8
to provisionally fasten
the pedal board
5
to the side boards
2
,
3
(two locations).
3
2
5
Screws (large): use two screws
8
6. Firmly tighten each of the side board screws (four locations)
that you provisionally tightened in step 1, making sure that
they are secure.
2
3
7. Step on the pedals of the pedal board
5
, and make sure
that the rubber feet on the bottom of the pedals are in
contact with the  oor. Firmly tighten the pedal board
screws
8
(two locations) that you provisionally tightened
in step 5, making sure that they are secure.
5
8. Align the protruding screws (one each at right and left)
on the bottom of the piano
1
with the openings in the
metal  ttings on the side board
2
,
3
, then slide the piano
forward until the screws are held in place.
Place the keyboard so that it is centered, both front to back and left
to right.
NOTE
Grasp the piano
1
in the middle at the front and rear, taking care
not to pinch your hands.
1
Screws (large): use two screws
8
Used in step 9.
Front
Please don’t
get your  ngers
pinched
9. Use the screws (large)
8
to fasten the piano main unit
1
to
the side boards
2
,
3
(one each for the right and left).
Make sure to insert the screws
8
by hand and give them a few turns
by hand before using a screwdriver to tighten them.
10. Connect the speaker cord extending from the rear of the
speaker box to the piano main unit’s speaker connector.
Rear DP90/DP90S
Hold and insert the cord so that the
clip portion extends into the stand
and is securely connected.
Speaker connector
Clip
portion
Speaker cord
11. Use screws (with washers)
10
to fasten the headphone hook
12
.
Screws (with washers): use two screws
10
12. Connect the AC adaptor to the DC In jack, the pedal cord to
the Pedal jack.
Firmly plug the AC adaptor
and the pedal cord all the way
into the sockets.
Pedal cord
AC adaptor
13. Connect the supplied AC adaptor and power cord.
Place the AC adaptor so the side with the indicator faces upwards and
the side with textual information faces downwards. The indicator will
light when you plug the AC adaptor into an AC outlet.
To AC outlet
Power cord
14. As necessary, affi x cord clamps to fasten the pedal cord.
Cord clamps
Example attachment location
62
* 5 1 0 0 0 2 8 3 8 0 - 0 2 *
Assembling the DP90/DP90S
* To ensure that you assemble this unit correctly, please read this manual carefully
before you begin assembly. Keep this manual nearby for reference when needed.
* Keep this unit horizontal when lifting it during assembly or transport.
* Be careful not to pinch your hands or drop this unit on your foot during assembly or
transport.
* You must obtain the assistance of at least one additional person when assembling or
transporting this unit.
* Keep small parts such as screws, stabilizers, and cord clamps out of the reach of small
children to ensure that these items are not swallowed accidentally.
* The screwdriver needed for assembly is not included. You’ll need have a Phillips
screwdriver on hand.
* Hand-tighten the screws  rst, and then tighten them  rmly. Start by tightening the
screws until they are approximately half hidden. Do not use a power screwdriver
when tightening the screws to their  nal position. Doing so may strip the threads.
* Tighten the screws  rmly, and place the unit at a location that is level and sure to
remain stable. Never place the unit on a shag carpet. If you do so, the pedal may be
unstable, causing damage.
* Do not place the body of the piano directly on the  oor. By doing so, you risk damag-
ing the bottom of the piano, the jacks on the bottom of the piano, and the USB case.
Copyright © 2012 ROLAND CORPORATION
All rights reserved. No part of this publication may be reproduced in any form without
the written permission of ROLAND CORPORATION.
1
Piano main unit
2
Side board (left)
3
Side board (right)
4
Speaker box
5
Pedal board
6
Stabilizers (left/right)
7
Protective sheets
8
Screws (large): 8 pcs.
9
Screws (small): 6 pcs.
10
Screws (with washers): 2 pcs.
11
Cord clamps: 2 pcs.
12
Headphone hook
* To prevent the side boards from
getting scratched, do not remove the
protective sheets
7
until you are
directed to do so.
1. Attach the side board (left)
2
and the side board (right)
3
to the speaker box
4
, and hand-tighten four of the screws
(large)
8
to fasten them provisionally (four locations).
Attach the speaker box so that the speaker cord is on the same side as
the left side board
2
.
L Mark
Speaker
cord
2
Front
Rear
R Mark
4
3
8
Screws (large): use four screws
8
MEMO
The speaker box can also be installed so that it faces toward the
rear instead of toward the front. Having the speaker box face
