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Red Scarlet X 3.2 - 2012 Manual

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COPYRIGHT © 2012 RED Digital Cinema 955-0003_v3.2, Rev-A1
18
MULTI CAMERA SHOOTS
The scheme provides flexibility to uniquely identify Clips from different cameras on a multi-camera shoot.
For example three cameras, slated as camera A, camera B, and camera C respectively, can generate
these easily recognizable clips on their respective digital media Magazines.
A001_C001_0502**.RDC B001_C001_0502**.RDC C001_C001_0502**.RDC
3D (STEREO) CAMERA SHOOTS
The scheme also allows unique identification of Clips from left and right eye cameras on a stereo shoot.
For example two cameras, both slated as Camera S, can generate these easily recognizable clips on their
respective digital media Magazines.
S001_L001_0502**.RDC S001_R001_0502**.RDC
For more information refer to APPENDIX F: 3D SETUP / OPERATION > CLIP NAMING CONVENTIONS.
SMPTE TIMECODE
Time Code (TC) is a SMPTE timecode track that synchronizes to the camera’s high precision internal
clock, or if operated in Jam Sync mode, references to an externally supplied SMPTE master timecode
signal. TC is a sequential code that is continuous from frame to frame, but is discontinuous from clip to
clip.
Edge Code (EC) is a SMPTE timecode track that always starts at 1.00.00.00 on the first frame recorded to
the digital media. It is a sequential code that is continuous from frame to frame and also continuous from
clip to clip. EC is equivalent to RUN RECORD commonly found on broadcast cameras.
Irrespective of the timecode mode selected, once recording starts the camera’s timecode counter will
update at the same instantaneous frame rate as the recording. This ensures that a valid SMPTE timecode
value is created for every frame in the clip, eliminating any timecode count jumps that could affect
playback or editing.
If operating in Jam Sync mode referenced to an external timecode source, the clip’s master time reference
point is the first frame of the recorded clip.
NOTE: When in Loop Record mode, Edge Code will also become discontinuous from clip to clip,
because frames copied into the cache memory are discarded. This may lead to editing difficulties
with postproduction applications that assume continuous timecode.
POWER CONSUMPTION
The camera draws approximately 60 watts when recording in 4K resolution, 24fps MOVIE mode. The
camera is cooled by convection from the camera body assisted by a fan contained in a sealed air duct.
Under typical operating conditions, a REDVOLT
®
battery will run the camera and accessories for about 30
minutes and a REDVOLT
®
XL battery will run the camera and accessories for about 90 minutes.
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