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4.
Conserver
le
bras
gauche
l6gdrement
en
appui
contre
le
corps
tandis que
le
boitier
doit
venir
en
contact
avec
le
front
quand
on
regarde
dans
le
viseur.
ll
est
important
que
la
prise
de
vues
ait
lieu
avec
une
bon-
ne
position
du
corps
pour
6viter
les
flous
de
bou96
ou les
cadrages
inclin6s.
MISE
AU
POINT
Regarder
dans
le
viseur
pour
faire
votre
composition,
cadrer
et
faire
la
mise
au
point
en
tournant
la
bague
de
mise
au
point.
ll
est
possible
de
faire
la
mise
au
point
en
utilisant
la
plage
centrafe
stigmom6trique.
(Figure
22,
23)
Mise
au
point
par
stigmomdtre
Une
mise
au
point
pr6cise
est
r6aris6e quand
res
deux
moiti6s
d'image
ne
forment
plus
qu,une
seule
image
dansla
plage
stig_
mom6trique.
REBOBINAGE
DU
FILM
(ll
faut
toujours
6viter
de
d6charger
la
cartouche
de
film
en
plein
soleil)
Ouand
la
dernidre
vue
est
prise,
le film
doit
6tre
rebobin6.
4.
Den
linken
Arm
leicht gegen
den
Kclrper
drticken;
beim
Blicken
durch
den
Sucher
sollte
die
Kamera
leicht
die
Stirn
bertihren.
Fotografieren
mit
richtiger
Korperhaltung
ist
whichting,
um
verwackelte
oder
schrdgegestellte
Aufnahmen
zu
ver_
meiden.
SCHARFEINSTELLUNG
Durch
den
Sucher
blicken,
um
den
gewtinschten
Bildaus_
schnitt
zu
wrihlen,
dann
die
Scharfeinstellung
durch
Dre_
hen
des
Scharfeinstellringes
vornehmen.
,Die
Scharfeinstellung
kann
mit Hilfe
des
mittleren
Schnitt_
ollo
lndtkators.
(Abb.
22,231
Schnittbild-scharf
einstellung
Wenn
die
beiden
Schnittbildhdlften
im
Schnittbildindika_
tor
zur
Deckung
kommen
ist
das
Motiv
scharfeingestellt
ZURUCKSPULEN
DES
FILMES
(Beim
Herausnehmen
der
Filmpatrone
stets
direktes
Sonnenlicht
vermeiden.)
Nachdem
die
letzte
Aufnahme
gemacht
worden
ist,
den
Film
zurtickspulen.
:!S&*r*..'r&*l,.
,...:
29
16


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