out the rear of the instrument allows the speakers to be directed
toward listeners when the back of the instrument faces the
audience.
Normal direction
Speaker box Speaker box
Front FrontRear Rear
When facing to the rear
2. Place the unit upright, and use the screws (small)
9
to
fasten the stabilizers
6
to the side boards
2
,
3
(six
locations).
When standing the assembled unit up, grasp near the speaker box,
and gently raise the assembly.
Take care not to attach the left and right stabilizer to the wrong sides.
Left
Right
Front
Rear
6
Screws (small): use six screws
9
3. Place the pedal board onto the metal  xtures.
If you  nd it di cult to attach the pedal board
5
, slightly loosen the
speaker box screws (large)
8
that you fastened provisionally in step 1.
5
2
3
Avoid scratches!
Putting the Pedal Board
(a lateral view)
Pedal board
5
Metal  xtures
Extend the
pedal cord
4. Remove the protective sheets
7
from each side board.
Check the Parts
1
2
3
7
7
4
5
6
6
8
9
10
11
12
When moving the unit
If you need to move the unit, close the keyboard cover and
disconnect the AC adaptor. With at least one other person
helping you, lift the unit horizontally and carry it, taking care
not to pinch your hands or drop the unit on your feet.
5. Hand-tighten the screws (large)
8
to provisionally fasten
the pedal board
5
to the side boards
2
,
3
(two locations).
3
2
5
Screws (large): use two screws
8
6. Firmly tighten each of the side board screws (four locations)
that you provisionally tightened in step 1, making sure that
they are secure.
2
3
7. Step on the pedals of the pedal board
5
, and make sure
that the rubber feet on the bottom of the pedals are in
contact with the  oor. Firmly tighten the pedal board
screws
8
(two locations) that you provisionally tightened
in step 5, making sure that they are secure.
5
8. Align the protruding screws (one each at right and left)
on the bottom of the piano
1
with the openings in the
metal  ttings on the side board
2
,
3
, then slide the piano
forward until the screws are held in place.
Place the keyboard so that it is centered, both front to back and left
to right.
NOTE
Grasp the piano
1
in the middle at the front and rear, taking care
not to pinch your hands.
1
Screws (large): use two screws
8
Used in step 9.
Front
Please don’t
get your  ngers
pinched
9. Use the screws (large)
8
to fasten the piano main unit
1
to
the side boards
2
,
3
(one each for the right and left).
Make sure to insert the screws
8
by hand and give them a few turns
by hand before using a screwdriver to tighten them.
10. Connect the speaker cord extending from the rear of the
speaker box to the piano main unit’s speaker connector.
Rear DP90/DP90S
Hold and insert the cord so that the
clip portion extends into the stand
and is securely connected.
Speaker connector
Clip
portion
Speaker cord
11. Use screws (with washers)
10
to fasten the headphone hook
12
.
Screws (with washers): use two screws
10
12. Connect the AC adaptor to the DC In jack, the pedal cord to
the Pedal jack.
Firmly plug the AC adaptor
and the pedal cord all the way
into the sockets.
Pedal cord
AC adaptor
13. Connect the supplied AC adaptor and power cord.
Place the AC adaptor so the side with the indicator faces upwards and
the side with textual information faces downwards. The indicator will
light when you plug the AC adaptor into an AC outlet.
To AC outlet
Power cord
14. As necessary, affi x cord clamps to fasten the pedal cord.
Cord clamps
Example attachment location
1. DC In jack
63
Operation Guide Panel Descriptions Before You Play Performing Practicing
Convenient Functions
Appendix
Function Mode
A
a . . . . . . . . . . . . . . . . . . . . . . . . . . . 24
A . . . . . . . . . . . . . . . . . . . . . . . . . . . 24
AB Repeat . . . . . . . . . . . . . . . . 9, 28
Accompaniment part . . . . . . . 26
All Songs Play . . . . . . . . . . . . . . 25
Ambience . . . . . . . . . . . . . . . . 6, 18
[Ambience] button . . . . . . . . . 18
Audio Recording . . . . . . . . . . . . 34
Audio Transpose . . . . . . . . . . . . 35
Auto O . . . . . . . . . . . . . . . . . 39, 50
B
b . . . . . . . . . . . . . . . . . . . . . . . . . . . 24
Backup . . . . . . . . . . . . . . . . . . . . . 50
Brilliance . . . . . . . . . . . . . . . . . 6, 18
[Brilliance] button . . . . . . . . . . 18
[
] (Bwd) button . . . . . . . 24
C
c . . . . . . . . . . . . . . . . . . . . . . . . . . . 24
Cabinet . . . . . . . . . . . . . . . . . . . . 47
Cabinet Resonance . . . . . . . . . 47
Center Cancel . . . . . . . . . . . . . . 35
Center Pedal . . . . . . . . . . . . . . . . 48
Converting a Song . . . . . . . . . . 33
