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RED EPIC OPERATION GUIDE
COPYRIGHT © 2013 RED.COM, INC
955-0002_v4.0, Rev-A | 186
microphones with 3.5 mm TRS plug.
LINE IN 0 DBU
Fixed input gain with limiter settings if limiter is enabled. (Only available with the PRO-I/O MODULE.)
LINE IN 0 VU
Same gain as 0 dBu but different compression/limiter settings if enabled. If no limiter is enabled, Line In 0
dBu and Line In 0 VU behave the same. (Only available with the PRO-I/O MODULE.)
PHANTOM POWER
Audio inputs that are set to BALANCED MICROPHONE input can enable the 48V phantom power on a per-
channel basis.
NOTE: Phantom Power is not available on non-upgraded EPIC-M’s and early EPIC-X. If your camera does
not allow you to select PHANTOM POWER, please contact your Bomb Squad representative for upgrade
information.
LIMITER
A limiter can be added to the analog input signal chain that adds about 12dB dynamic headroom to avoid
clipping on signal spikes. While it is best practice to use an external audio mixer to control the signal
strength the limiter can be used in more dynamic environments where an external mixer is not practical to
reduce the risk of clipped audio samples.
NOTE: The limiter is not available on non-upgraded EPIC-M’s and early EPIC-X. Please contact your Bomb
Squad representative for upgrade information.
AUDIO RECORDING
Audio Recording is enabled if any of the input channel pairs are set to anything other than NONE. For
successful audio recording, the following parameters need to be set correctly:
At least one channel pair has a currently present source selected
Input gain is set correctly so that the Peak Meter shows valid data
None of the following modes are enabled:
Varispeed mode (framerate differs from project rate)
Single frame MoCo mode
Timelapse mode
Ramp mode
Single frame stills mode
NOTE: Even if audio is not recorded (in varispeed, single frame, timelapse, or ramp mode), audio will be
passed through to the headphones.
186


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