Copy Song . . . . . . . . . . . . . . 40, 48
Count-in . . . . . . . . . . . . . . . . . . . . 23
CPdl Fnc . . . . . . . . . . . . . . . . . . . . 48
D
Damper Pedal . . . . . . . . . . . . . . 10
Damper Pedal Part . . . . . . . . . . 48
Damper Resonance . . . . . . . . . 46
DC In Jack . . . . . . . . . . . . . . . . . . 11
Delete Song . . . . . . . . . . . . . 40, 48
Del Song . . . . . . . . . . . . . . . . . . . 48
Display . . . . . . . . . . . . . . . . . . . . . . . 8
Dmpr Res . . . . . . . . . . . . . . . . . . . 46
DPdl Prt . . . . . . . . . . . . . . . . . . . . 48
Dual Bal . . . . . . . . . . . . . . . . . . . . 46
Dual Balance . . . . . . . . . . . . . . . 46
Dual Play . . . . . . . . . . . . . . . . . . . 15
DynHarmo . . . . . . . . . . . . . . . . . 47
E
Eects . . . . . . . . . . . . . . . . . . . . . . 14
[E. Piano] button . . . . . . . . . . . . 14
Erasing . . . . . . . . . . . . . . . . . . . . . 30
F
Factory Reset . . . . . . . . . . . . 39, 50
[
] (Fast) button . . . . . . . . . . . 22
FctReset . . . . . . . . . . . . . . . . . . . . 50
Format . . . . . . . . . . . . . . . . . . . . . 48
Format Media . . . . . . . . . . . 41, 48
Function Mode . . . . . . . . . . . . . 46
[
] (Fwd) button . . . . . . . . 24
H
Headphone hook . . . . . . . . . . . 10
Headphones 3D Ambi-
ence . . . . . . . . . . . . . . . . . . . . 11, 46
I
Input Jack . . . . . . . . . . . . . . . . . . 11
Internal Song List . . . . . . . . . . . 55
Ivory Feel Keyboard . . . . . . . . . 61
K
Key O Resonance . . . . . . . . . . 47
Key Touch . . . . . . . . . . . . . . . . 6, 19
Ko Res . . . . . . . . . . . . . . . . . . . . 47
L
Left-hand part . . . . . . . . . . . . . . 26
Local Control . . . . . . . . . . . . . . . 48
LocalCtl . . . . . . . . . . . . . . . . . . . . 48
M
Master Tuning . . . . . . . . . . . . . . 46
Memory Backup . . . . . . 6, 39, 50
Metronome . . . . . . . . . . . . . . 8, 22
[Metronome] button . . . . . . . . 22
Metronome’s Volume . . . . . . . 23
MIDI Ch . . . . . . . . . . . . . . . . . . . . 48
MIDI Transmit Channel . . . . . . 48
MIDI Visual Control . . . . . . . . . 49
Mute Volume . . . . . . . . . . . . . . . 27
Muting . . . . . . . . . . . . . . . . . . . . . 26
N
NoteChar . . . . . . . . . . . . . . . . . . . 47
Note Character . . . . . . . . . . . . . 47
Note Vol . . . . . . . . . . . . . . . . . . . . 47
Note Volume . . . . . . . . . . . . . . . 47
O
Octave Shift . . . . . . . . . . . . . . . . 47
Oct Shft . . . . . . . . . . . . . . . . . . . . 47
Opening the Lid . . . . . . . . . . . . 12
[Other] button . . . . . . . . . . . . . . 14
Output Jacks . . . . . . . . . . . . . . . 11
Overdubbing . . . . . . . . . . . . . . . 30
P
Panel Lock . . . . . . . . . . . . . . . . 9, 42
Part . . . . . . . . . . . . . . . . . . . . . . . . 26
Part Mute. . . . . . . . . . . . . . . . . . . 26
Pedal connector . . . . . . . . . . . . 11
Phones jacks. . . . . . . . . . . . . . . . 11
Piano [Grand] button . . . . . . . 14
Piano [Upright] button . . . . . . 14
Playback . . . . . . . . . . . . . . . . . . . . . 9
Playing a Song . . . . . . . . . . . . . . 24
[
] (Play/Stop) button 24
Power On/O . . . . . . . . . . . . . . . 13
[Power] switch . . . . . . . . . . . . . . 10
R
[
] (Rec) button . . . . . . . . . . . 24
Rec Mode . . . . . . . . . . . . . . . . . . 48
Recording . . . . . . . . . . . . . . . . 9, 29
Recording Mode . . . . . . . . . . . . 48
Renaming a Song . . . . . . . . . . . 38
[
] (Reset) button. . . . . . . . . 24
Right-hand part . . . . . . . . . . . . 26
S
S . . . . . . . . . . . . . . . . . . . . . . . . . . . 24
Save Song . . . . . . . . . . . . . . . . . . 48
Saving . . . . . . . . . . . . . . . . . . . . . . 30
Selecting a Song . . . . . . . . . . 8, 24
[
] (Slow) button . . . . . . . . . . 22
SMF Recording . . . . . . . . . . . . . 29
Soft Pedal . . . . . . . . . . . . . . . . . . 10
Song Balance . . . . . . . . . . . . . 6, 25
[Song Balance] button . . . . . . 25
[Song] button . . . . . . . . . . . . . . 24
Sostenuto Pedal . . . . . . . . . . . . 10
SoundBoard Behavior . . . . . . . 47
SoundBrd . . . . . . . . . . . . . . . . . . 47
Split Play . . . . . . . . . . . . . . . . . 7, 16
Split Point . . . . . . . . . . . . . . . . . . 17
Stretch . . . . . . . . . . . . . . . . . . . . . 47
Stretch Tuning . . . . . . . . . . . . . . 47
Strg Res . . . . . . . . . . . . . . . . . . . . 47
String Resonance . . . . . . . . . . . 47
[Strings] button . . . . . . . . . . . . . 14
T
Temperament Key . . . . . . . . . . 46
Tempo . . . . . . . . . . . . . . . 8, 22, 26
Tempo Mute . . . . . . . . . . . . . . . . 26
Temprmnt . . . . . . . . . . . . . . . . . . 46
Time Signature . . . . . . . . . . . 8, 22
Tmpr Key . . . . . . . . . . . . . . . . . . . 46
Tone Buttons . . . . . . . . . . . . . . . . . 7
Tone Demo . . . . . . . . . . . . . . . . . 14
Tone groups . . . . . . . . . . . . . . . . 14
Tone List . . . . . . . . . . . . . . . . . . . 54
Transpose . . . . . . . . . . . . . . . . 6, 21
[Transpose] button . . . . . . . . . 21
Transpose Mode . . . . . . . . . . . . 47
Trnspose . . . . . . . . . . . . . . . . . . . 47
Tuning . . . . . . . . . . . . . . . . . . . . . 46
Twin Piano . . . . . . . . . . . . . . . 7, 20
[Twin Piano] button . . . . . . . . . 20
Twin Piano Mode . . . . . . . . . . . 20
U
U . . . . . . . . . . . . . . . . . . . . . . . . . . . 24
USB computer port . . . . . . . . . 10
USB Driver . . . . . . . . . . . . . . . . . . 49
USB Drv . . . . . . . . . . . . . . . . . . . . 49
USB Memory Mode . . . . . . . . . 49
USB memory port . . . . . . . . . . 10
USB Mode . . . . . . . . . . . . . . . . . . 49
V
VC Ch . . . . . . . . . . . . . . . . . . . . . . 49
VC Mode . . . . . . . . . . . . . . . . . . . 49
Visual Control Channel . . . . . . 49
Visual Control Function Chart 49
Visual Control Mode . . . . . . . . 49
V-LINK . . . . . . . . . . . . . . . . . . . . . . 49
VolLimit . . . . . . . . . . . . . . . . . . . . 50
Volume Limit . . . . . . . . . . . . . . . 50
W
Wireless . . . . . . . . . . . . . . . . . . . . 50
Index
64
65
Operation Guide Panel Descriptions Before You Play Performing Practicing
Convenient Functions
Appendix
Function Mode
For EU Countries
For China
66
For the USA
DECLARATION OF CONFORMITY
Compliance Information Statement
Model Name :
Type of Equipment :
Responsible Party :
Address :
Telephone :
DP90, DP90S
Digital Piano
Roland Corporation U.S.
5100 S. Eastern Avenue, Los Angeles, CA 90040-2938
(323) 890-3700
IMPORTANT: THE WIRES IN THIS MAINS LEAD ARE COLOURED IN ACCORDANCE WITH THE FOLLOWING CODE.
BLUE:
BROWN:
As the colours of the wires in the mains lead of this apparatus may not correspond with the coloured markings identifying
the terminals in your plug, proceed as follows:
The wire which is coloured BLUE must be connected to the terminal which is marked with the letter N or coloured BLACK.
The wire which is coloured BROWN must be connected to the terminal which is marked with the letter L or coloured RED.
Under no circumstances must either of the above wires be connected to the earth terminal of a three pin plug.
NEUTRAL
LIVE
For the U.K.
This product complies with the requirements of EMC Directive 2004/108/EC.
For EU Countries
For the USA
FEDERAL COMMUNICATIONS COMMISSION
RADIO FREQUENCY INTERFERENCE STATEMENT
This equipment has been tested and found to comply with the limits for a Class B digital device, pursuant to Part 15 of the
FCC Rules. These limits are designed to provide reasonable protection against harmful interference in a residential
installation. This equipment generates, uses, and can radiate radio frequency energy and, if not installed and used in
accordance with the instructions, may cause harmful interference to radio communications. However, there is no guarantee
that interference will not occur in a particular installation. If this equipment does cause harmful interference to radio or
television reception, which can be determined by turning the equipment off and on, the user is encouraged to try to correct the
interference by one or more of the following measures:
– Reorient or relocate the receiving antenna.
– Increase the separation between the equipment and receiver.
– Connect the equipment into an outlet on a circuit different from that to which the receiver is connected.
– Consult the dealer or an experienced radio/TV technician for help.
This device complies with Part 15 of the FCC Rules. Operation is subject to the following two conditions:
(1) this device may not cause harmful interference, and
(2) this device must accept any interference received, including interference that may cause undesired operation.
This equipment requires shielded interface cables in order to meet FCC class B limit.
Any unauthorized changes or modifications not expressly approved by the party responsible for compliance could void the user’s
authority to operate the equipment.
WARNING
This product contains chemicals known to cause cancer, birth defects and other reproductive harm, including lead.
For C.A. US
(
Proposition 65
)
For Canada
CAN ICES-3 (B)/NMB-3 (B)
For Korea
67
Operation Guide Panel Descriptions Before You Play Performing Practicing
Convenient Functions
Appendix
Function Mode
* 5 1 0 0 0 3 6 7 8 2 - 0 1 *
* 5 1 0 0 0 3 6 7 8 2 - 0 2 *
32


Need help? Post your question in this forum.

Forumrules


Report abuse

Libble takes abuse of its services very seriously. We're committed to dealing with such abuse according to the laws in your country of residence. When you submit a report, we'll investigate it and take the appropriate action. We'll get back to you only if we require additional details or have more information to share.

Product:

For example, Anti-Semitic content, racist content, or material that could result in a violent physical act.

For example, a credit card number, a personal identification number, or an unlisted home address. Note that email addresses and full names are not considered private information.

Forumrules

To achieve meaningful questions, we apply the following rules:

Register

Register getting emails for Roland DP90Se at:


You will receive an email to register for one or both of the options.


Get your user manual by e-mail

Enter your email address to receive the manual of Roland DP90Se in the language / languages: English as an attachment in your email.

The manual is 32,29 mb in size.

 

You will receive the manual in your email within minutes. If you have not received an email, then probably have entered the wrong email address or your mailbox is too full. In addition, it may be that your ISP may have a maximum size for emails to receive.

The manual is sent by email. Check your email

If you have not received an email with the manual within fifteen minutes, it may be that you have a entered a wrong email address or that your ISP has set a maximum size to receive email that is smaller than the size of the manual.

The email address you have provided is not correct.

Please check the email address and correct it.

Your question is posted on this page

Would you like to receive an email when new answers and questions are posted? Please enter your email address.



Info